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Choral Lyric
Choral poetry is a type of lyric poetry that was created by the ancient Greeks and performed by choruses (see Greek chorus). Originally, it was accompanied by a lyre, a string instrument like a small U-shaped harp commonly used during Greek classical antiquity and later periods. Other accompanying instruments in later years included other string instruments such as the kithara, barbiton, and phorminx, as well as wind instruments such as the aulos, a double-reeded instrument similar to an oboe. During public religious festivals and important family functions, performances of archaic choral lyric poetry were often presented by choruses of both men and women. The archaic choral lyric poetry spanned about three hundred years, starting with the poet, Alcman, in the 7th century BCE and evolving to the works of Timotheos (or Timotheus of Miletus) in the 4th century BCE. In the beginning, choral poetry was mainly religious and the personal elements disappeared completely in later chora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Lyric
Greek lyric is the body of lyric poetry written in dialects of Ancient Greek. It is primarily associated with the early 7th to the early 5th centuries BC, sometimes called the "Lyric Age of Greece", but continued to be written into the Hellenistic and Imperial periods. Background Lyric is one of three broad categories of poetry in classical antiquity, along with drama and epic, according to the scheme of the "natural forms of poetry" developed by Goethe in the early nineteenth century. (Drama is considered a form of poetry here because both tragedy and comedy were written in verse in ancient Greece.) Culturally, Greek lyric is the product of the political, social and intellectual milieu of the Greek '' polis'' ("city-state"). Much of Greek lyric is occasional poetry, composed for public or private performance by a soloist or chorus to mark particular occasions. The symposium ("drinking party") was one setting in which lyric poems were performed.Miller, ''Greek Lyric: An An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyporchema
The hyporchema ( el, ὑπόρχημα) was a lively kind of mimic dance which accompanied the songs used in the worship of Apollo, especially among the Dorians. It was performed by men and women. It is comparable to the ''geranos'' (γερανός), the ritual "crane dance" associated with Theseus. A chorus of singers at the festivals of Apollo usually danced around the altar, while several other persons were appointed to accompany the action of the song with an appropriate mimic performance. Hyporchema was thus a lyric dance, and often passed into the playful and comic, whence Athenaeus compares it with the cordax of comedy. It had, according to the supposition of Müller, like all the music and poetry of the Dorians, originated in Crete, but was at an early period introduced in the island of Delos, where it seems to have continued to be performed down to the time of Lucian. A similar kind of dance was the '' geranos'' (crane dance), which Theseus on his return from Crete was said ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem ''Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' is widely considered one of the greatest works of literature ever written, and it elevated Milton's widely-held reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Writing in English, Latin, and Italian, Milton achieved global fame and recognition during his lifetime; his celebrated ''Areopagitica'' (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epode
An epodeFrom el, ἐπῳδός, ''epodos'', "singing to/over, an enchanter." is the third part of an ode that follows the strophe and the antistrophe and completes the movement. Evolution At a certain point in time the choirs, which had previously chanted to right of the altar or stage, and then to left of it, combined and sang in unison, or permitted the ''coryphaeus'' to sing for them all, while standing in the centre. With the appearance of Stesichorus and the evolution of choral lyric, a learned and artificial kind of poetry began to be cultivated in Greece, and a new form, the epode-song, came into existence. It consisted of a verse of iambic trimeter, followed by a verse of iambic dimeter, and it is reported that, although the epode was carried to its highest perfection by Stesichorus, an earlier poet, Archilochus, was really the inventor of this form. The epode soon took its place in choral poetry, which it lost when that branch of literature declined. But it extended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antistrophe
Antistrophe ( grc, ἀντιστροφή, "a turning back") is the portion of an ode sung by the chorus in its returning movement from west to east, in response to the strophe, which was sung from east to west. Characteristics Usage as a literary device It has the nature of a reply and balances the effect of the strophe. Thus, in Gray's ode called "The Progress of Poesy" (excerpt below), the strophe, which dwelt in triumphant accents on the beauty, power and ecstasy verse, is answered by the antistrophe, in a depressed and melancholy key: When the sections of the chorus have ended their responses, they unite and close in the epode, thus exemplifying the triple form, in which the ancient sacred hymns of Greece were coined, from the days of Stesichorus onwards. As Milton says: "strophe, antistrophe and epode An epodeFrom el, ἐπῳδός, ''epodos'', "singing to/over, an enchanter." is the third part of an ode that follows the strophe and the antistrophe and completes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strophe
A strophe () is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. The term has been extended to also mean a structural division of a poem containing stanzas of varying line length. Strophic poetry is to be contrasted with poems composed line-by-line non-stanzaically, such as Greek epic poems or English blank verse, to which the term ''stichic'' applies. In its original Greek setting, "strophe, antistrophe and epode were a kind of stanza framed only for the music", as John Milton wrote in the preface to '' Samson Agonistes'', with the strophe chanted by a Greek chorus as it moved from right to left across the scene. Etymology Strophe (from Greek στροφή, "turn, bend, twist") is a concept in versification which properly means a turn, as from one foot to another, or from one side of a chorus to the other. Poetic structure In a more general sense, the strophe is a pair of stanzas of alternating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Ancient Greece
Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Etymology The word grc, τραγῳδία, tragoidia, label=none, from which the word " tragedy" is derived, is a compound of two Greek words: grc, τράγος, tragos, label=none or "goat" and grc, ᾠδή, ode, label=none meaning "song", from grc, ἀείδε ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nine Lyric Poets
The Nine Lyric or Melic Poets were a canonical group of ancient Greek poets esteemed by the scholars of Hellenistic Alexandria as worthy of critical study. In the Palatine Anthology it is said that they established lyric song. They were: *Alcman of Sparta (choral lyric, 7th century BC) *Sappho of Lesbos (monodic lyric, BC) *Alcaeus of Mytilene (monodic lyric, BC) *Anacreon of Teos (monodic lyric, 6th century BC) * Stesichorus of Metauros (choral lyric, 7th century BC) *Ibycus of Rhegium (choral lyric, 6th century BC) * Simonides of Ceos (choral lyric, 6th century BC) *Bacchylides of Ceos (choral lyric, 5th century BC) *Pindar of Thebes (choral lyric, 5th century BC) In most Greek sources the word ''melikos'' (from ''melos'', "song") is used to refer to these poets, but the variant ''lyrikos'' (from ''lyra'', "lyre") became the regular form in both Latin (as ''lyricus'') and in modern languages. The ancient scholars defined the genre on the basis of the musical accompaniment, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pindar
Pindar (; grc-gre, Πίνδαρος , ; la, Pindarus; ) was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saqqara
Saqqara ( ar, سقارة, ), also spelled Sakkara or Saccara in English , is an Egyptian village in Giza Governorate, that contains ancient burial grounds of Egyptian royalty, serving as the necropolis for the ancient Egyptian capital, Memphis. Saqqara contains numerous pyramids, including the Step pyramid of Djoser, sometimes referred to as the Step Tomb, and a number of mastaba tombs. Located some south of modern-day Cairo, Saqqara covers an area of around . Saqqara contains the oldest complete stone building complex known in history, the Pyramid of Djoser, built during the Third Dynasty. Another sixteen Egyptian kings built pyramids at Saqqara, which are now in various states of preservation. High officials added private funeral monuments to this necropolis during the entire Pharaonic period. It remained an important complex for non-royal burials and cult ceremonies for more than 3,000 years, well into Ptolemaic and Roman times. North of the area known as Saqqar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epinikion
The ''epinikion'' or ''epinicion'' (plural ''epinikia'' or ''epinicia'', ancient Greek, Greek , from ''epi-'', "on," + ''Nike (mythology), nikê'', "victory") is a genre of occasional poetry also known in English language, English as a victory ode. In ancient Greece, the ''epinikion'' most often took the form of a choral poetry, choral lyric, commissioned for and performed at the celebration of an athletic victory in the Panhellenic Games and sometimes in honor of a victory in war. Major poets in the genre are Simonides of Ceos, Simonides, Bacchylides, and Pindar. Origins Since the poets most often call their victory songs ''hymnoi'' (), it has been conjectured that hymns for Herakles, honored as the founder of the Ancient Olympic Games, Olympic Games, were the original model for the athletic ''epinikion''. Victory odes are also associated with the Dioscuri; Pindar uses the term "Castor-song" (), and Polydeuces (Pollux), the mortal twin of Castor, was a Ancient Greek Boxing, boxe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
