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Kan Ha Diskan
is probably the most common type of traditional music of Brittany. It is a vocal tradition ( translates from Breton as, roughly, ''call and response singing''). The style is the most commonly used to accompany dances. It has become perhaps the most integral part of the Breton roots revival, and was the first genre of Breton music to gain some mainstream success, both in Brittany and abroad. The lead singer is the , and the second singer is the . The kaner sings a phrase, and the diskaner sings the last few lines with the kaner, then repeats it alone until the same last few lines, when the kaner again joins in. The phrase's repetition is changed slightly in each execution. Kan ha diskan can be songs about any subject, but must meet one of a number of a meters used in folk dances, mostly line or round. Vocables, or nonsense syllables (typically ''tra la la la leh no''), are sometimes used to drag out lines. Usually a lasts from 5 to 20 minutes. In addition to the Goadecs, the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annie Ebrel & Nolùen Le Buhé - Festival Yaouank 2015 - 04
Annie may refer to: People and fictional characters * Annie (given name), a given name and a list of people and fictional characters with the name * Annie (actress) (born 1975), Indian actress * Annie (singer) (born 1977), Norwegian singer Theatre and film * ''Annie'' (musical), a 1977 musical ** ''Annie'' (1982 film) *** ''Annie'' (1982 film soundtrack) *** '' Annie: A Royal Adventure!'', a 1995 telefilm sequel ** ''Annie'' (1999 film) *** ''Annie'' (1999 film soundtrack) ** ''Annie'' (2014 film) *** ''Annie'' (2014 film soundtrack) * ''Annie'' (1976 film), a British-Italian film Music * ''Annie'' (Anne Murray album) (1972) * "Annie" (song), a 1999 song by Our Lady Peace * "Annie", a song by SafetySuit * "Annie", a song by Pete Townshend from ''Rough Mix'' * "Annie", a 1972 song by Sutherland Brothers * "Annie", a 1995 song by Elastica from the album ''Elastica'' Other uses * Cyclone Annie (other) * ''Annie'' (locomotive) * ''Annie'' (sloop), a ship bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Brittany
Since the early 1970s, Brittany has experienced a tremendous revival of its folk music. Along with flourishing traditional forms such as the bombard- biniou pair and fest-noz ensembles incorporating other additional instruments, it has also branched out into numerous subgenres. Traditional Breton music Traditional Breton folk music includes a variety of vocal and instrumental styles. Purely traditional musicians became the heroes of the roots revival in the second half of the 20th century, notably the Goadec sisters (Maryvonne, Thasie, and Eugénie). At the end of the 19th century, the vicomte Theodore Hersart de la Villemarqué's collection of largely nationalistic Breton songs, ''Barzaz Breiz'', was also influential, and was partially responsible for preserving Breton traditions. Vocal music Kan ha diskan (roughly translated as ''call and response singing'') is probably the most common type of Breton vocal music, and is the most typical style to accompany dance music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breton Language
Breton (, ; or in Morbihan) is a Southwestern Brittonic language of the Celtic language family spoken in Brittany, part of modern-day France. It is the only Celtic language still widely in use on the European mainland, albeit as a member of the insular branch instead of the continental grouping. Breton was brought from Great Britain to Armorica (the ancient name for the coastal region that includes the Brittany peninsula) by migrating Britons during the Early Middle Ages, making it an Insular Celtic language. Breton is most closely related to Cornish, another Southwestern Brittonic language. Welsh and the extinct Cumbric, both Western Brittonic languages, are more distantly related. Having declined from more than one million speakers around 1950 to about 200,000 in the first decade of the 21st century, Breton is classified as "severely endangered" by the UNESCO ''Atlas of the World's Languages in Danger''. However, the number of children attending bilingual classes rose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Call And Response
Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. This form is also used in music, where it falls under the general category of antiphony. African cultures In some African cultures, call-and-response is a widespread pattern of democratic participation—in public gatherings, in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression (see call and response in music). African bondsmen and bondswomen in the Americas continued this practice over the centuries in various forms of expression—in religious observance; public gatherings; even in children's rhymes; and, most notably, in music in its multiple forms: blues, gospel, rhythm and blues, soul, jazz, hip-hop and go-go. Many work songs sung on plantations by enslaved men and women also incorporate the call and response format. African-American Women W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Line Dance
A line dance is a choreographed dance in which a group of people dance along to a repeating sequence of steps while arranged in one or more lines or rows. These lines usually face all in the same direction, or less commonly face each other.Knight, Gladys L. (2014). ''Pop Culture Places: An Encyclopedia of Places in American Popular Culture'', p.102. ABC-CLIO. .Lane, Christy (2000/1995). ''Christy Lane's Complete Book of Line Dancing'', p.2-4. Human Kinetics. .Zakrajsek, Dorothy; Carnes, Lois; and Pettigrew, Frank E. (2003). ''Quality Lesson Plans for Secondary Physical Education, Volume 1'', p.188. Human Kinetics. . Unlike circle dancing, line dancers are not in physical contact with each other. Each dance is usually associated with, and named for, a specific song, such as the Macarena (both eponymous) or Electric Slide (associated with the 1982 single "Electric Boogie") are a few of the line dances that have consistently remained part of modern American culture for years. Line ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocable
In the broadest sense of the word, a vocable is any meaningful sound uttered by people, such as a word or term, that is fixed by their language and culture. Use of the words in the broad sense is archaic and the term is instead used for utterances which are not considered words, such as the English vocables of assent and denial, ''uh-huh'' and ''uh-uh'' , or the vocable of error, ''uh-oh'' . Such non-lexical vocables are often used in music, for example ''la la la'' or ''dum dee dum'', or in magical incantations, such as ''abra-cadabra''. Many Native American songs consist entirely of vocables; this may be due to both phonetic substitution to increase the resonance of the song, and to the trade of songs between nations speaking different languages. Jewish Nigunim also feature wordless melodies composed entirely of vocables such as ''Yai nai nai'' or ''Yai dai dai''. Vocables are common as pause fillers, such as ''um'' and ''er'' in English, where they have little formal me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goadec Sisters
The Goadec Sisters (Ar C'hoarezed Goadeg in Breton) usually known as ''Les sœurs Goadec'' in French, were a Breton vocal group originating from Treffrin ( Côtes d'Armor, France). The trio embody the traditional music of Brittany, singing a cappella. The three sisters were Maryvonne (1900-1983), Eugenie (1909-2003) and Anastasie Goadec (1913-1998). They began to perform at '' fest-noz'' (evening dances) in 1956, among the pipers and bombard players. Accompanied until 1964 by their two sisters, Louise (1903-1964) and Ernestine (1911-1964), their repertoire consisted mainly of laments ('' Gwerzioù'' in Breton). As a trio, they attempted to adapt their singing to dance and developed a new form of call and response singing ('' kan ha diskan''). The Breton revival, Celtic rock and the popularity of Folk music put them in the spotlight in 1972–1973, in the wake of Alan Stivell, one of their biggest admirers. The three sisters contributed much to Breton culture and its sustainab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Guilloux
Marcel may refer to: People * Marcel (given name), people with the given name Marcel * Marcel (footballer, born August 1981), Marcel Silva Andrade, Brazilian midfielder * Marcel (footballer, born November 1981), Marcel Augusto Ortolan, Brazilian striker * Marcel (footballer, born 1983), Marcel Silva Cardoso, Brazilian left back * Marcel (footballer, born 1992), Marcel Henrique Garcia Alves Pereira, Brazilian midfielder * Marcel (singer), American country music singer * Étienne Marcel (died 1358), provost of merchants of Paris * Gabriel Marcel (1889–1973), French philosopher, Christian existentialist and playwright * Jean Marcel (died 1980), Madagascan Anglican bishop * Jean-Jacques Marcel (1931–2014), French football player * Rosie Marcel (born 1977), English actor * Sylvain Marcel (born 1974), Canadian actor * Terry Marcel (born 1942), British film director * Claude Marcel (1793-1876), French diplomat and applied linguist Other uses * Marcel (''Friends''), a fictional monk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yann-Fañch Kemener
Yann-Fañch Loeiz Kemener (April 7, 1957 – March 16, 2019) was a traditional singer and ethnomusicologist from Brittany, born in Sainte-Tréphine, Côtes-d'Armor, France. Known in French as Jean-François Louis Quémener. He took part in reviving '' Kan ha diskan'' (french: chant et contre-chant) in the 1970s and 1980s, especially with Erik Marchand. He collected songs from the oral tradition in the Breton language. He sang in numerous Festoù Noz. Kemener died in Tréméven on March 16, 2019 at age 61. Discography * ''Chants profonds et sacrés de Bretagne'', 1977 * ''Chants profonds et sacrés de Bretagne 2'', 1978 * ''Chants profonds et sacrés de Bretagne 3'', 1982 * ''Kan ha diskan'', 1982, with Marcel Guilloux * ''Chants profonds et sacrés de Bretagne 4'', 1983 * ''Chants profonds de Bretagne'', 1983 * ''Dibedibedañchaou'', 1987, edited again by Dastum in 1999 (small songs for children in Breton language) * ''Gwerziou et soniou'', 1988 * ''Ec'honder'', 1989 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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