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Zodiak Free Arts Lab
The Zodiak Free Arts Lab, sometimes known as the "Zodiak Club" or "Zodiac Club", was a short-lived but highly influential experimental live music venue, founded in the then West Berlin in spring 1968 by German artists/musicians Conrad Schnitzler (1937–2011) and Hans-Joachim Roedelius (born 1934), together with Boris Schaak (1942–2012). The Zodiak Free Arts Lab was based in a large rented backroom area within a building in Hallesches Ufer, along the north bank of the Landwehr Canal in the Kreuzberg district of Berlin, near the corner of Großbeerenstraße. The main purpose of this building from 1962 until 1981 was as the first home of the , a politically inspired and motivated theatre company. Hence, the Zodiak could not open until late in the evening after the theatre itself had closed, so that the theatrical performances would not be drowned out by the noise. The Zodiak itself was sub-divided into two main performance areas, one of which was painted completely white and the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Berlin
West Berlin (german: Berlin (West) or , ) was a political enclave which comprised the western part of Berlin during the years of the Cold War. Although West Berlin was de jure not part of West Germany, lacked any sovereignty, and was under military occupation until German reunification in 1990, the territory was claimed by the Federal Republic of Germany (FRG) which was heavily disputed by the Soviet Union and other Eastern Bloc countries. However, West Berlin de facto aligned itself politically with the FRG on 23 May 1949, was directly or indirectly represented in its federal institutions, and most of its residents were citizens of the FRG. West Berlin was formally controlled by the Western Allies and entirely surrounded by the Soviet-controlled East Berlin and East Germany. West Berlin had great symbolic significance during the Cold War, as it was widely considered by westerners an "island of freedom" and America's most loyal counterpart in Europe. It was heavily subsidi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Who
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, power pop and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hebbel Am Ufer
The Hebbel am Ufer (HAU) is a theater and international performance center based in Berlin. It was founded by combining three theaters in Kreuzberg, Berlin: Hebbel Theater (now called HAU1), Theater am Halleschen Ufer (theater at Hallesches Ufer) (now called HAU2) and Theater am Ufer (now called HAU3). Annemie Vanackere has been its artistic director since 2012. Its founding director was Matthias Lilienthal, who also invented the international best-selling theater project " X Homes" (also known as " X Apartments"). The Hebbel am Ufer is funded with 4 million euros by the State of Berlin and various foundations and organizations in Berlin as well as in the rest of Germany. Its mission is to protect and support the tradition of the Hebbel Theater, which is to provide space and infrastructure for different international and national theater, dance and performance events. The HAU is known for international productions in various performing arts. Especially for younger generations of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hebbel Theater
The Hebbel-Theater (Hebbel Theatre) is a historic theatre building for plays in Berlin-Kreuzberg, Germany. It has been a venue of the company Hebbel am Ufer (HAU) from 2003. The theatre, with approximately 800 seats, was built by Oskar Kaufmann in 1907/08 in Jugendstil. The corner building is integrated into the row of houses. It was an early and unique work by the theatre architect, and established his fame as a master theatre builder who then created five more theatres in Berlin. The Hebbel-Theater thrived in the 1920s. It was the only Berlin play theatre to survive World War II almost without damage. The Hebbel-Theater, the and the Theater am Ufer are all venues of HAU. History History and construction period In May 1906, the Hungarian theatre director (aka Jenö Kovázs) planned the construction of a Schauspielhaus in Berlin with the intention of staging popular and modern acting there. He remembered having seen a bedroom's design at an exhibition in Wertheim the sam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurfürstendamm
The Kurfürstendamm (; colloquially ''Ku'damm'', ; en, Prince Elector Embankment) is one of the most famous avenues in Berlin. The street takes its name from the former ''Kurfürsten'' (prince-electors) of Brandenburg. The broad, long boulevard can be considered the Champs-Élysées of Berlin and is lined with shops, houses, hotels and restaurants. In particular, many fashion designers have their shops there, as well as several car manufacturers' show rooms. Description The avenue includes four lines of plane trees and runs for through the city. It branches off from the Breitscheidplatz, where the ruins of the Kaiser Wilhelm Memorial Church stand, and leads southwestward up to the district of Grunewald. At the junction with Joachimstaler Straße it passes the Café Kranzler, successor of the Café des Westens, a famous venue for artists and bohémiens of the pre–World War I era. The Kurfürstendamm U-Bahn station and the Swissôtel Berlin can be found at the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erich Mendelsohn
Erich Mendelsohn (21 March 1887 – 15 September 1953) was a German architect, known for his expressionist architecture in the 1920s, as well as for developing a dynamic Functionalism (architecture), functionalism in his projects for department stores and cinemas. Mendelsohn was a pioneer of the Art Deco and Streamline Moderne architecture, notably with his 1921 Mossehaus design. Biography Mendelsohn was born to a Jewish family in Olsztyn, Allenstein, East Prussia, Germany, now the Polish town of Olsztyn. His birthplace was at the former Oberstrasse 21, now no. 10 Staromiejska street. A plaque embedded on the wall on the side of Barbara street commemorates his place of birth. He was not related to the Mendelssohn family. He was the fifth of six children; his mother was Emma Esther (née Jaruslawsky), a hatmaker and his father David was a shopkeeper. He attended a humanist ''Gymnasium (school), Gymnasium'' in Allenstein and continued with commercial training in Berlin. In 1906 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schaubühne
The Schaubühne am Lehniner Platz (Theatre on Lehniner Square) is a famous theatre in the Wilmersdorf district of Berlin, located on the Kurfürstendamm boulevard. It is a conversion of the ''Universum'' cinema, built according to plans designed by Erich Mendelsohn in 1928. History The cinema was the centrepiece of the wider ''WOGA'' housing complex, designed by Mendelsohn in a New Objectivity-styled urban development ensemble, with a shopping walkway, apartment blocks, lawns, and a tennis court in the back. It possibly was the first Modernist cinema built in the world, as opposed to the Moorish, Egyptian, and baroque styles that predominated. Mendelsohn wrote a short text on his cinema, declaring 'no Baroque palaces for Buster Keaton'. The cinema would become very influential on Streamline Moderne cinema design in the 1930s. Heavily damaged in World War II, it was rebuilt and re-opened and from 1969 served as a dance hall and for musical theatre. The building's current u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kluster
Kluster was a Berlin-based German experimental musical group formed in 1969 by Hans-Joachim Roedelius, Conrad Schnitzler, and Dieter Moebius. Their improvisational work presaged later industrial music. The original Kluster was short-lived, existing only from 1969 until mid-1971 when Conrad Schnitzler left and the remaining two members renamed themselves Cluster. Schnitzler later revived the band from 1971 to 1973 and then from 2007 until his death in 2011. History 1969–71 Kluster was founded by Conrad Schnitzler, Hans-Joachim Roedelius, and Dieter Moebius in 1969. Both Schnitzler and Moebius had been students of Joseph Beuys at the Düsseldorf Fine Arts Academy in the 1960s. Schnitzler and Roedelius both participated in the founding of the Zodiak Free Arts Lab in Berlin in 1968 and had worked together in the avant-garde groups Gerausche (literally "Noises") and Plus/Minus. The trio joined met when Moebius was working as a steak chef in Berlin, and was invited to join a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieter Moebius
Dieter Moebius (16 January 1944 – 20 July 2015) was a Swiss-born German electronic musician and composer, best known as a member of the influential krautrock bands Cluster and Harmonia. Moebius was studying art at Berlin's Akademie Grafik and working as a restaurant cook when he met Conrad Schnitzler, founder of the Zodiak Free Arts Lab with Hans-Joachim Roedelius. The trio founded the improv group Kluster in 1969. After the departure of Schnitzler, the duo changed their name to Cluster and relocated to the countryside village of Forst, releasing influential albums such as '' Zuckerzeit'' (1974) and '' Sowiesoso'' (1976). Moebius would also draw on his graphic design training create the cover artwork for various Cluster albums and related collaborations. Meanwhile, Moebius and Roedelius founded the band Harmonia with Michael Rother of Neu!, releasing the albums ''Musik von Harmonia'' (1974) and '' Deluxe'' (1975). Admirer Brian Eno would subsequently collaborate with both gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Meditation
''Electronic Meditation'' is the first major release and first studio album by German electronic music group Tangerine Dream. It was released in June 1970 by record label Ohr. Recording and history The album was recorded in a rented factory in Berlin in October 1969, using just a two-track Revox tape recorder. ''Electronic Meditation'' is the only Tangerine Dream album to feature the line-up of Edgar Froese, Klaus Schulze and Conrad Schnitzler. Two other musicians, organist Jimmy Jackson and flautist Thomas Keyserling, also performed on the album although they were uncredited in the original release. Content Its style is a unique form of free jazz, electronic art music, and instrumental rock; or as ''Sound on Sound'' magazine described it, "free electronic rock". Its instrumentation ranges from conventional instruments such as the guitar, organ, drums, and cello to various custom-made electronic devices implemented by Edgar Froese and found sounds such as broken gla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Rock
German rock music (''Deutschrock'') came into its own only by the late 1960s, but spawned many bands spanning genres such as krautrock, Neue Deutsche Welle, heavy metal, punk, and industrial. Rock and roll itself arose in the United States in the 1940s, and spread around the world beginning in about 1956. There were few German performers at that time, even though American rock was popular in (West) Germany. Rockabilly stars like Bill Haley & His Comets were of particular popularity. The reasons for this lack of German musical innovation were the suppression of "degenerate" forms of music by the Nazis and/or the traumatic effects of the war—while Germany was a center of several forms of modern music before the Nazi era, it had difficulty developing its own music culture after the war. 1960s and 1970s: Krautrock Mostly instrumental, the signature sound of krautrock mixed rock music and "rock band" instrumentation (guitar, bass, drums) with electronic instrumentation and te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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