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Riddim
Riddim is the Jamaican Patois pronunciation of the English word "rhythm". In the context of reggae and dancehall, it refers to the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the ''riddim'' plus the ''voicing'' (vocal part) sung by the deejay. The resulting song structure is distinctive in many ways. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but also in live performances. Since the 1970s, riddims have accompanied reggae music and through the 1980s, more widely known as dancehall. As seen in dancehall music, there is a voicing part – sung by the DJ – over some riddim that has probably been widely used in many other songs. There is a unique establishment in the combination of riddims and voicing. By 1993, Jamaica finally established a copyright act, but producers still face difficulty in establishing profit. Through proper regist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riddim (genre)
Riddim is a subgenre of dubstep known for its heavy use of repetitive and minimalist sub-bass and triplet percussion arrangements. It shares the same name as the Jamaican genre that influenced both it and dubstep, which originally derived from dub, reggae, and dancehall. Originating in the United Kingdom, specifically Croydon, in the early 2010s as a resurgence of the style used by early dubstep works, riddim had started to gain mainstream presence in the electronic music scene around 2015. Despite receiving criticism for its sometimes repetitive drops, it has grown in popularity due to various well-known electronic music DJs playing songs of the subgenre in their live sets as well as various well-known electronic music artists producing the genre. History Origins and evolution The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm", with the genre sharing a name with the genre it is primarily derived from. The derived genre originally stemmed from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riddim (EDM)
Riddim is a subgenre of dubstep known for its heavy use of repetitive and minimalist sub-bass and triplet percussion arrangements. It shares the same name as the Jamaican genre that influenced both it and dubstep, which originally derived from dub, reggae, and dancehall. Originating in the United Kingdom, specifically Croydon, in the early 2010s as a resurgence of the style used by early dubstep works, riddim had started to gain mainstream presence in the electronic music scene around 2015. Despite receiving criticism for its sometimes repetitive drops, it has grown in popularity due to various well-known electronic music DJs playing songs of the subgenre in their live sets as well as various well-known electronic music artists producing the genre. History Origins and evolution The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm", with the genre sharing a name with the genre it is primarily derived from. The derived genre originally stemmed from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dubstep
Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass.Reynolds, S.(2012),''Energy Flash: A Journey Through Rave Music and Dance Culture,'' Perseus Books; Reprint edition (5 January 2012), pages 511–516, (). In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s. Dubstep is generally characterised by the use of syncopated rhythmic patterns, prominent basslines, and a dark tone. In 2001, this underground sound and other strains of garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylised as FWD>>), and on the pirate radio station Rinse FM, which went on to be considerably influential to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to furth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggaeton
Reggaeton (, ), also known as reggaetón and reguetón (), is a music style that originated in Panama during the late 1980s. It was later popularized in Puerto Rico. It has evolved from dancehall and has been influenced by American Hip hop music, hip hop, Latin American music, Latin American, and Caribbean music. Vocals include rapping and singing, typically in Spanish. Reggaeton is regarded as one of the most popular music genres in the Caribbean Spanish, Spanish-speaking Caribbean, including Puerto Rico, Panama, Dominican Republic, Cuba, Colombia, and Venezuela. Over the 2010s, the genre has seen increased popularity across Latin America, as well as acceptance within Pop music, mainstream Western music. Etymology The word ''reggaeton'' (formed from the word ''reggae'' plus the augmentative suffix ) was first used in 1988 when El General's representative Michael Ellis gave it that name to describe it as "''reggae grande''" (big reggae). The spellings ''reggaeton'' and ''r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steven "Lenky" Marsden
Steven "Lenky" Marsden is a Jamaican-born music producer and musician who specializes primarily in dancehall reggae music. He also arranges and remixes pop and hip hop songs. Marsden is the founder of the Jamaica-based label, 40/40 Records and was a former member of singjay Buju Banton's band. He is best known for his dancehall riddim Diwali, which had three songs that reached the number one, two, and eleven spots on the ''Billboard'' charts featuring the artist Sean Paul, Lumidee (a slightly altered version eventually credited to Marsden), and Wayne Wonder, respectively. He also produced the Masterpiece riddim that became a hit because of Sean Paul's song " Ever Blazin'". He is a satellite member of Sly and Robbie's Taxi label. Marsden was awarded the 2004 ASCAP songwriter of the year. He was recognized for "Never Leave You (Uh Oooh, Uh Oooh)", " No Letting Go", and "Get Busy", which also won for song of the year. Partial discography * 1998 Heads Roll riddim * 1999 Keep on Ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dem Bow
"Dem Bow" is a song performed by Jamaican reggae artist Shabba Ranks, produced by Bobby Digital. This song uses the "Ku-Klung-Klung"/"Poco Man Jam" riddim (based on the title of the 1990 Gregory Peck and Red Dragon song) created by Jamaican producers Steely & Clevie in the late 1980s. The lyrics are anti-imperialist (the title is Jamaican patois for "they bow," with Ranks disparaging people who do so) and also anti-oral sex, as Ranks compares those who perform sodomy to those who submit to colonialism. Elements of the song's riddim have been incorporated into over 80% of all reggaeton productions. Evidently, "Dem Bow" has shaped and informed transnational flows and shifts within the genre over time. Reggaeton articulates a particular “audible thread” that weaves together various flows (and waves) of music, people, and ideologies. In examining this musical evolution, aspects of race, class, and culture are inextricably linked to sociocultural elements surrounding the genre. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Groove (music)
In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of " swing". In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section (e.g. drums, electric bass or double bass, guitar, and keyboards). Groove is a significant feature of popular music, and can be found in many genres, including salsa, rock, soul, funk, and fusion. From a broader ethnomusicological perspective, groove has been described as "an unspecifiable but ordered sense of something that is sustained in a distinctive, regular and attractive way, working to draw the listener in." Musicologists and other scholars have analyzed the concept of "groove" since around the 1990s. They have argued that a "groove" is an "understanding of rhythmic patterning" or "feel" and "an intuitive sense" of "a cycle in motion" that emerges from "carefully aligned concurrent rhythmic patterns" t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elephant Man (musician)
Oneal Bryan (born 1975), better known by his stage name Elephant Man, is a Jamaican dancehall musician, having formerly been a member of the dancehall group Scare Dem Crew prior to his solo career. Career He started out his musical career in 1995 as a member of the Scare Dem Crew, later continuing as a solo artist. He was later characterised for several trademarks, such as his dyed yellow-orange hair, his unique low-key voice, and his stage performance, which included jumping and running, or even climbing on stage props and monitors. His acoustic trademark is a low, raspy grumble singing voice and light lisp. Bryan had his first international recognition when he and Puma settled a contract for using his single "All Out" for its Olympics commercial campaign in 2004. His song "Willie Bounce" appeared on several mixtapes in early 2006. It used the first few bars from "I Will Survive" by Gloria Gaynor. "Willie Bounce" has been described as one of Elephant Man's most recognisable s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sean Paul
Sean Paul Ryan Francis Henriques OD (born 9 January 1973) is a Jamaican rapper and singer who is regarded as one of dancehall's most prolific artists. Paul's singles "Get Busy" and "Temperature" topped the ''Billboard'' Hot 100 chart in the United States and most of his albums have been nominated for the Grammy's Best Reggae Album, with ''Dutty Rock'' winning the award. Paul has also been featured in many other singles including chart-toppers " Baby Boy" with Beyoncé, "What About Us" by The Saturdays, " Rockabye" by Clean Bandit, and " Cheap Thrills" by Sia. As well as his own top ten UK hit " No Lie" (featuring the Youngest English-Albanian singer Dua Lipa), the EP's lead single. " No Lie" and " Cheap Thrills"and " Rockabye", each have over 1 billion views on YouTube, with "Rockabye" having reached over 2.7 billion views. Early life Sean Paul Ryan Francis Henriques was born in Kingston, Jamaica, on 9 January 1973. His mother Frances, a painter, is of English and Chine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
