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Musical Expression
Musical expression is the art of playing or singing with a personal response to the music. At a practical level, this means making appropriate use of dynamics, phrasing, timbre and articulation to bring the music to life. Composers may specify these aspects of expression to a greater or lesser extent in the notation of their musical score. The nature of musical expression has also been discussed at a theoretical level throughout of the history of classical music. One common view is that music both expresses and evokes emotion, forming a conduit for emotional communication between the musician and the audience. This view has been present through most of musical history, though it was most clearly expressed in musical romanticism. However, emotion's role in music has been challenged on occasion by those like Igor Stravinsky who see music as a pure art form and expression as an irrelevant distraction. Mimesis and rhetoric In the Baroque and Classical periods of music, music (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of elements of music, specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of musical composition, composition, musical improvisation, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doctrine Of The Affections
The doctrine of the affections, also known as the ''doctrine of affects'', ''doctrine of the passions'', ''theory of the affects'', or by the German term Affektenlehre (after the German ''Affekt''; plural ''Affekte'') was a theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era (1600–1750). Literary theorists of that age, by contrast, rarely discussed the details of what was called "pathetic composition", taking it for granted that a poet should be required to "wake the soul by tender strokes of art".Alexander Pope, cited in The doctrine was derived from ancient theories of rhetoric and oratory. Some pieces or movements of music express one ''Affekt'' throughout; however, a skillful composer like Johann Sebastian Bach could express different affects within a movement. History and definition The doctrine of the affections was an elaborate theory based on the idea that the passions could be represented by their outward visible or audible sig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo Rubato
; , , ;) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor. Rubato is an expressive shaping of music that is a part of phrasing. While rubato is often loosely taken to mean playing with expressive and rhythmic freedom, it was traditionally used specifically in the context of expression as speeding up and then slowing down the tempo. In the past, expressive and free playing (beyond only rubato) was often associated with the terms "ad libitum". Rubato, even when not notated, is often used liberally by musicians, e.g. singers frequently use it intuitively to let the tempo of the melody expressively shift slightly and freely above that of the accompaniment. This intuitive shifting leads to rubato's main effect: making music sound expressive and natural. Nineteenth century composer-pianist Frédéric Chopin is often mentioned in the context of rubato ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords, textures and tonalities are identified, defined, and categorized in the development of these theories. Harmony is broadly understood to involve both a "vertical" dimension (frequency-space) and a "horizontal" dimension (time-space), and often overlaps with related musical concepts such as melody, timbre, and form. A particular emphasis on harmony is one of the core concepts underlying the theory and practice of Western music. The study of harmony involves the juxtaposition of individual pitches to create chords, and in turn the juxtaposition of chords to create larger chord progressions. The principles of connection that govern these structures have been the subject of centuries worth of theoretical work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Nationalism
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) Musica (Latin), or La Musica (Italian) or Música (Portuguese and Spanish) may refer to: Music Albums * '' Musica è'', a mini album by Italian funk singer Eros Ramazzotti 1988 * ''Musica'', an album by Ghaleb 2005 * ), a German album by Giov ... * Musicality, the ability to perceive music or to create music * {{Music disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity and objectivity (philosophy), subjectivity, imagination, and appreciation of nature in society and culture in response to the Age of Enlightenment and the Industrial Revolution. Romanticists rejected the social conventions of the time in favour of a moral outlook known as individualism. They argued that passion (emotion), passion and intuition were crucial to understanding the world, and that beauty is more than merely an classicism, affair of form, but rather something that evokes a strong emotional response. With this philosophical foundation, the Romanticists elevated several key themes to which they were deeply committed: a Reverence (emotion), reverence for nature and the supernatural, nostalgia, an idealization of the past as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Paul Guy De Chabanon
Michel-Paul Guy de Chabanon (1730, Saint-Domingue – 10 June 1792, Paris) was a violinist, composer, music theorist, and connoisseur of French literature. He was elected to the Académie des inscriptions et belles-lettres (1760) and the Académie française (1779). Biography As fiction writer Michel Paul Guy de Chabanon wrote poetry, elegies (notably that of Rameau), plays (including the tragedy of ''Éponine'') and translations (adjudged by the 19th century ''Dictionnaire Bouillet'' as having "little fidelity o the original text but not lacking in elegance and facility"). As musician and music theorist Michel Paul Guy de Chabanon was also a successful musician, playing the violin in the Concert des Amateurs under the direction of Joseph Bologne, chevalier de Saint-Georges. He was the author of an opera, ''Sémélé, tragédie lyrique'', and of several works on music theory, of which the most valued are his commentaries on music in the work of Aristotle . His double i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Jones (philologist)
Sir William Jones (28 September 1746 – 27 April 1794) was a British philologist, orientalist, Indologist and judge. Born in Westminster, London to Welsh mathematician William Jones, he moved to the Bengal Presidency where Jones served as a puisne judge on the Supreme Court of Judicature at Fort William and also became a scholar of ancient Indian history. As part of his research, he was the first to assert the kinship of the Indo-European languages. Jones also founded the Asiatic Society in Calcutta in 1784. Early life William Jones was born in London; his father William Jones (1675–1749) was a mathematician from Anglesey in Wales, noted for introducing the use of the symbol π. The young William Jones was a linguistic prodigy, who in addition to his native languages English and Welsh, learned Greek, Latin, Persian, Arabic, Hebrew and the basics of Chinese writing at an early age. By the end of his life, he knew eight languages with critical thoroughness. Jones's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Batteux
Charles Batteux (6 May 171314 July 1780) was a French philosopher and writer on aesthetics. Biography Batteux was born in Alland'Huy-et-Sausseuil, Ardennes, and studied theology at Reims. In 1739 he came to Paris, and after teaching in the colleges of Lisieux and Navarre, was appointed to the chair of Greek and Roman philosophy in the Collège de France. His 1746 treatise ''Les beaux arts réduits à un même principe'' (translated into English as ''The Fine Arts Reduced to a Single Principle'', trans. James O. Young, Oxford: Oxford University Press, 2015) was an attempt to find a unity among existing theories of beauty and taste on "a single principle", and its views were widely accepted, This cites Dacier et Dupuy, ''Éloges'', in ''Mémoires de l'Académie des Inscriptions''. not only in France but throughout Europe. According to P. O. Kristeller, The reputation thus gained, confirmed by his translation of Horace (1750), led to Batteux's becoming a member of the Académ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence (music)
In Classical music, Western musical theory, a cadence () is the end of a Phrase (music), phrase in which the melody or harmony creates a sense of full or partial resolution (music), resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a chord progression, progression of two or more chord (music), chords that conclusion (music), concludes a phrase, section (music), section, or composition (music), piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dissonance (music)
In music, consonance and dissonance are categorizations of simultaneous or successive sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and Music theory, music theorist Paul Hindemith stressed, : "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. The Oxford English Dictionary defines rhythm as ''"The measured flow of words or phrases in verse, forming various patterns of sound as determined by the relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this"''. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
