Yuliya Platonova
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Yuliya Platonova
Yuliya Feodorovna Platonova or Julia Platonova ( rus, Юлия Фёдоровна Платонова, Yuliya Feodorovna Platonova, née Garder, 1841—1892) was a Russian soprano, known for performances at Imperial Theatres in St. Petersburg. She is considered as one of the most important figures that created Russian opera, at a whole. Music teacher. Repertory Among more than 50 of her roles, the most notable were the following: * Antonida ('' A Life for the Tsar''), * Elvira (''I puritani''), * Natasha ('' Rusalka''), * Lyudmila ('' Ruslan and Lyudmila''), * Katerina ('' The Storm'', by , 1867), * Adalgisa (''Norma''), * Elsa (''Lohengrin''), * Maria ('' William Ratcliff''), * Berthe (''Le prophète''), * Halka (''Halka''), * Mařenka (''The Bartered Bride''), * Dasha (''The Power of the Fiend''), * Valentine (''Les Huguenots''), * Donna Anna ('' The Stone Guest''), * Donna Anna ('' Don Giovanni''), * Olga (''The Maid of Pskov''), * Marina Mnishek ('' Boris Godunov'') ...
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Romanization Of Russian
The romanization of the Russian language (the transliteration of Russian text from the Cyrillic script into the Latin script), aside from its primary use for including Russian names and words in text written in a Latin alphabet, is also essential for computer users to input Russian text who either do not have a keyboard or word processor set up for inputting Cyrillic, or else are not capable of typing rapidly using a native Russian keyboard layout (JCUKEN). In the latter case, they would type using a system of transliteration fitted for their keyboard layout, such as for English QWERTY keyboards, and then use an automated tool to convert the text into Cyrillic. Systematic transliterations of Cyrillic to Latin There are a number of distinct and competing standards for the romanization of Russian Cyrillic, with none of them having received much popularity, and, in reality, transliteration is often carried out without any consistent standards. Scientific transliteration Scienti ...
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The Bartered Bride
''The Bartered Bride'' ( cz, Prodaná nevěsta, links=no, ''The Sold Bride'') is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It was composed during the period 1863 to 1866, and first performed at the Provisional Theatre, Prague, on 30 May 1866 in a two-act format with spoken dialogue. Set in a country village and with realistic characters, it tells the story of how, after a late surprise revelation, true love prevails over the combined efforts of ambitious parents and a scheming marriage broker. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Until this time, the Czech national opera had only been represented by minor, rarely performed works. This opera, Smetana's secon ...
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Russian Operatic Sopranos
Russian(s) refers to anything related to Russia, including: *Russians (, ''russkiye''), an ethnic group of the East Slavic peoples, primarily living in Russia and neighboring countries *Rossiyane (), Russian language term for all citizens and people of Russia, regardless of ethnicity *Russophone, Russian-speaking person (, ''russkogovoryashchy'', ''russkoyazychny'') *Russian language, the most widely spoken of the Slavic languages *Russian alphabet *Russian cuisine *Russian culture *Russian studies Russian may also refer to: *Russian dressing *''The Russians'', a book by Hedrick Smith *Russian (comics), fictional Marvel Comics supervillain from ''The Punisher'' series *Russian (solitaire), a card game *Russians (song), "Russians" (song), from the album ''The Dream of the Blue Turtles'' by Sting *"Russian", from the album ''Tubular Bells 2003'' by Mike Oldfield *"Russian", from the album ''Robot Face, '' by Caravan Palace *Nik Russian, the perpetrator of a con committed in 2002 *Th ...
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Musicians From Riga
A musician is a person who composes, conducts, or performs music. According to the United States Employment Service, "musician" is a general term used to designate one who follows music as a profession. Musicians include songwriters who write both music and lyrics for songs, conductors who direct a musical performance, or performers who perform for an audience. A music performer is generally either a singer who provides vocals or an instrumentalist who plays a musical instrument. Musicians may perform on their own or as part of a group, band or orchestra. Musicians specialize in a musical style, and some musicians play in a variety of different styles depending on cultures and background. A musician who records and releases music can be known as a recording artist. Types Composer A composer is a musician who creates musical compositions Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a mus ...
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1841 Births
Events January–March * January 20 – Charles Elliot of the United Kingdom, and Qishan of the Qing dynasty, agree to the Convention of Chuenpi. * January 26 – Britain occupies Hong Kong. Later in the year, the first census of the island records a population of about 7,500. * January 27 – The active volcano Mount Erebus in Antarctica is discovered, and named by James Clark Ross. * January 28 – Ross discovers the "Victoria Barrier", later known as the Ross Ice Shelf. On the same voyage, he discovers the Ross Sea, Victoria Land and Mount Terror. * January 30 – A fire ruins and destroys two-thirds of the villa (modern-day city) of Mayagüez, Puerto Rico. * February 4 – First known reference to Groundhog Day in North America, in the diary of a James Morris. * February 10 – The Act of Union (''British North America Act'', 1840) is proclaimed in Canada. * February 11 – The two colonies of the Canadas are merged, into the United Province of Cana ...
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Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German '' Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and ...
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Boris Godunov (opera)
''Boris Godunov'' ( rus, Борис Годунов, links=no, Borís Godunóv ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis, the False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama ''Boris Godunov'' by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's ''History of the Russian State''. Among major operas, ''Boris Godunov'' shares with Giuseppe Verdi's ''Don Carlos'' (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material. The composer created two versions—the Original Version of 1869, which was rejected for production by the Imper ...
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The Maid Of Pskov
''The Maid of Pskov'' (russian: Псковитянка, Pskovityanka, links=no, Pskov female resident ), also known as ''Ivan the Terrible'', is an 1872 opera originally in three acts (six scenes) by Nikolai Rimsky-Korsakov. The libretto is by the composer, after the play by Lev Mei. The storyline is fictitious, but is set against the background of the campaign by Ivan IV Vasilyevich to subject the cities of Pskov and Novgorod to his will. Pskovityanka was Rimsky-Korsakov's first opera, and he revised it twice; once in 1876-7, when he added a prologue, and again in 1891-2, without the prologue (which was subsequently rewritten and became in 1898 the one act opera '' Boyarïnya Vera Sheloga''). The third version was made famous by Chaliapin in the role of the Tsar. The opera was introduced to Paris in 1909, also with Chaliapin, by Diaghilev, under the title ''Ivan the Terrible''. Composition history The first product of the composer's interest in this work was a lullaby composed ...
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Don Giovanni
''Don Giovanni'' (; Köchel catalogue, K. 527; Vienna (1788) title: , literally ''The rake (stock character), Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play ''The Trickster of Seville and the Stone Guest, El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by ...
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The Stone Guest (Dargomyzhsky)
''The Stone Guest'' (''Каменный гость'' in Cyrillic, ''Kamennyj gost' '' in transliteration) is an opera in three acts by Alexander Dargomyzhsky from a libretto taken almost verbatim from Alexander Pushkin's 1830 play of the same name which had been written in blank verse and which forms part of his collection ''Little Tragedies''. It was first performed at the Mariinsky Theatre, Saint Petersburg, 16 February 1872 (Old Style). According to the composer's wishes, the last few lines of tableau 1 were composed by César Cui, and the whole was orchestrated by Nikolai Rimsky-Korsakov. Many years later, Rimsky-Korsakov revised his own orchestration of the opera, rewrote a few of Dargomyzhsky's own original passages, and added an orchestral prelude. This version, completed in 1903 and first performed in 1907 at the Bolshoi Theatre, is now considered the standard version. Performance History The Austrian premiere of the opera was given in 1928 at the Salzburg Festival, in a ...
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Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of '' Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French Wars of Religion, with a drama partly based on Prosper Mérimée's 1829 novel ''Chronique du règne de Charles IX''. Coming from a wealthy family, Meyerbeer could afford to take his time, dictate his own terms, and to be a perfectionist. The very detai ...
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The Power Of The Fiend
''The Power of the Fiend'' (russian: Вражья сила, ''Vrazhya sila'') is an opera in five acts by Alexander Serov, composed during 1867-1871. The libretto is derived from a drama by Alexander Ostrovsky from 1854 entitled '' Live Not As You Would Like To, But As God Commands''. The opera was premiered posthumously on 19 April 1871 (Old Style) at the Mariinsky Theatre in Saint Petersburg conducted by Eduard Nápravník. Among the performers were Darya Leonova as Spiridonovna and Mikhail Sariotti as Yeryomka. Although in many ways it is more far-reaching than Serov's previous two operas, this work was not a success. The title of the opera (taken from an appellation that Ostrovsky had applied to the fourth act of the projected libretto) has been translated in a number of ways: ''The Hostile Power'', ''The Fiendish Power'', ''The Malevolent Power'', ''The Power of Evil'', and so on. As an obsolete Russian phrase, it can mean simply "Satan" or "The Devil" (indeed, the Mariins ...
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