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Zu Warriors
''Zu Warriors from the Magic Mountain'' ( zh, t=新蜀山劍俠) is a 1983 Hong Kong supernatural ''wuxia'' fantasy film directed by Tsui Hark and based on the xianxia novel ''Legend of the Swordsmen of the Mountains of Shu'' by Huanzhulouzhu. The film has been noted for combining elements of Hong Kong action cinema with special effects technology provided by a team of Western artists including Robert Blalack. It served as an influence for the 1986 American film ''Big Trouble in Little China''. ''Zu Warriors from the Magic Mountain'' received five nominations at the 3rd Hong Kong Film Awards: Best Action Choreography for Corey Yuen, Best Actress for Brigitte Lin, Best Art Direction for William Chang, Best Film Editing for Peter Cheung, and Best Picture. Premise During the Sixteen Kingdoms period, army deserter Dik Ming-kei, who was chased by vampires in the mountain of Zu, is rescued by Master Ding Yan and becomes his pupil. When they were ambushed by the Blood Devil, de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsui Hark
Tsui Hark (, vi, Từ Khắc, born 15 February 1950), born Tsui Man-kong, is a Hong Kong film director, producer and screenwriter. Tsui has directed several influential Hong Kong films such as '' Zu Warriors from the Magic Mountain'' (1983), the ''Once Upon a Time in China'' film series (1991–1997) and '' The Blade'' (1995). Tsui also has been a prolific writer and producer; his productions include '' A Better Tomorrow'' (1986), '' A Better Tomorrow II'' (1987), '' A Chinese Ghost Story'' (1987), '' The Killer'' (1989), '' The Legend of the Swordsman'' (1992), '' The Wicked City'' (1992), '' Iron Monkey'' (1993) and '' Black Mask'' (1996). He is viewed as a major figure in the Golden Age of Hong Kong cinema and is regarded by critics as "one of the masters of Asian cinematography". In the late 1990s, Tsui had a short-lived career in the United States, directing the Jean-Claude Van Damme–led films '' Double Team'' (1997) and ''Knock Off'' (1998). Both films were commerciall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hong Kong Action Cinema
Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. Action films from Hong Kong have roots in Chinese culture, Chinese and Culture of Hong Kong, Hong Kong cultures including Chinese opera, storytelling and aesthetic traditions, which Hong Kong filmmakers combined with elements from Cinema of the United States, Hollywood and Japanese cinema along with new action choreography and filmmaking techniques, to create a culturally distinctive form that went on to have wide transcultural appeal. In turn, Hollywood action films have been heavily influenced by Hong Kong Film genre, genre conventions, from the 1970s onwards. The first Hong Kong action films favoured the ''wuxia'' style, emphasizing mysticism and swordplay, but this trend was politically suppressed in the 1930s and replaced by kung fu films that depicted more down-to-earth unarmed martial arts, often featuring folk heroes such as Wong Fei Hung. Post-war cultural upheavals led to a seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hong Kong New Wave
The Hong Kong New Wave is a film movement in Chinese-language Hong Kong cinema that emerged in the late 1970s and lasted into the early 2000s. Origins of the movement The Hong Kong New Wave started in 1979 with the release of numerous notable films. During the 1980s, the Hong Kong film industry began to flourish. Film emerged as the most popular form of entertainment in Hong Kong, in part due to the fact that many Chinese households did not have a TV at the time. Many of the New Wave directors had a Western-style education and were influenced by western filmmaking and culture. The films of the Hong Kong New Wave were not stylistically homogenous, rather the term was used to mark the distinction of a new generation of filmmakers. Films of the Hong Kong New Wave utilized new technology and techniques such as synchronous sound, new editing techniques, and filming movies on location. First Wave and Second Wave The Hong Kong New Wave is considered to have two distinct periods. The firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kung Fu
Chinese martial arts, often called by the umbrella terms kung fu (; ), kuoshu () or wushu (), are multiple fighting styles that have developed over the centuries in Greater China. These fighting styles are often classified according to common traits, identified as "families" of martial arts. Examples of such traits include ''Shaolinquan'' () physical exercises involving All Other Animals () mimicry or training methods inspired by Old Chinese philosophies, religions and legends. Styles that focus on qi manipulation are called '' internal'' (; ), while others that concentrate on improving muscle and cardiovascular fitness are called '' external'' (; ). Geographical association, as in ''northern'' (; ) and ''southern'' (; ), is another popular classification method. Terminology ''Kung fu'' and ''wushu'' are loanwords from Cantonese and Mandarin respectively that, in English, are used to refer to Chinese martial arts. However, the Chinese terms '' kung fu'' and ''wushu'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fangoria
''Fangoria'' is an internationally distributed American horror film fan magazine, in publication since 1979. It is published four times a year by Fangoria Publishing, LLC and is edited by Phil Nobile Jr. The magazine was originally released in an age when horror fandom was still a burgeoning subculture; in the late 1970s, most horror publications were concerned with classic cinema, while those that focused on contemporary horror were largely fanzines. ''Fangoria'' rose to prominence by running exclusive interviews with horror filmmakers and offering behind-the-scenes photos and stories that were otherwise unavailable to fans in the era before the Internet. The magazine would eventually rise to become a force itself in the horror world, hosting its own awards show, sponsoring and hosting numerous horror conventions, producing films, and printing its own line of comics. ''Fangoria'' began struggling in the 2010s due to issues arising from the internet, including difficulty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sai Gwa-Pau
Lim Gan (林根), better known in Hong Kong by his stagename Sai Gwa-Pau (西瓜刨) (7 October 1918 – 12 March 2001) was a Hong Kong film actor who played roles in over 600 movies from the 1950s onwards. His stagename "Watermelon Slice" referred to his prominent protruding upper teeth. Sai Gwa-pau was well known for his comic roles and in particular his role (牙擦苏) in the film series based on the exploits of Wong Fei-hung Wong Fei-hung (born Wong Sek-cheung with the courtesy name Tat-wun; 9 July 1847 – 17 April 1925) was a Chinese martial artist, physician, and folk hero. His recent fame was due to becoming the subject of numerous martial arts films and televis .... orldCat Identities- OCL西瓜刨 1918-2001 /ref> Filmography * Wong Fei-hung (film series) ( :zh:黃飛鴻系列影視) * '' Naughty! Naughty!'' See also * Osomatsu-kun References {{DEFAULTSORT:Gwa-Pau, Sai 1918 births 2001 deaths ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick Wei
Dick Wei (, born April 15, 1953) is a Taiwanese actor, director and writer who specializes in martial arts and action films. Early life and career A Hakka, he was born in the town of Pingtung in southern Taiwan and began studying martial arts in Junior High School, winning numerous competitions. Later, he served in the Taiwanese army, attaining the rank of captain, and was an instructor in unarmed combat, especially Tae Kwon Do. His first films were made while he was still in the army (mostly low budget Taiwanese productions). His earliest movie appearance may be a brief fight scene with Ti Lung in the Shaw Brother's ''Iron Chain Assassin'' from 1974. Discovery While operating a martial arts studio in Taipei, he was spotted by Chang Cheh, who persuaded him to have a screen test which was shown to Sir Run Run Shaw. He later signed with the Shaw Brothers and moved to Hong Kong in 1977. Here he made several films under the name "Tu Lung". These included ''The Five Venoms'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chung Fat
Chung Fat was born on (December 2nd, 1953) and is a native of Guangdong, He is also a Hong Kong film actor, choreographer, producer and director. He primarily stars in jiangshi fictions and martial art movies . Performing experience Chung Fat, of the Han ethnicity, is a disciple of Madame Fan Kuk-fa of The Spring and Autumn Drama School. As a teenager, he was a Northern Praying Mantis practitioner with Lam Ching-ying, under Madame Fok's guidance. He became proficient in the use of a great variety of martial arts weapons and techniques. Chung Fat debuted very early on the silver screen, shooting "'' Enter the Dragon''" (1973) with Bruce Lee. Chung stated, "You need thousands of extras, some of which must be at the pinnacle of martial arts, Lam Ching-ying was the fellow with the opportunity when they were hiring extras". Chung Fat had a small role as a security guard who fails to capture Lee, (Bruce Lee) when he investigates the island. In the film, Han (Kien Shih) is descr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Chui
Norman Chui Siu-keung (; born 16 October 1950) is a Hong Kong actor. He was best known for portraying heroic protagonists in many martial arts films from the 1970s to 1980s and later portraying villainous roles in the 1990s. Chui was contracted with Asia Television during the 90's and is currently mostly acting in Mainland China. Filmography Films This is a partial list of films. * 1974 The Savage Five - Da Niu * 1977 The Battle Wizard - Gu Ducheng * 1977 Clans of Intrigue - Song Gang * 1978 Clan of Amazons - Jiang Chongwei * 1978 Legend of the Bat - Xiang Feitian * 1978 Vengeful Beauty - Ma Seng * 1978 Heaven Sword and Dragon Sabre (film) - Wei Yixiao * 1978 The Brave Archer 2 - Qiu Chuji * 1979 Abbot of Shaolin - Li Jin Lun * 1978 Heroes of the East - Chang * 1980 The Sword (1980 film) - Lin Wan * 1982 Bastard Swordsman - Yun Fei Yang * 1983 The Denouncement of Chu Liu Hsiang - Murong Qingcheng * 1983 Duel to the Death - Hashimoto * 1983 Zu Warriors from the Magic Moun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sixteen Kingdoms
The Sixteen Kingdoms (), less commonly the Sixteen States, was a chaotic period in Chinese history from AD 304 to 439 when northern China fragmented into a series of short-lived dynastic states. The majority of these states were founded by the " Five Barbarians", non- Han peoples who had settled in northern and western China during the preceding centuries, and had launched a series of rebellions and invasions against the Western Jin dynasty in the early 4th century. However, several of the states were founded by the Han people, and all of the states—whether ruled by Xiongnu, Xianbei, Di, Jie, Qiang, Han, or others—took on Han-style dynastic names. The states frequently fought against both one another and the Eastern Jin dynasty, which succeeded the Western Jin in 317 and ruled southern China. The period ended with the unification of northern China in 439 by the Northern Wei, a dynasty established by the Xianbei Tuoba clan. This occurred 19 years after the Eastern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Chang
William Chang Suk-ping ( zh, 張叔平; born 12 November 1953) is a Hong Kong production designer, costume designer and film editor. Along with cinematographer Christopher Doyle, Chang is an important collaborator with Hong Kong film director Wong Kar-wai. He has also collaborated with directors such as Stanley Kwan, Patrick Tam, Yim Ho, Tsui Hark, Jiang Wen and Johnnie To. He is of Shanghainese ancestry. In 2014, Chang received an Academy Award for Best Costume Design The Academy Award for Best Costume Design is one of the Academy Awards presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for achievement in film costume design. The award was first given in 1949, for films made in 1948 ... nomination for his work on '' The Grandmaster''. See also * List of film director and editor collaborations References External links * Living people Hong Kong art directors Hong Kong film editors Production designers Chinese costume designe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
3rd Hong Kong Film Awards
The 3rd Hong Kong Awards ceremony, honored the best films of 1983 and took place on 4 August 1984, at the Regent International Hotel, Hong Kong. The ceremony was hosted by Chung King-fai, during the ceremony awards are presented in 12 categories. The ceremony was sponsored by RTHK Radio Television Hong Kong (RTHK) is the public broadcasting service in Hong Kong. GOW, the predecessor to RTHK, was established in 1928 as the first broadcasting service in Hong Kong. As a government department under the Commerce and Econo ... and City Entertainment Magazine. Awards Winners are listed first, highlighted in boldface, and indicated with a double dagger (). References External links Official website of the Hong Kong Film Awards *1984 1983 film awards 1984 in Hong Kong {{film-award-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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