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Middle Of The Road (music)
Middle of the road (also known by its acronym MOR) is a commercial radio format. Music associated with this term is strongly melodic and uses techniques of vocal harmony and light orchestral arrangements. The format was similar to soft adult contemporary. In the mid-late 2000s the term "middle of the road" became used by journalists as a way to describe musicians and bands such as Train and Westlife who calibrated their musical appeal to commercial, popular music taste and avoided more innovative material. Etymology and usage According to music academic Norman Abjorensen, "middle of the road" has referred to a commercial radio format more often than a music genre, although "it has been used to describe a broad type of music" of numerous styles, usually characterized by vocal harmony techniques, prominent melodies, and subtle orchestral arrangements. Radio stations that played adult standards during the 1960s and 1970s were marketed as "MOR radio" in order to differentiate them fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Radio Format
A radio format or programming format (not to be confused with broadcast programming) describes the overall content broadcast on a radio station. The radio format emerged mainly in the United States in the 1950s, at a time when Radio broadcasting, radio was compelled to develop new and exclusive ways to programming by competition with Television broadcasting, television. The formula has since spread as a reference for commercial radio programming worldwide. A radio format aims to reach a more or less specific audience according to a certain type of programming, which can be thematic or general, more informative or more musical, among other possibilities. Radio formats are often used as a marketing tool and are subject to frequent changes, including temporary changes called "Stunting (broadcasting), stunting." Except for talk radio or sports radio formats, most programming formats are based on commercial music. However the term also includes the news, bulletins, DJ talk, jingles, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Johnny Mann
John Russell Mann (August 30, 1928June 18, 2014) was an American arrangement, arranger, composer, Conducting, conductor, entertainer, Singing, singer, and musician, recording artist. Career Johnny Mann began his music career in the late 1940s in his hometown of Baltimore, Maryland, Baltimore before serving in the army playing as a member of the United States Army Field Band, U.S. Army Field Band from 1951 to 1953. After his honorable discharge he moved to Los Angeles to continue his professional music career. As bandleader with The Johnny Mann Singers, he and the group sound recording and reproduction, recorded hosted the television program, TV series titled ''Stand Up and Cheer (variety show), Stand Up and Cheer'' (1971–1974), was the musical director for the 1967-69 American Broadcasting Company, ABC-TV late night talk show, ''The Joey Bishop Show (talk show), The Joey Bishop Show'', and performed at the White House twice. He was also musical director of ''The Alvin Show'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Smooth Jazz
Smooth jazz is commercially oriented crossover jazz music. Although often described as a "genre", it is a debatable and highly controversial subject in jazz music circles. As a radio format, however, smooth jazz radio became the successor to easy listening music on radio station programming from the mid-1970s through the early 1990s. History Smooth jazz may be thought of as commercially-oriented, crossover jazz which came to prominence in the 1980s, displacing the more venturesome jazz fusion from which it emerged. It avoids the improvisational "risk-taking" of jazz fusion, emphasizing melodic form, and much of the music was initially "a combination of jazz with easy-listening pop music and lightweight R&B." During the mid-1970s in the United States, it was known as "smooth radio"; the genre was not termed "smooth jazz" until the 1980s. The term itself seems to have been birthed directly out of radio marketing efforts. In an industry focus group in the late 1980s, one pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Show Tune
A show tune is a song originally written as part of the score of a work of musical theatre or musical film, especially if the piece in question has become a standard, more or less detached in most people's minds from the original context. Though show tunes vary in style, they do tend to share common characteristics—they usually fit the context of a story being told in the original musical, they are useful in enhancing and heightening choice moments. A particularly common form of show tune is the "I Want" song, which composer Stephen Schwartz noted as being particularly likely to have a lifespan outside the show that spawned it. Show tunes were a major venue for popular music before the rock and roll and television era; most of the hits of such songwriters as Jerome Kern, Cole Porter, and George Gershwin came from their shows. (Even into the television and rock era, a few stage musicals managed to turn their show tunes into major pop music hits, sometimes aided by film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Ballads
A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. While ballads have no prescribed structure and may vary in their number of lines and stanzas, many ballads employ quatrains with ABCB or ABAB rhyme schemes, the key being a rhymed second and fourth line. Contrary to a popular conception, it is rare if not unheard-of for a ballad to contain exactly 13 lines. Additionally, couplets rarely appear in ballads. Many ballads were written and sold as single-sheet Broadside (music), broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Traditional Pop
Traditional pop (also known as vocal pop or pre-rock and roll pop) is Western culture, Western pop music that generally pre-dates the advent of rock and roll in the mid-1950s. The most popular and enduring songs from this era of music are known as pop standards or American standards. The works of these songwriters and composers are usually considered part of the canon known as the "Great American Songbook". More generally, the term "Standard (music), standard" can be applied to any popular song that has become very widely known within mainstream culture and recorded by many artists. AllMusic defines traditional pop as "post-big band and pre-rock & roll pop music". Origins Classic pop includes the song output of the Broadway theatre, Broadway, Tin Pan Alley, and Hollywood show tune writers from approximately World War I to the 1950s, such as Irving Berlin, Frederick Loewe, Victor Herbert, Harry Warren, Harold Arlen, Jerome Kern, George Gershwin and Ira Gershwin, Richard Rodgers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
