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Shirazi Turk
''Shirazi Turk'' is a ''ghazal (love poem)'' by the 14th-century Persian poet, Hāfez of Shiraz. It has been described as "the most familiar of Hafez's poems in the English-speaking world". It was the first poem of Hafez to appear in English, when William Jones made his paraphrase "A Persian Song" in 1771, based on a Latin version supplied by his friend Károly Reviczky. Edward Granville Browne wrote of this poem: "I cannot find so many English verse-renderings of any other of the odes of Ḥáfiẓ." It is the third poem in the collection (The ''Divān'' of Hafez) of Hafez's poems, which are arranged alphabetically by their rhymes. More recently, this ode has been the object of both a number of scholarly articles and controversy. Should it be taken at face value? (As a poem in which the poet describes his unrequited love for a handsome youth, and turns to wine as a consolation?) Or does it seem to conceal a hidden Sufi meaning describing the path of Love leading to union with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive natur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pleiades
The Pleiades (), also known as The Seven Sisters, Messier 45 and other names by different cultures, is an asterism and an open star cluster containing middle-aged, hot B-type stars in the north-west of the constellation Taurus. At a distance of about 444 light years, it is among the nearest star clusters to Earth. It is the nearest Messier object to Earth, and is the most obvious cluster to the naked eye in the night sky. It is also observed to house the reflection nebula NGC 1432, an HII Ionized region. The cluster is dominated by hot blue luminous stars that have formed within the last 100 million years. Reflection nebulae around the brightest stars were once thought to be left over material from their formation, but are now considered likely to be an unrelated dust cloud in the interstellar medium through which the stars are currently passing. This dust cloud is estimated to be moving at a speed of approximately 18 km/s relative to the stars in the cluster. Computer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Turkish Harpist (Manuchehri)
Manuchehri's Turkish harpist is a poem by the 11th-century Persian royal court poet Manuchehri. It is also known as () "In praise of the Espahbad Manuchehr son of Qabus", or Qasida no. 39 in the collected works of Manuchehri. The poem is a '' qasīda'' (praise poem) in the Arabic style, consisting of 30 or 31 verses, all with the same rhyme. The first ten lines praise the beauty and skill of a harpist who is playing at the autumn festival of Mehrgan. Lines 11–16 describe the fierceness and warlike qualities of Manuchehr, to whom the poem is addressed, and lines 17–23 describe the ruler's splendid war horse. The poet goes on to encourage Manuchehr to enjoy the feast and ends with a prayer that his career will continue to be successful and glorious. The poem is notable for its musical rhymes, such as , which imitate the thrumming of the harp ('' chang'') and play on different meanings of the words. As with many of Manuchehri's poems he expresses his delight in the feast and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qasida
The qaṣīda (also spelled ''qaṣīdah''; is originally an Arabic word , plural ''qaṣā’id'', ; that was passed to some other languages such as fa, قصیده or , ''chakameh'', and tr, kaside) is an ancient Arabic word and form of writing poetry, often translated as ode, passed to other cultures after the Arab Muslim expansion. The word ''qasidah'' is still used in its original birthplace, Arabia, and in all Arab countries. Well known ''qasā'id'' include the Seven Mu'allaqat and Qasida Burda ("Poem of the Mantle") by Imam al-Busiri and Ibn Arabi's classic collection "The Interpreter of Desires". The classic form of qasida maintains a single elaborate metre throughout the poem, and every line rhymes on the same sound.Akiko Motoyoshi Sumi, ''Description in Classical Arabic Poetry: ''Waṣf'', Ekphrasis, and Interarts Theory'', Brill Studies in Middle Eastern literatures, 25 (Leiden: Brill, 2004), p. 1. It typically runs from fifteen to eighty lines, and sometimes mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Awhadi Maraghai
Awhadi Maraghei (also spelled Auhadi; fa, اوحدی مراغهای) (1274/75–1338) was a Persian Sufi poet primarily based in Azerbaijan during the rule of the Mongol Ilkhanate. He is usually surnamed "Maraghai", but also mentioned as Awhadi Esfahani because his father hailed from Isfahan and he himself spent part of his life there. He first chose the pen-name Safi, but changed it to Awhadi after becoming a devotee of the school of the famous mystic Awhad al-Din Kermani. Life His full name was Awhad al-Din (or Rukn al-Din) ibn Husayn Isfahani. According to a verse in his ''Mathnawi-yi Jam-i jam'', Awhadi was born in the city of Isfahan in . He most likely lived there until his later teens. At the start of the 1290s, Awhadi went on a long trip, visiting various places, such as Basra, Baghdad, Damascus, Sultaniyya, Karbala, Kufa, Najaf, Qum and Hamadan. He also briefly lived in Mecca. In , Awhadi permanently settled in Maragha, but would also regularly visit Tab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saadi Shirazi
Saadi Shīrāzī ( fa, ابومحمّد مصلحالدین بن عبدالله شیرازی), better known by his pen name Saadi (; fa, سعدی, , ), also known as Sadi of Shiraz (, ''Saʿdī Shīrāzī''; born 1210; died 1291 or 1292), was a Persian poet and prose writer of the medieval period. He is recognized for the quality of his writings and for the depth of his social and moral thoughts. Saadi is widely recognized as one of the greatest poets of the classical literary tradition, earning him the nickname "The Master of Speech" or "The Wordsmith" ( ''ostâd-e soxan'') or simply "Master" ( ''ostâd'') among Persian scholars. He has been quoted in the Western traditions as well. '' Bustan'' has been ranked as one of the 100 greatest books of all time by ''The Guardian''. Biography Saadi was born in Shiraz, Iran, according to some, shortly after 1200, according to others sometime between 1213 and 1219. In the Golestan, composed in 1258, he says in lines evidently add ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fakhr-al-Din Iraqi
Fakhr al-Din Iraqi (also spelled Araqi; fa, فخرالدین عراقی; 1213/14 – 1289) was a Persian Sufi poet of the 13th-century. He is principally known for his mixed prose and poetry work, the ''Lama'at'' ("Divine flashes"), as well as his '' divan'' (collection of short poems), most of which were written in the form of a ''ghazal''. Born to a religious and well-read family, during his youth, Iraqi joined a group of '' qalandars'' (wandering dervishes) in search for spiritual knowledge. They eventually reached Multan in India, where Iraqi later became a disciple of Baha al-Din Zakariyya (died 1262), the leader of the Multani branch of the '' Suhrawardiyya'', a Sufi order. After the latter's death in 1262, Iraqi briefly became his successor, but was forced to leave due to the envy of his former master's son Sadr al-Din Arif and some of his disciples. Following a pilgrimage to Mecca, Iraqi settled in Konya in Anatolia, where he became acquainted with many figures, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anvari
Anvari (1126–1189), full name Awhad ad-Din 'Ali ibn Mohammad Khavarani or Awhad ad-Din 'Ali ibn Mahmud ( fa, اوحدالدین علی ابن محمد انوری) was a Persian poet. Anvarī was born in Abivard (now in Turkmenistan) and died in Balkh, Khorāsān (now in Afghanistan).''Encyclopædia Britannica''Online Edition 2007/ref> He studied science and literature at the collegiate institute in Toon (now Ferdows, Iran), becoming a famous astronomer as well as a poet. Anvari's poems were collected in a Deewan, and contains panegyrics, eulogies, satire, and others. His elegy "Tears of Khorasan", translated into English in 1789, is considered to be one of the most beautiful poems in Persian literature. ''The Cambridge History of Iran'' calls Anvari "one of the greatest figures in Persian literature". Despite their beauty, his poems often required much help with interpretation, as they were often complex and difficult to understand. Anvari's panegyric in honour of the Selju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanai
Hakim Abul-Majd Majdūd ibn Ādam Sanā'ī Ghaznavi ( fa, ), more commonly known as Sanai, was a Persian poet from Ghazni who lived his life in the Ghaznavid Empire which is now located in Afghanistan. He was born in 1080 and died between 1131 and 1141. Life Sanai was a Sunni Muslim. Edward G. Browne, ''A Literary History of Persia from the Earliest Times Until Firdawsh'', 543 pp., Adamant Media Corporation, 2002, , (see p.437) He was connected with the court of the Ghaznavid Bahram-shah who ruled 1117 – 1157. Works He wrote an enormous quantity of mystical verse, of which ''The Walled Garden of Truth'' or ''The Hadiqat al Haqiqa'' (حدیقه الحقیقه و شریعه الطریقه) is his master work and the first Persian mystical epic of Sufism. Dedicated to Bahram Shah, the work expresses the poet's ideas on God, love, philosophy and reason. For close to 900 years ''The Walled Garden of Truth'' has been consistently read as a classic and employed as a Sufi tex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuchehri
Abu Najm Aḥmad ibn Qauṣ ibn Aḥmad Manūčihrī ( fa, ابونجم احمد ابن قوص ابن احمد منوچهری دامغانی), a.k.a. Manuchehri Dāmghānī (fl. 1031–1040), was an eleventh-century court poet in Persia and in the estimation of J. W. Clinton, 'the third and last (after ʿUnṣurī and Farrukhī) of the major panegyrists of the early Ghaznawid court'.J. W. Clinton, 'Manūčihrī', in ''Encyclopaedia of Islam'', ed. by P. Bearman and others, 2nd edn (Leiden: Brill, 1960-2007), , . Among his poems is " The Turkish harpist". Life According to J. W. Clinton, 'very little is known of his life, and that little is derived exclusively from his poetry. Later ''tadhkira'' writers have expanded and distorted this modicum of information with a few, readily refuted speculations'. Manuchehri's epithet ''Dāmghānī'' indicates that he was from Damghan in Iran, and his poetry shows an encyclopaedic familiarity with Arabic and Persian verse which was presumabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farrukhi Sistani
Abu'l-Hasan Ali ibn Julugh Farrukhi Sistani ( fa, ابوالحسن علی بن جولوغ فرخی سیستانی), better known as Farrukhi Sistani (; – 1040) was one of the most prominent Persian court poets in the history of Persian literature. Initially serving a ''dehqan'' in Sistan and the Muhtajids in Chaghaniyan, Farrukhi entered the service of the Ghaznavids in 1017, where he became the panegyrist of its rulers, Mahmud () and Mas'ud I (), as well as numerous viziers and princes. Background Farrukhi was born in in Sistan, a region extending across the border between eastern Iran and what is now southern Afghanistan. At that time Sistan was under Saffarid rule. Farrukhi's father Julugh was a high-ranking military slave (''ghulam'') of the Saffarid king Khalaf ibn Ahmad (). The origins of Julugh are unclear. Regardless, Farrukhi grew up in a Muslim Persian-speaking environment, and was essentially a Persian. In 1003, the Saffarid dynasty was abolished by the Ghaznavi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
