Gong-chime
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Gong-chime
A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The frames can be rectangular or circular (the latter are sometimes called "gong circles"), and may have one or two rows of gongs. They are played by one to four musicians, each using two padded sticks to strike them. They are an important instrument in many Southeast Asian musical ensembles, such as Music of Indonesia, Indonesian gamelan, kulintang, or Thai pi phat. For this reason, such ensembles are sometimes called "gong chime ensembles" or "gong chime orchestras," and the broad variety of music "gong chime music." Gong chimes typically are played either in a soloistic style, providing a virtuosic embellishing role, or providing a rhythmic role, for example, in a colotomic structure. The term may also be used to refer to hand-held tuned gongs played in high rhythmic density, such as the ol ...
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Kulintang
Kulintang (, ) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums. As part of the larger gong-chime culture of Southeast Asia, kulintang music ensembles have been playing for many centuries in regions of the Mindanao, Southern Philippines, East Malaysia, Eastern Malaysia, Regions of Indonesia#Eastern Indonesia, Eastern Indonesia, Brunei and Timor, Kulintang evolved from a simple native signaling tradition, and developed into its present form with the incorporation of knobbed gongs from Sundanese people in Java Island, Indonesia. Its importance stems from its association with the indigenous cultures that inhabited these islands prior to the influences of Hinduism, Buddhism, Islam, Christianity or Western world, the West, making kulintang the most developed tradition of Southeast Asian archaic gong-chime ensembles. Technically, ''kulintang'' is t ...
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