Cinematic Science Fiction
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Cinematic Science Fiction
Science fiction (or sci-fi) is a film genre that uses speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, spacecraft, robots, cyborgs, mutants, interstellar travel, time travel, or other technologies. Science fiction films have often been used to focus on political or social issues, and to explore philosophical issues like the human condition. The genre has existed since the early years of silent cinema, when Georges Méliès' ''A Trip to the Moon'' (1902) employed trick photography effects. The next major example (first in feature-length in the genre) was the film ''Metropolis'' (1927). From the 1930s to the 1950s, the genre consisted mainly of low-budget B movies. After Stanley Kubrick's landmark '' 2001: A Space Odyssey'' (1968), the science fiction film genre was taken more seriously. In the late 1970s, big-budget science fiction films filled with special effects became popular w ...
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Discovery One From Trailer Of 2001 A Space Odyssey (1968)
Discovery may refer to: * Discovery (observation), observing or finding something unknown * Discovery (fiction), a character's learning something unknown * Discovery (law), a process in courts of law relating to evidence Discovery, The Discovery or Discoveries may also refer to: Film and television * ''The Discovery'' (film), a 2017 British-American romantic science fiction film * Discovery Channel, an American TV channel owned by Warner Bros. Discovery * ''Discovery'' (Canadian TV series), a 1962–1963 Canadian documentary television program * ''Discovery'' (Irish TV series), an Irish documentary television programme * ''Discovery'' (UK TV programme), a British documentary television programme * ''Discovery'' (U.S. TV series), a 1962–1971 American television news program * '' Star Trek: Discovery'', an American television series ** USS ''Discovery'' (NCC-1031), a fictional space craft on ''Star Trek: Discovery'' *"The Discovery," the eighth and final episode of '' Po ...
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A Trip To The Moon
''A Trip to the Moon'' ( , ) is a 1902 French science-fiction adventure trick film written, directed, and produced by Georges Méliès. Inspired by the Jules Verne novel ''From the Earth to the Moon'' (1865) and its sequel '' Around the Moon'' (1870), the film follows a group of astronomers who travel to the Moon in a cannon-propelled capsule, explore the Moon's surface, escape from an underground group of Selenites (lunar inhabitants), and return to Earth with a captive Selenite. Méliès leads an ensemble cast of French theatrical performers as the main character Professor Barbenfouillis. Although the film disappeared into obscurity (after Méliès's retirement from the film industry) it was rediscovered around 1930, when Méliès's importance to the history of cinema was beginning to be recognised by film devotees. An original hand-colored print was discovered in 1993, and restored in 2011. ''A Trip to the Moon'' was ranked 84th among the 100 greatest films of the 20th ...
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Horror Film
Horror is a film genre that seeks to elicit physical or psychological fear in its viewers. Horror films often explore dark subject matter and may deal with Transgressive art, transgressive topics or themes. Broad elements of the genre include Monster movie, monsters, Apocalyptic and post-apocalyptic fiction, apocalyptic events, and Religion, religious or Folk horror, folk beliefs. Horror films have existed History of horror films, since the early 20th century. Early Inspirations predating film include folklore; the religious beliefs and superstitions of different cultures; and the Gothic fiction, Gothic and Horror fiction, horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From its origins in silent films and German expressionist cinema, German Expressionism, horror became a codified genre only after the release of Dracula (1931 English-language film), ''Dracula'' (1931). Many sub-genres emerged in subsequent decades, including body horror, comed ...
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Fantasy Film
Fantasy films are films that belong to the fantasy genre with fantastic themes, usually Magic (paranormal), magic, supernatural events, mythology, folklore, or exotic fantasy worlds. The Film genre, genre is considered a form of speculative fiction alongside science fiction films and horror films, although the genres do overlap. Fantasy films often have an element of magic, myth, Wonder (emotion), wonder, escapism, and the extraordinary. Subgenres Several sub-categories of fantasy films can be identified, although the delineations between these subgenres, much as in fantasy literature, are somewhat fluid. The most common fantasy subgenres depicted in movies are high fantasy and sword and sorcery. Both categories typically employ quasi-medieval settings, wizards, magical creatures and other elements commonly associated with fantasy stories. High fantasy films tend to feature a more richly developed fantasy world, and may also be more character-oriented or thematically complex. ...
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Crime Film
Crime film is a film belonging to the crime fiction genre. Films of this genre generally involve various aspects of crime and fiction. Stylistically, the genre may overlap and combine with many other genres, such as Drama (film and television), drama or gangster film, but also include Comedy film, comedy, and, in turn, is divided into many sub-genres, such as Mystery film, mystery, suspense or Film noir, noir. Screenwriter and scholar Eric R. Williams identified crime film as one of eleven super-genres in his Screenwriters Taxonomy, claiming that all feature-length narrative films can be classified by these super-genres.  The other ten super-genres are action, fantasy, horror, romance, science fiction, slice of life, sports, thriller, war and western. Williams identifies drama in a broader category called "film type", mystery and suspense as "macro-genres", and film noir as a "screenwriter's pathway" explaining that these categories are additive rather than exclusionary. ''China ...
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Action Film
The action film is a film genre that predominantly features chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Geoff King stated they allow the scenes of spectacle to be attuned to storytelling. Action films are often hybrid with other genres, mixing into various forms such as comedy film, comedies, science fiction films, and horror films. While the term "action film" or "action adventure film" has been used as early as the 1910s, the contemporary definition usually refers to a film that came with the arrival of New Hollywood and the rise of antihero, anti-heroes appearing in American films of the late 1960s and 1970s drawing from war films, crime films and Western (film), Westerns. These genres were followed by what is referred to as the "classical period" ...
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Screenwriters Taxonomy
Inspired by the biological classification system of the Linnaean taxonomy, screenwriter Eric R. Williams developed the Screenwriters Taxonomy in 2017 to create a common language of creative collaboration for filmmakers. Williams’ central thesis in ''The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling'' is that the term “genre” is used so broadly to describe films that the modern use of the word has become meaningless. The Screenwriter's Taxonomy proposes seven categories for discussing the creative process of telling cinematic stories. # Type Williams, Eric R. “Movie Types and Supergenres.” In ''The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling'', 15–46. New York, NY: Routledge, 2018. # Super Genre # Macrogenres Williams, Eric R. “Macro Genres and Micro Genres.” In ''The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling'', 47–87. New York, NY: Routledge, 2018. # Microgenres # Voice # Pathway # Point of View ...
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Eric R
The given name Eric, Erich, Erikk, Erik, Erick, Eirik, or Eiríkur is derived from the Old Norse name ''Eiríkr'' (or ''Eríkr'' in Old East Norse due to monophthongization). The first element, ''ei-'' may be derived from the older Proto-Norse ''* aina(z)'', meaning "one, alone, unique", ''as in the form'' ''Æ∆inrikr'' explicitly, but it could also be from ''* aiwa(z)'' "everlasting, eternity", as in the Gothic form ''Euric''. The second element ''- ríkr'' stems either from Proto-Germanic ''* ríks'' "king, ruler" (cf. Gothic ''reiks'') or the therefrom derived ''* ríkijaz'' "kingly, powerful, rich, prince"; from the common Proto-Indo-European root * h₃rḗǵs. The name is thus usually taken to mean "sole ruler, autocrat" or "eternal ruler, ever powerful". ''Eric'' used in the sense of a proper noun meaning "one ruler" may be the origin of '' Eriksgata'', and if so it would have meant "one ruler's journey". The tour was the medieval Swedish king's journey, when newly e ...
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Blockbuster (entertainment)
A blockbuster is a work of entertainment—typically used to describe a feature film produced by a major film studios, but also other media—that is highly popular and financially successful. The term has also come to refer to any large-budget production ''intended'' for "blockbuster" status, aimed at mass markets with associated merchandising, sometimes on a scale that meant the financial fortunes of a film studio or a distributor could depend on it. Etymology The term began to appear in the American press in the early 1940s, referring to the blockbuster bombs, aerial munitions capable of destroying a whole block of buildings. Its first known use in reference to films was in May 1943, when advertisements in '' Variety'' and '' Motion Picture Herald'' described the RKO film, '' Bombardier'', as "The block-buster of all action-thrill-service shows!" Another trade advertisement in 1944 boasted that the war documentary, '' With the Marines at Tarawa'', "hits the heart like a two t ...
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Star Wars (film)
''Star Wars'' (later retitled ''Star Wars: Episode IV – A New Hope'') is a 1977 American Epic film, epic space opera film written and directed by George Lucas, produced by Lucasfilm Ltd. and released by Twentieth Century-Fox. It is the first film in the ''Star Wars'' franchise and the fourth chronological chapter of the "Skywalker Saga". Set in Universe of Star Wars, a fictional galaxy under the rule of the tyrannical Galactic Empire (Star Wars), Galactic Empire, the film follows a group of freedom fighters known as the Rebel Alliance, who aim to destroy the Empire's ultimate weapon, the Death Star. When the rebel leader Princess Leia is captured by the Empire, Luke Skywalker acquires stolen architectural plans of the Death Star and sets out to rescue her while learning the ways of a metaphysical power known as "the Force" from the Jedi Master Obi-Wan Kenobi. The cast includes Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, Anthony Daniels, Kenny Bak ...
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A Space Odyssey (film)
''2001: A Space Odyssey'' is a 1968 epic science fiction film produced and directed by Stanley Kubrick. The screenplay was written by Kubrick and Arthur C. Clarke. Its plot was inspired by several short stories optioned from Clarke, primarily " The Sentinel" (1951) and "Encounter in the Dawn" (1953). The film stars Keir Dullea, Gary Lockwood, William Sylvester, and Douglas Rain. It follows a voyage by astronauts, scientists, and the sentient supercomputer HAL 9000 to Jupiter to investigate an alien monolith. The film is noted for its scientifically accurate depiction of spaceflight, pioneering special effects, and ambiguous themes. Kubrick avoided conventional cinematic and narrative techniques; dialogue is used sparingly, and long sequences are accompanied only by music. Shunning the convention that major film productions should feature original music, ''2001: A Space Odyssey'' takes for its soundtrack numerous works of classical music, including pieces by Richard Strauss, ...
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