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Zolf-'āšofte
is a ghazal (love-song) by the 14th-century Persian poet Hafez of Shiraz. In this poem, Hafez is visited in the night by a former beloved, and it becomes clear through metaphorical language that the encounter is successful. There is no hint of any Sufic or esoteric connection in this poem. The poem is no. 26 in the edition of Muhammad Qazvini and Qasem Ghani (1941). The poem In the transcription below, "x" = ''kh'' as in ''Khayyam'', ' is a glottal stop. Overlong syllables, which take up the time of a long plus a short syllable in the metre, are underlined. :1 : : : : :Tousled-hair and sweating and smiling-lipped and drunk, :shirt-torn and singing songs and wine-flask in hand, :2 : : : : :Her/His eye looking for a quarrel and her/his lip mocking, :at midnight last night s/he came to my pillow and sat down. :3 : : : : :S/He brought his/her head close to my ear and in a plaintive voice :said "Hey, old-time lover of mine, are you asleep?" :4 : : : : :A lover to whom th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alā Yā Ayyoha-s-sāqī
is a '' ghazal'' (love poem) by the 14th-century poet Hafez of Shiraz. It is the opening poem in the collection of Hafez's 530 poems. In this poem, Hafez calls for wine to soothe his difficulties in love. In a series of varied images he describes his feelings. He is advised to follow the advice of the Elder, and to achieve union with God by letting go of the world. The poem has generally been considered to have a Sufic intent.Inan (2012), p. 38. The verses alternate between Hafez's expression of his complaints and anxieties, and the reassurance of his spiritual guide. However, Julie Meisami argues that the intention of the poem is not mystical, but literary, and that Hafez by alluding to the love poetry of both Arabic and Persian of the past is laying claim to his position in that tradition. The first and last line of the poem are both in Arabic. The first Arabic line is said to be a quotation from a poem written by the 7th-century Caliph Yazid I, although some Iranian scholar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hafez
Khwāje Shams-od-Dīn Moḥammad Ḥāfeẓ-e Shīrāzī ( fa, خواجه شمسالدین محمّد حافظ شیرازی), known by his pen name Hafez (, ''Ḥāfeẓ'', 'the memorizer; the (safe) keeper'; 1325–1390) and as "Hafiz", was a Persian lyric poet, whose collected works are regarded by many Iranians as a pinnacle of Persian literature. His works are often found in the homes of people in the Persian-speaking world, who learn his poems by heart and use them as everyday proverbs and sayings. His life and poems have become the subjects of much analysis, commentary and interpretation, influencing post-14th century Persian writing more than any other Persian author. Hafez is best known for his Divan of Hafez, a collection of his surviving poems probably compiled after his death. His works can be described as " antinomian" and with the medieval use of the term "theosophical"; the term "theosophy" in the 13th and 14th centuries was used to indicate mystical work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mazra'-ē Sabz-e Falak
The poem ("the Green Farmland of the Sky") is a ghazal (love song) by the 14th-century Persian poet Hafez of Shiraz. It has been called "the second most debated ghazal of Hafiz, the first being the Shirazi Turk". It is no. 407 in the edition of Hafez's ghazals by Muhammad Qazvini and Qasim Ghani (1941), according to the usual alphabetical arrangement by rhyme. At the beginning of the poem, Hafez is reminded by the sight of the night sky of his own failings and the unlikelihood of his reaching Heaven; but an adviser encourages him to be optimistic. In the last three verses, Hafez turns his attention to the beauty of his beloved, and declares that the path of Love will lead to Heaven more surely than false and hypocritical religious practice. The poem is full of astronomical imagery of the Sun, Moon, and stars, and also of metaphors of sowing and harvest. Scholarly debate over this poem especially concerns whether it presents an artistic unity, and if so, whether the type of unit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goftā Borūn šodī
''Goftā borūn šodī'' is a seven-verse '' ghazal'' (love-song) by the 14th-century Persian poet Hāfez. It is no. 406 in the collection of Hafez's ''ghazals'', which are arranged alphabetically by their rhyme, in the edition of Muhammad Qazvini and Qasem Ghani (1941). The poem is interesting because of its Sufic content and certain difficulties of interpretation. It has been compared with the more famous '' Mazra'-e sabz-e falak'' for its similarity of themes, and for the light which it may throw on that poem. In the opening of the poem the speaker (who is not made explicit) sternly criticises Hafez for "going outside" to look at the New Moon. It later appears that this action is equated with abandoning the mystic Way of Love in favour of Reason. In the second half of the poem Hafez is urged to remain faithful to the Way and to heed the advice of the Magian Elder. The metre The metre is called , which is relatively common in Persian lyric poetry. In Elwell-Sutton's system it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naqdhā Rā Bovad āyā
is a short ghazal (love poem) by the 14th-century Persian poet Hafez of Shiraz. It is no. 185 in the Qazvini-Ghani edition of Hafez's poems (1941). The poem is famous for a fine Persian miniature painting of 1585 illustrating the scene. In this poem Hafez advises hermits and ascetics to abandon their way of life and take up love. He describes the delights of making love to the sound of music, and tells how powerless they will be when overcome by the beauty of a beloved. In the last verse he advises poor people to avoid the society of the rich, who have no sympathy for them. The poem is written in such a way that it is difficult to tell whether Hafez is describing a real scene of love-making or using symbolic language to illustrate the mystic ecstasy of a Sufi on the path to union with God. The poem In the transcription, "x" represents the sound kh (خ) as in Khayyam, the letters gheyn (غ) and qāf (ق) are both written as "q ", and the sign " ' " represents a glottal stop. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirazi Turk
''Shirazi Turk'' is a ''ghazal (love poem)'' by the 14th-century Persian poet, Hāfez of Shiraz. It has been described as "the most familiar of Hafez's poems in the English-speaking world". It was the first poem of Hafez to appear in English, when William Jones made his paraphrase "A Persian Song" in 1771, based on a Latin version supplied by his friend Károly Reviczky. Edward Granville Browne wrote of this poem: "I cannot find so many English verse-renderings of any other of the odes of Ḥáfiẓ." It is the third poem in the collection (The ''Divān'' of Hafez) of Hafez's poems, which are arranged alphabetically by their rhymes. More recently, this ode has been the object of both a number of scholarly articles and controversy. Should it be taken at face value? (As a poem in which the poet describes his unrequited love for a handsome youth, and turns to wine as a consolation?) Or does it seem to conceal a hidden Sufi meaning describing the path of Love leading to union with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazals By Hafez
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nader Naderpour
Nader Naderpour ( fa, نادر نادرپور; June 6, 1929 – February 18, 2000) was an Iranian poet. Among many Iranian poets who shaped up the New Persian Poetry or New Poetry (in Persian: ''She'r-e Now''), Ali Esfandiari aka Nima Yooshij, Parviz Natel Khanlari, Nader Naderpour, Forough Farrokhzad, Mehdi Akhavan Saless, Sohrab Sepehri, Fereydoon Moshiri, Siavash Kasrai, Ahmad Shamlu, Hushang Ebtehaj, and Mohammad-Reza Shafiei Kadkani are considered to be the most famous, skillful, and professional. Though Nima Yooshij (1896–1960) is known as the Father of New Persian Poetry, aka Nimaii Poetry or ''She'r-e Nimaii'', according to a number of eminent and highly respected literary and poetry scholars Nader Naderpour is considered as the first Iranian poet who opened up exciting vistas of the new Persian poetry. Personal life Nader Naderpour was born on 6 June 1929 in Tehran, Iran. His parents were both fluent in French and had a deep love for art, music and history. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Leaf
Sir Walter Leaf (26 November 1852, Upper Norwood – 8 March 1927, Torquay) was an English banker, classical scholar and psychical researcher. He published a benchmark edition of Homer's Iliad and was a director of Westminster Bank for many years, eventually becoming its chairman. He was a co-founder and later president of the International Chamber of Commerce, and served as president of the Institute of Bankers, the Hellenic Society and the Classical Association. He married Charlotte Symonds, daughter of John Addington Symonds. He was a Cambridge Apostle. Academic career Walter Leaf was born on 26 November 1852. In 1865 he won a scholarship to Winchester College. However, his parents became concerned that living conditions at Winchester would be unacceptable so they rented a house at Harrow on the edge of London from where their boy enrolled in April 1866 at Harrow School as a day pupil. From Harrow he progressed to Trinity College, Cambridge. He won a scholarship to Trin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive natur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
