Pittura Metafisica
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Pittura Metafisica
Metaphysical painting () or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which cannot be seen". De Chirico, his younger brother Alberto Savinio, and Carrà formally established the school and its principles in 1917. Development Giorgio de Chirico, unlike many artists of his generation, found little to admire in the works of Cézanne and other French modernists, but was inspired by the paintings of the Swiss Symbolism (art), Symbolist Arnold Böcklin and the work of German artists such as Max Klinger. His painting ''The Enigma of an Autumn Afternoon'' (c. 1910) is considered his first Metaphysical work; it was inspired by what de Chirico called a "revelation" that he experienced in Piazza Santa Croce in Florence. In subsequent works he develop ...
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The Disquieting Muses
''The Disquieting Muses'' (in , 1916 in art, 1916, 1917 in art, 1917 or 1918 in art, 1918) is a painting by the Italy, Italian Metaphysical art, metaphysical painter Giorgio de Chirico. There are two versions of this painting, the original is in the Gianni Mattioli private collection, in Milan, and the other is at the Pinakothek der Moderne, in Munich. History and description ''The Disquieting Muses'' was painted during World War I, when De Chirico was in Ferrara. The Castello Estense, near which de Chirico lived, is in the background, rust-red and among industrial buildings. At the front are the two Muses, dressed in Classical antiquity, classical clothing. One is standing and the other sitting, and they are placed among various objects, including a red mask and staff, an allusion to Melpomene and Thalia (muse), Thalia, the Muses of tragedy and comedy. The statue on a pedestal in the background is Apollo, leader of the Muses. Giorgio Castelfranco, an art collector and critic, des ...
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