Chromatic Circle
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Chromatic Circle
The chromatic circle is a clock diagram for displaying relationships among the 12 equal-tempered pitch classes making up the familiar chromatic scale on a circle. Explanation If one starts on any equal-tempered pitch and repeatedly ascends by the musical interval of a semitone, one will eventually land on a pitch with the same pitch class as the initial one, having passed through all the other equal-tempered chromatic pitch classes in between. Since the space is circular, it is also possible to descend by semitone. The chromatic circle is useful because it represents melodic distance, which is often correlated with physical distance on musical instruments. For instance, to move from any C on a piano keyboard to the nearest E, one must move up four semitones, corresponding to four clockwise steps on the chromatic circle. One can also move ''down'' by eight semitones, corresponding to eight counterclockwise steps on the pitch class circle. Larger motions on the piano (or ...
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Pitch Class Space
In music theory, pitch-class space is the circular space representing all the notes (pitch classes) in a musical octave. In this space, there is no distinction between tones that are separated by an integral number of octaves. For example, C4, C5, and C6, though different pitches, are represented by the same point in pitch class space. Since pitch-class space is a circle, we return to our starting point by taking a series of steps in the same direction: beginning with C, we can move "upward" in pitch-class space, through the pitch classes C♯, D, D♯, E, F, F♯, G, G♯, A, A♯, and B, returning finally to C. By contrast, pitch space is a linear space: the more steps we take in a single direction, the further we get from our starting point. Tonal pitch-class space , and Lerdahl and Jackendoff (1983) use a "reductional format" to represent the perception of pitch-class relations in tonal contexts. These two-dimensional models resemble bar graphs, using height to represent ...
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