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Call And Response
Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. This form is also used in music, where it falls under the general category of antiphony. African cultures In some African cultures, call-and-response is a widespread pattern of democratic participation—in public gatherings, in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression (see call and response in music). African bondsmen and bondswomen in the Americas continued this practice over the centuries in various forms of expression—in religious observance; public gatherings; even in children's rhymes; and, most notably, in music in its multiple forms: blues, gospel, rhythm and blues, soul, jazz, hip-hop and go-go. Many work songs sung on plantations by enslaved men and women also incorporate the call and response format. African-American Women W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphon
An antiphon ( Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responds (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American culture. Antiphonal music is that performed by two choirs in interaction, often singing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go-go
Go-go is a subgenre of funk music with an emphasis on specific rhythmic patterns, and live audience call and response. Go-go was originated by African-American musicians in the Washington, D.C. area during the mid-60s to late-70s. Go-go has limited popularity in other areas, but maintains a devoted audience in the Washington, D.C. metropolitan area as a uniquely regional music style and was named the official music of Washington, D.C. in February 2020. Performers associated with the development of the style include Young Senators, Trouble Funk, Black Heat, and singer-guitarist Chuck Brown. In the 1990s and 2000s, hip-hop increasingly influenced go-go. However, there is also a retro movement going back to its original style of marathon sessions incorporating popular contemporary R&B songs. Description In technical terms, "go-go's essential beat is characterized by a five through four syncopated rhythm that is underscored prominently by the bass drum and snare drum, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African Culture
African or Africans may refer to: * Anything from or pertaining to the continent of Africa: ** People who are native to Africa, descendants of natives of Africa, or individuals who trace their ancestry to indigenous inhabitants of Africa *** Ethnic groups of Africa *** Demographics of Africa *** African diaspora ** African, an adjective referring to something of, from, or related to the African Union ** Citizenship of the African Union ** Demographics of the African Union **Africanfuturism ** African art ** *** African jazz (other) ** African cuisine ** African culture ** African languages ** African music ** African Union ** African lion, a lion population in Africa Books and radio * ''The African'' (essay), a story by French author J. M. G. Le Clézio * ''The African'' (Conton novel), a novel by William Farquhar Conton * ''The African'' (Courlander novel), a novel by Harold Courlander * ''The Africans'' (radio program) Music * "African", a song by Peter Tosh f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sea Shanty
A sea shanty, chantey, or chanty () is a genre of traditional Folk music, folk song that was once commonly sung as a work song to accompany rhythmical labor aboard large Merchant vessel, merchant Sailing ship, sailing vessels. The term ''shanty'' most accurately refers to a specific style of work song belonging to this historical Musical repertoire, repertoire. However, in recent, popular usage, the scope of its definition is sometimes expanded to admit a wider range of repertoire and characteristics, or to refer to a "maritime work song" in general. From Latin ''cantare'' via French ''chanter'', the word ''shanty'' emerged in the mid-19th century in reference to an appreciably distinct genre of work song, developed especially on merchant vessels, that had come to prominence in the decades prior to the American Civil War although found before this. Shanty songs functioned to synchronize and thereby optimize labor, in what had then become larger vessels having smaller crews and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Call And Response (music)
In music, call and response is a succession of two distinct phrases usually written in different parts of the music, where the second phrase is heard as a direct commentary on or in response to the first. This can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). It corresponds to the call and response pattern in human communication and is found as a basic element of musical form, such as verse-chorus form, in many traditions. African music In Sub-Saharan African cultures, call and response is a pervasive pattern of democratic participation—in public gatherings in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression. African-American music Enslaved Africans brought call and response music with them to the colonized American continents and it has been transmitted over the centuries in various forms of cultural expression ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African-American Women Work Songs
Origins A work song is a song that is sung while doing labor or any kind of work. Usually the song aids in keeping rhythm or used as a distraction. Work songs can include content focused around the surrounding environment, resistance, or protest. Many different groups throughout history have sung work songs. Enslaved African-American women had a unique history associated with work songs. Their work songs portrayed their specific standpoint and experiences during the slavery period in the United States. Work songs were often derived from traditional African songs. Many work songs were in the format of a call and response, which fostered dialogue. The importance of dialogue is illuminated in many African-American traditions and continues to the present day. Particular to the African call and response tradition is the overlapping of the call and response. The leader's part might overlap with the response, thus creating a unique collaborative sound. Similarly, African-American fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Views On Slavery
Christian views on slavery are varied regionally, historically and spiritually. Slavery in various forms has been a part of the social environment for much of Christianity's history, spanning well over eighteen centuries. In the early years of Christianity, slavery was an established feature of the economy and society in the Roman Empire, and this persisted in different forms and with regional differences well into the Middle Ages. Saint Augustine described slavery as being against God's intention and resulting from sin. In the eighteenth century the abolition movement took shape among Christians across the globe. In the eighteenth and nineteenth century debates concerning abolition, passages in the Bible were used by both pro-slavery advocates and abolitionists to support their respective views. In modern times, various Christian organizations reject the permissibility of slavery. Biblical references The Bible uses the Hebrew term ( עבד) and Greek ( δοῦλος) t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African-American Women Work Songs
Origins A work song is a song that is sung while doing labor or any kind of work. Usually the song aids in keeping rhythm or used as a distraction. Work songs can include content focused around the surrounding environment, resistance, or protest. Many different groups throughout history have sung work songs. Enslaved African-American women had a unique history associated with work songs. Their work songs portrayed their specific standpoint and experiences during the slavery period in the United States. Work songs were often derived from traditional African songs. Many work songs were in the format of a call and response, which fostered dialogue. The importance of dialogue is illuminated in many African-American traditions and continues to the present day. Particular to the African call and response tradition is the overlapping of the call and response. The leader's part might overlap with the response, thus creating a unique collaborative sound. Similarly, African-American fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Africa
Africa is the world's second-largest and second-most populous continent, after Asia in both cases. At about 30.3 million km2 (11.7 million square miles) including adjacent islands, it covers 6% of Earth's total surface area and 20% of its land area.Sayre, April Pulley (1999), ''Africa'', Twenty-First Century Books. . With billion people as of , it accounts for about of the world's human population. Africa's population is the youngest amongst all the continents; the median age in 2012 was 19.7, when the worldwide median age was 30.4. Despite a wide range of natural resources, Africa is the least wealthy continent per capita and second-least wealthy by total wealth, behind Oceania. Scholars have attributed this to different factors including geography, climate, tribalism, colonialism, the Cold War, neocolonialism, lack of democracy, and corruption. Despite this low concentration of wealth, recent economic expansion and the large and young population make Afric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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