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Red-figure
Red-figure pottery () is a style of Pottery of ancient Greece, ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the natural red or orange color of the clay. It developed in Athens around 520 BC and remained in use until the late 3rd century AD. It replaced the previously dominant style of black-figure pottery within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Magna Graecia, Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Ancient Greece, Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pottery Of Ancient Greece
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek Society#Politics and society, Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout History of the Mediterranean, the Mediterranean, such as the Etruscan civilization, Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', 2nd Edition, 641–644. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belly Amphora By The Andokides Painter (Munich 2301)
The Belly Amphora in the Staatliche Antikensammlungen at Munich (inventory number 2301) is one of the most famous works by the Andokides Painter. The vase measures 53.5 cm high and 22.5 cm in diameter. It dates to between 520 and 510 BC and was discovered at Vulci. It was acquired by Martin von Wagner, an agent of Ludwig I of Bavaria. As a bilingual vase, it is an important archaeological source for the transition from attic black-figure pottery to the red-figure style. Bilingual vases are uncommon, and ones that repeat the same subject in the two styles are vanishingly rare; the vase is therefore very often used to illustrate the differences between the two techniques. It is signed by the potter Andokides, who probably made it. Some scholars assume that the black-figure side was painted by the Lysippides Painter, while others suggest that he is identical with the Andokides Painter. Description The Andokides Painter is generally considered to be the inventor of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphronios Krater Antikensammlung Berlin
Euphronios (; c. 535 – after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called " Pioneer Group," (a modern name given to a group of vase painters who were instrumental in effecting the change from black-figure to red-figure pottery), Euphronios was one of the most important artists of the red-figure technique. His works place him at the transition from Late Archaic to Early Classical art, and he is one of the first known artists in history to have signed his work. General considerations The discovery of Greek vase painters In contrast to other artists, such as sculptors, no Ancient Greek literature sources refer specifically to vase painters. The copious literary tradition on the arts hardly mention pottery. Thus, reconstruction of Euphronios's life and artistic development—like that of all Greek vase painters—can only be derived from his works. Modern scientific study of Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andokides Painter
Andokides was an ancient Athenian vase painter, active from approximately 530 to 515 BC. His work is unsigned and his true name unknown. He was identified as a unique artistic personality through stylistic traits found in common among several paintings. This corpus was then attributed by John D. Beazley to the Andokides Painter, a name derived from the potter Andokides (potter), Andokides, whose signature appears on several of the vases bearing the painter's work. He is often credited with being the originator of the red-figure vase painting technique. To be sure, he is certainly one of the earliest painters to work in the style. In total, fourteen amphorae and two cups are attributed to his hand. Six of the amphorae are "Bilingual vase painting, bilingual", meaning they display both Red-figure pottery, red-figure and Black-figure pottery, black-figure scenes. Biography Several details regarding the artistic biography of the Andokides Painter have been suggested through connoiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bilingual Pottery
Bilingual vase painting is a special form of ancient Greek vase painting. The term, derived from linguistics, is essentially a metaphorical one; it describes vases that are painted both in the black-figure and in the red-figure techniques. It also describes the transitional period when black-figure was being gradually replaced in dominance by red-figure, basically the last quarter of the 6th and the very beginning of the 5th century BC. Their appearance may be due to the initial uncertainty of the market for the new red-figure style, although that style subsequently became dominant rather fast. History Bilingual vase painting was almost entirely restricted to belly amphorae of type B and to eye-cups. In some cases, either side of an amphora bore a depiction of the same motif, one in black-figure, the other in red-figure (e.g. on the belly amphora by the Andokides Painter, Munich 2301). Eye-cups usually feature a black-figure image on the interior, and red-figure motifs on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Beazley
Sir John Davidson Beazley (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was professor of classical archaeology and art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He won the Gaisford Prize in Greek composition for "Herodotus at the Zoo", a parody of Herodotus in which the historian visits London Zoo. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford, Beazley became a close friend of the poet James Elroy Flecker. They were perhaps lovers, as A. L. Rowse suggested in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Dale Trendall
Arthur Dale Trendall, (28 March 1909 – 13 November 1995) was a New Zealand art historian and classical archaeologist whose work on identifying the work of individual artists on Greek ceramic vessels at Apulia and other sites earned him international prizes and a papal knighthood. Life Educated at the University of Otago (1926–29) and the University of Cambridge (1931–33), Trendall was professionally associated with the University of Sydney and Australian National University. He was Deputy Vice-Chancellor and Master of University House at the latter institution. From 1969 until his death he was Resident Fellow at La Trobe University in Melbourne. Wartime service In January 1940, with the encouragement of the Australian Army, Trendall, together with some colleagues at the University of Sydney, began to study Japanese codes. The others were the mathematicians Thomas Gerald Room and Richard Lyons and the classicist Athanasius Treweek. In May 1941 Room and Treweek a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slip (ceramics)
A slip is a clay slurry used to produce pottery and other ceramic wares. Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body (pieces of pottery) together by slipcasting with mould, glazing or decorating the pottery by painting or dipping the pottery with slip.What is slip in pottery thepotterywheel.com, accessed 10 July 2021. Pottery on which slip has been applied either for glazing or decoration is called slipware. Engobe, from the French word for slip, is a related term for a liquid suspension of clays and flux, in addition to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psiax
Psiax was an Attic vase painter of the transitional period between the black-figure and red-figure styles. His works date to ''circa'' 525 to 505 BC and comprise about 60 surviving vases, two of which bear his signature. Initially he was allocated the name "Menon Painter" by John Beazley. Only later was it realised that the artist was identical with the painters signing as "Psiax". Psiax collaborated with the potters Hilinos, Menon, Andokides and Nikosthenes. While he started as a painter in the black-figure technique, he played a major role in the early development of red-figure, which was invented in the workshop of Andokides. The black-figure Antimenes Painter, working for the same workshop, was stylistically close to Psiax; Beazley described the two as "brothers". Perhaps unsurprisingly, considering his chronological position, Psiax was a master of bilingual vase painting. Formerly called the Menon Painter, after the potter’s signature on a red-figure amphora (Philadel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black-figure Pottery
Black-figure pottery painting (also known as black-figure style or black-figure ceramic; ) is one of the styles of Ancient Greek vase painting, painting on pottery of ancient Greece, antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating in the 2nd century BC. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South Italian
Southern Italy (, , or , ; ; ), also known as () or (; ; ; ), is a macroregion of Italy consisting of its southern Regions of Italy, regions. The term "" today mostly refers to the regions that are associated with the people, lands or culture of the Historical region, historical and cultural region that was once politically under the administration of the former Kingdoms of Kingdom of Naples, Naples and Kingdom of Sicily, Sicily (officially denominated as one entity and , i.e. "Kingdom of Sicily on the other side of Strait of Messina, the Strait" and "across the Strait") and which later shared a common organization into Italy's largest List of historical states of Italy, pre-unitarian state, the Kingdom of the Two Sicilies. The island of Sardinia, which was not part of the aforementioned polity and had been under the rule of the Alps, Alpine House of Savoy, which would eventually annex the Bourbons' southern Italian kingdom altogether, is nonetheless often subsumed into the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxidation
Redox ( , , reduction–oxidation or oxidation–reduction) is a type of chemical reaction in which the oxidation states of the reactants change. Oxidation is the loss of electrons or an increase in the oxidation state, while reduction is the gain of electrons or a decrease in the oxidation state. The oxidation and reduction processes occur simultaneously in the chemical reaction. There are two classes of redox reactions: * Electron-transfer – Only one (usually) electron flows from the atom, ion, or molecule being oxidized to the atom, ion, or molecule that is reduced. This type of redox reaction is often discussed in terms of redox couples and electrode potentials. * Atom transfer – An atom transfers from one substrate to another. For example, in the rusting of iron, the oxidation state of iron atoms increases as the iron converts to an oxide, and simultaneously, the oxidation state of oxygen decreases as it accepts electrons released by the iron. Although oxidati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
