Ladder-braced
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Ladder-braced
Guitar bracing refers to the system of wooden struts which internally support and reinforce the soundboard and back of acoustic guitars. Soundboard or top bracing transmits the forces exerted by the strings from the bridge to the rim. The luthier faces the challenge of bracing the instrument to withstand the stress applied by the strings with minimal distortion, while permitting the top to respond as fully as possible to the tones generated by the strings. Brace design contributes significantly to the type of sound a guitar will produce. According to luthiers W. Cumpiano and J. Natelson, "By varying brace design, each builder has sought to produce a sound that conformed to his concept of the ideal." The back of the instrument is braced to help distribute the force exerted by the neck on the body, and to maintain the tonal responsiveness and structural integrity of the sound box. Materials Braces may be made from top woods (spruce or cedar), balsa wood or, in high-end instrument ...
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Classical Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left leg ...
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Maccaferri Guitar
The Selmer guitar — often called a Selmer-Maccaferri or just Maccaferri by English speakers, as early British advertising stressed the designer rather than manufacturer — is an unusual acoustic guitar best known as the favored instrument of Django Reinhardt. Selmer, a French manufacturer, produced the instrument from 1932 to about 1952. History In 1932 Selmer partnered with the Italian guitarist and luthier Mario Maccaferri to produce a line of acoustic guitars based on Maccaferri's unorthodox design. Although Maccaferri's association with Selmer ended in 1934, the company continued to make several models of this guitar until 1952. The guitar was closely associated with jazz guitarist Django Reinhardt. Construction In its archetypal steel-string Jazz/Orchestre form, the Selmer is distinguished by a fairly large body with squarish bouts, either a "D"-shaped or longitudinal oval sound hole, and a cutaway in the upper right bout. The strings pass over a movable b ...
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Sound Board (music)
A sound board, or soundboard, is the surface of a string instrument that the strings vibrate against, usually via some sort of bridge. Pianos, guitars, banjos, and many other stringed instruments incorporate soundboards. The resonant properties of the sound board and the interior of the instrument greatly increase the loudness of the vibrating strings. "The soundboard is probably the most important element of a guitar in terms of its influence on the quality of the instrument's tone ."Sloane, Irving (1989). ''Classic Guitar Construction'', p.20. Bold Strummer. . "The sound board is the most important element in the guitar." The sound board operates by the principle of forced vibration. The string gently vibrates the board, and despite their differences in size and composition, makes the board vibrate at exactly the same frequency. This produces the same sound as the string alone, differing only in timbre. The string would produce the same amount of energy without the board p ...
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Picea Sitchensis
''Picea sitchensis'', the Sitka spruce, is a large, coniferous, evergreen tree growing to almost tall, with a trunk diameter at breast height that can exceed 5 m (16 ft). It is by far the largest species of spruce and the fifth-largest conifer in the world (behind giant sequoia, coast redwood, kauri, and western red cedar), and the third-tallest conifer species (after coast redwood and coast Douglas fir). The Sitka spruce is one of the few species documented to exceed in height. Its name is derived from the community of Sitka in southeast Alaska, where it is prevalent. Its range hugs the western coast of Canada and the US, continuing south into northernmost California. Description The bark is thin and scaly, flaking off in small, circular plates across. The inner bark is reddish-brown. The crown is broad conic in young trees, becoming cylindric in older trees; old trees may not have branches lower than . The shoots are very pale buff-brown, almost white, and glab ...
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Archtop Guitar
An archtop guitar is a hollow electric or semi-acoustic guitar with a full body and a distinctive arched top, whose sound is particularly popular with jazz, blues, and rockabilly players. Typically, an archtop guitar has: * Six strings * An arched top and back, not a flat top and back * A hollow body * Moveable adjustable bridge * F-holes similar to members of the violin family * Rear mounted tailpiece, stoptail bridge, or Bigsby vibrato tailpiece * 14th-fret neck join History The archtop guitar is often credited to Orville Gibson, whose innovative designs led to the formation of the Gibson Mandolin-Guitar Mfg. Co, Ltd in 1902. His 1898 patent for a mandolin, which was also applicable to guitars according to the specifications, was intended to enhance "power and quality of tone." Among the features of this instrument were a violin-style arched top and back, each carved from a single piece of wood, and thicker in the middle than at the sides; sides carved to shape from a sing ...
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Soundhole
A sound hole is an opening in the body of a stringed musical instrument, usually the upper sound board. Sound holes have different shapes: * round in flat-top guitars and traditional bowl-back mandolins; * F-holes in instruments from the violin family, archtop mandolins and in archtop guitars; * C-holes in viola da gambas and occasionally double-basses and guitars * rosettes in lutes and sometimes harpsichords; * D-holes in bowed lyras. Some instruments come in more than one style (mandolins may have F-holes, round or oval holes). A round or oval hole or a rosette is usually a single one, under the strings. C-holes, D-holes and F-holes are usually made in pairs placed symmetrically on both sides of the strings. Most hollowbody and semi-hollow electric guitars also have F-holes. Though sound holes help acoustic instruments project sound more efficiently, sound does not emanate solely from the sound hole. Sound emanates from the surface area of the sounding boards, with sou ...
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Fingerboard
The fingerboard (also known as a fretboard on fretted instruments) is an important component of most stringed instruments. It is a thin, long strip of material, usually wood, that is laminated to the front of the neck of an instrument. The strings run over the fingerboard, between the nut and bridge. To play the instrument, a musician presses strings down to the fingerboard to change the vibrating length, changing the pitch. This is called '' stopping'' the strings. Depending on the instrument and the style of music, the musician may pluck, strum or bow one or more strings with the hand that is not fretting the notes. On some instruments, notes can be sounded by the fretting hand alone, such as with hammer ons, an electric guitar technique. The word "fingerboard" in other languages sometimes occurs in musical directions. In particular, the direction ''sul tasto'' (Ital., also ''sulla tastiera'', Fr. ''sur la touche'', G. ''am Griffbrett'') for bowed string instruments to play ...
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Twelve String Guitar
A twelve-string guitar (or 12-string guitar) is a steel-string guitar with 12 strings in six courses, which produces a thicker, more ringing tone than a standard six-string guitar. Typically, the strings of the lower four courses are tuned in octaves, with those of the upper two courses tuned in unison. The gap between the strings within each dual-string course is narrow, and the strings of each course are fretted and plucked as a single unit. The neck is wider, to accommodate the extra strings, and is similar to the width of a classical guitar neck. The sound, particularly on acoustic instruments, is fuller and more harmonically resonant than six-string instruments. The 12-string guitar can be played like a 6-string guitar as players still use the same notes, chords and guitar techniques like a standard 6-string guitar, but advanced techniques might be tough as players need to play or pluck two strings simultaneously. Structurally, 12-string guitars, especially those built befo ...
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