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Harmony Of The Spheres
The ''musica universalis'' (literally universal music), also called music of the spheres or harmony of the spheres, is a philosophical concept that regards proportions in the movements of celestial bodies – the Sun, Moon, and planets – as a form of music. The theory, originating in ancient Greece, was a tenet of Pythagoreanism, and was later developed by 16th-century astronomer Johannes Kepler. Kepler did not believe this "music" to be audible, but felt that it could nevertheless be heard by the soul. The idea continued to appeal to scholars until the end of the Renaissance, influencing many schools of thought, including humanism. History The concept of the "music of the spheres" incorporates the metaphysical principle that mathematical relationships express qualities or "tones" of energy which manifest in numbers, visual angles, shapes and sounds – all connected within a pattern of proportion. Pythagoras first identified that the pitch of a musical note is in invers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boethius
Anicius Manlius Severinus Boethius, commonly known as Boethius (; Latin: ''Boetius''; 480 – 524 AD), was a Roman senator, consul, ''magister officiorum'', historian, and philosopher of the Early Middle Ages. He was a central figure in the translation of the Greek classics into Latin, a precursor to the Scholastic movement, and, along with Cassiodorus, one of the two leading Christian scholars of the 6th century. The local cult of Boethius in the Diocese of Pavia was sanctioned by the Sacred Congregation of Rites in 1883, confirming the diocese's custom of honouring him on the 23 October. Boethius was born in Rome a few years after the collapse of the Western Roman Empire. A member of the Anicii family, he was orphaned following the family's sudden decline and was raised by Quintus Aurelius Memmius Symmachus, a later consul. After mastering both Latin and Greek in his youth, Boethius rose to prominence as a statesman during the Ostrogothic Kingdom: becoming a senator by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eccentricity (mathematics)
In mathematics, the eccentricity of a conic section is a non-negative real number that uniquely characterizes its shape. More formally two conic sections are similar if and only if they have the same eccentricity. One can think of the eccentricity as a measure of how much a conic section deviates from being circular. In particular: * The eccentricity of a circle is zero. * The eccentricity of an ellipse which is not a circle is greater than zero but less than 1. * The eccentricity of a parabola is 1. * The eccentricity of a hyperbola is greater than 1. * The eccentricity of a pair of lines is \infty Definitions Any conic section can be defined as the locus of points whose distances to a point (the focus) and a line (the directrix) are in a constant ratio. That ratio is called the eccentricity, commonly denoted as . The eccentricity can also be defined in terms of the intersection of a plane and a double-napped cone associated with the conic section. If the cone is orient ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angular Velocity
In physics, angular velocity or rotational velocity ( or ), also known as angular frequency vector,(UP1) is a pseudovector representation of how fast the angular position or orientation of an object changes with time (i.e. how quickly an object rotates or revolves relative to a point or axis). The magnitude of the pseudovector represents the ''angular speed'', the rate at which the object rotates or revolves, and its direction is normal to the instantaneous plane of rotation or angular displacement. The orientation of angular velocity is conventionally specified by the right-hand rule.(EM1) There are two types of angular velocity. * Orbital angular velocity refers to how fast a point object revolves about a fixed origin, i.e. the time rate of change of its angular position relative to the origin. * Spin angular velocity refers to how fast a rigid body rotates with respect to its center of rotation and is independent of the choice of origin, in contrast to orbital angular v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Third Law Of Planetary Motion
In astronomy, Kepler's laws of planetary motion, published by Johannes Kepler between 1609 and 1619, describe the orbits of planets around the Sun. The laws modified the heliocentric theory of Nicolaus Copernicus, replacing its circular orbits and epicycles with elliptical trajectories, and explaining how planetary velocities vary. The three laws state that: # The orbit of a planet is an ellipse with the Sun at one of the two foci. # A line segment joining a planet and the Sun sweeps out equal areas during equal intervals of time. # The square of a planet's orbital period is proportional to the cube of the length of the semi-major axis of its orbit. The elliptical orbits of planets were indicated by calculations of the orbit of Mars. From this, Kepler inferred that other bodies in the Solar System, including those farther away from the Sun, also have elliptical orbits. The second law helps to establish that when a planet is closer to the Sun, it travels faster. The third l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Astrology
Astrology is a range of divinatory practices, recognized as pseudoscientific since the 18th century, that claim to discern information about human affairs and terrestrial events by studying the apparent positions of celestial objects. Different cultures have employed forms of astrology since at least the 2nd millennium BCE, these practices having originated in calendrical systems used to predict seasonal shifts and to interpret celestial cycles as signs of divine communications. Most, if not all, cultures have attached importance to what they observed in the sky, and some—such as the Hindus, Chinese, and the Maya—developed elaborate systems for predicting terrestrial events from celestial observations. Western astrology, one of the oldest astrological systems still in use, can trace its roots to 19th–17th century BCE Mesopotamia, from where it spread to Ancient Greece, Rome, the Islamic world, and eventually Central and Western Europe. Contemporary Western astr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heliocentrism
Heliocentrism (also known as the Heliocentric model) is the astronomical model in which the Earth and planets revolve around the Sun at the center of the universe. Historically, heliocentrism was opposed to geocentrism, which placed the Earth at the center. The notion that the Earth revolves around the Sun had been proposed as early as the third century BC by Aristarchus of Samos, who had been influenced by a concept presented by Philolaus of Croton (c. 470 – 385 BC). In the 5th century BC the Greek Philosophers Philolaus and Hicetas had the thought on different occasions that our Earth was spherical and revolving around a "mystical" central fire, and that this fire regulated the universe. In medieval Europe, however, Aristarchus' heliocentrism attracted little attention—possibly because of the loss of scientific works of the Hellenistic period. It was not until the sixteenth century that a mathematical model of a heliocentric system was presented by the Renaissance mat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consonance And Dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''dissonance''. De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
