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East Front Of The Louvre
The Louvre Colonnade is the easternmost façade of the Louvre Palace in Paris. It has been celebrated as the foremost masterpiece of French architectural classicism since its construction, mostly between 1667 and 1674. The design, dominated by two loggias with trabeated colonnades of coupled giant columns, was created by a committee of three, the Petit Conseil, consisting of Louis Le Vau, Charles Le Brun, and Claude Perrault. Louis Le Vau's brother, François Le Vau, also contributed. Cast in a restrained classicizing baroque manner, it interprets rules laid down by the ancient Roman architect Vitruvius, whose works Perrault translated into French (1673).Neumann 2013, pp. 296–297. Its flat-roofline design, previously associated with Italy and unprecedented in France, was immensely influential. Description Little that could be called Baroque can be identified in the Colonnade's cool classicism that looks back to the 16th century. The use of one central and two terminal pavilion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
East Facade Of The Sully Wing 2009-06-02
East is one of the four cardinal directions or points of the compass. It is the opposite direction from west and is the direction from which the Sunrise, Sun rises on the Earth. Etymology As in other languages, the word is formed from the fact that east is the direction where the Sun rises: ''east'' comes from Middle English ''est'', from Old English ''ēast'', which itself comes from the Proto-Germanic language, Proto-Germanic *''aus-to-'' or *''austra-'' "east, toward the sunrise", from Proto-Indo-European language, Proto-Indo-European *aus- "to shine," or "dawn", cognate with Old High German ''*ōstar'' "to the east", Latin ''aurora'' 'dawn', and Greek language, Greek ''ēōs'' 'dawn, east'. Examples of the same formation in other languages include Latin Orient, oriens 'east, sunrise' from orior 'to rise, to originate', Greek language, Greek ανατολή Anatolia, anatolé 'east' from ἀνατέλλω 'to rise' and Hebrew מִזְרָח mizraḥ 'east' from זָרַח zara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Triumphal Arch
A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road, and usually standing alone, unconnected to other buildings. In its simplest form, a triumphal arch consists of two massive Pier (architecture), piers connected by an arch, typically crowned with a flat entablature or Attic style, attic on which a statue might be mounted or which bears commemorative inscriptions. The main structure is often decorated with carvings, sculpted reliefs, and dedications. More elaborate triumphal arches may have multiple archways, or in a tetrapylon, passages leading in four directions. Triumphal arches are one of the most influential and distinctive types of ancient Roman architecture. Effectively invented by the Romans, and using their skill in making arches and vaults, the Roman triumphal arch was used to commemorate victorious generals or significant public events such as the founding of new Colonia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, ; ; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italians, Italian sculptor and Italian architect, architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque sculpture, Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theatre: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Pietro Da Cortona
Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations. He was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. He worked mainly in Rome and Florence. He is best known for his frescoed ceilings such as the vault of the ''salone'' or main salon of the Palazzo Barberini in Rome and carried out extensive painting and decorative schemes for the Medici family in Florence and for the Oratorian fathers at the church of Santa Maria in Vallicella in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals. Biography Early career Berrettini wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Antoine De Ratabon
Antoine de Ratabon (1617 – 12 March 1670) was a French aristocrat who served as an arts and architecture administrator during the reign of Louis XIV.Vitu 1880, pp. 151–153 He was the first Director of the from 1655 to 1670 as well as the Surintendant des Bâtiments (Superintendent of Buildings) from 1656 to 1664. Early life and career Ratabon was born in |
