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Yūzen
is a Japanese resist dyeing technique where dyes are applied inside outlines of dyed or undyed rice-paste resist dyeing, resist, which may be drawn freehand or stencilled; the paste keeps the dye areas separated. Originating in the 17th century, the technique became popular as both a way of subverting Sumptuary law#Japan under the shōguns, sumptuary laws on dress fabrics, and also as a way to quickly produce kimono that appeared to be painted freehand with dyes. The technique was named after Miyazaki Yūzen (宮崎友禅), a 17th century fan painter who perfected the technique. Miyazaki Yūzen's fan designs became so popular that a book called the was published in 1688, showing similar patterns applied to (the predecessor of the kimono). A fashion for elaborate pictorial designs lasted until 1692. Technique There are several subtypes of technique. The first is , sometimes also called . First, a sketch is drawn freehand on the cloth or paper, using a black heat-labile ink ...
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Miyazaki Yūzen
, also known as Miyazaki Yūzensai or Yūzenzai (友禅斎), was a Japanese fan painter who perfected the fabric dyeing technique. Biography Miyazaki was born in Kyoto in 1654. He was originally a fan painter, but is also known for his work with . Miyazaki painted his most popular fan designs on kimono, and they were wildly popular. He used rice paste to resist-dye the cloth in a method that he named . It later became known as simply yūzen. This technique made it easier for Miyazaki to paint his designs directly on the kimono, making them more expressive. His designs were so popular that they were published as (友禅雛形 “Yūzen maquette”) in 1688. Fan painting Miyazaki was first known for his fan painting. He later painted his most popular designs onto kimono. Development of Yūzen method Miyazaki developed a method to make it easier to resist-dye designs onto cloth. He is now more famous for this that he is as a fan painter. References

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Kimono
The is a traditional Japanese garment and the national dress of Japan. The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn Garment collars in hanfu#Youren (right lapel), left side wrapped over right, unless the wearer is deceased. The kimono is traditionally worn with a broad sash, called an , and is commonly worn with accessories such as zōri sandals and socks. Kimonos have a set method of construction and are typically made from a long, narrow bolt of cloth known as a , though Western-style fabric bolts are also sometimes used. There are different types of kimono for men, women, and children, varying based on the occasion, Seasonal Wardrobe Change in Japan, the season, the wearer's age, and – less commonly in the modern day – the wearer's marital status. Despite the kimono's reputation as a formal and difficult-to-wear garment, there are types of kimono suitable for both formal and informal occasions. The way a person wear ...
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Kosode (Running Waters And Wheels With Mallets)
The was a type of short-sleeved Japanese garment, and the direct predecessor of the kimono. Though its component parts directly parallel those of the kimono, its proportions differed, typically having a wider body, a longer collar and narrower sleeves. The sleeves of the were typically sewn to the body entirely, and often featured heavily rounded outer edges. The was worn in Japan as common, everyday dress from roughly the Kamakura period (1185–1333) until the latter years of the Edo period (1603–1867), at which a point its proportions had diverged to resemble those of modern-day kimono; it was also at this time that the term ''kimono'', meaning "thing to wear on the shoulders", first came into use when referring to the garment formerly known as the . History Originating in the Heian period as an undergarment for both men and women, the was a plain white garment, typically made of silk, worn directly next to the skin. Both men and women wore layered, wrap-fronted, wi ...
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Art Nouveau
Art Nouveau ( ; ; ), Jugendstil and Sezessionstil in German, is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art. One major objective of Art Nouveau was to break down the traditional distinction between fine arts (especially painting and sculpture) and applied arts. It was most widely used in interior design, graphic arts, furniture, glass ...
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Basil Hall Chamberlain
Basil Hall Chamberlain (18 October 1850 – 15 February 1935) was a British academic and Japanologist. He was a professor of the Japanese language at Tokyo Imperial University and one of the foremost British Japanologists active in Japan during the late 19th century. (Others included Ernest Satow and W. G. Aston.) He also wrote some of the earliest translations of haiku into English. He is perhaps best remembered for his informal and popular one-volume encyclopedia ''Things Japanese'', which first appeared in 1890 and which he revised several times thereafter. His interests were diverse, and his works include an anthology of poetry in French. Early life Chamberlain was born in Southsea (a part of Portsmouth) on the south coast of England, the son of an Admiral William Charles Chamberlain and his wife Eliza Hall, the daughter of the travel writer Basil Hall. His younger brother was Houston Stewart Chamberlain. He was brought up speaking French as well as English, even ...
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Pile (textile)
Pile is the raised surface or nap of a fabric, consisting of upright loops or strands of yarn."Pile." ''The Oxford English Dictionary''. 2nd ed. 1989. Examples of pile textiles are carpets, corduroy, velvet, plush, and Turkish towels ( terrycloth). The word is derived from Latin ''pilus'' for "hair".Pile
" Online Etymology Dictionary. Douglas Harper, Historian. retrieved from dictionary.com 10 September 2007.


Length and density

The surface and the yarn in these fabrics are also called "pile". In particular "pile length" or "pile depth" refer to the length of the yarn strands (half-length of the loops). Pile length affects and is affected by

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Velvet
Velvet is a type of woven fabric with a dense, even pile (textile), pile that gives it a distinctive soft feel. Historically, velvet was typically made from silk. Modern velvet can be made from silk, linen, cotton, wool, synthetic fibers, silk-cotton blends, or synthetic-natural fiber blends. Construction and composition Velvet is woven on a special loom that weaves two thicknesses of the material at the same time; the two layers are connected with an extra warp yarn that is woven over rods or wires. The two pieces are then cut apart to create the fabric's pile, and the two lengths of fabric are wound on separate take-up rolls. This complicated process meant that velvet was expensive to make before industrial power looms became available, and well-made velvet remains a fairly costly fabric. Velvet is difficult to clean because of its pile, but modern dry cleaning methods make cleaning more feasible. Velvet pile is created by cutting the warp (weaving), warp yarns, while vel ...
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Bingata
() is a traditional stencilled resist dyeing technique originating in Okinawa Prefecture. typically features a busy pattern of repeating nature motifs such as fish, flowers and fauna in a number of bright colours. is worn during traditional Ryukyuan festivals and traditional arts performances. dates from the Ryūkyū Kingdom period (14th century), when the island of Okinawa experienced an influx of foreign goods and manufacturing techniques. It is believed to have developed as a synthesis of Indian, Chinese, and Javanese dyeing processes. Terminology The term was noted in the early 20th century Okinawan usage by Dr. Yoshitaro Kamakura, a Japanese scholar, to refer to painting with dyes. was then defined by Kamakura after he had studied the ancient records as connoting cochineal red with cinnabar, which was imported from Fujian, China. Cinnabar red is the most important colour in the production of . Kamakura then concluded that the terminology of "applying " eventually ...
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Okinawa Prefecture
is the southernmost and westernmost prefecture of Japan. It consists of three main island groups—the Okinawa Islands, the Sakishima Islands, and the Daitō Islands—spread across a maritime zone approximately 1,000 kilometers east to west and 400 kilometers north to south. Despite a modest land area of 2,281 km² (880 sq mi), Okinawa’s territorial extent over surrounding seas makes its total area nearly half the combined size of Honshu, Shikoku, and Kyushu. Of its 160 Island, islands, 49 are inhabited. The largest and most populous island is Okinawa Island, which hosts the capital city, Naha, as well as major urban centers such as Okinawa (city), Okinawa, Uruma, and Urasoe, Okinawa, Urasoe. The prefecture has a subtropical climate, characterized by warm temperatures and high rainfall throughout the year. People from the Ryukyu Islands, Nansei Islands, including Okinawa Island, Okinawa, the Sakishima Islands, and parts of Kagoshima Prefecture, are often collectively referred ...
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Hanae Mori
was a Japanese fashion designer. She was one of only two Japanese women to have presented her collections on the runways of Paris and New York, and the first Asian woman to be admitted as an official ''haute couture'' design house by the Fédération française de la couture in France. Her fashion house, opened in Japan in 1951, grew to become a $500 million international business by the 1990s. Career Mori was born on 8 January 1926 in Muikaichi, Shimane. After graduating from Tokyo Women's Christian University, she married and attended dress-making school. She opened her first atelier, Hiyoshiya, in 1951, and over the next several years designed costumes for hundreds of movies. In 1965, she presented her first New York City collection, "East Meets West." Twelve years later, she opened an haute couture showroom in Paris, leading to her 1977 appointment as a member of the Chambre syndicale de la couture parisienne. Mori designed three consecutive uniforms for the flight ...
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Moriguchi Kako
is a city located in Osaka Prefecture, Japan. , the city had an estimated population of 142,655 in 73353 households and a population density of 11,000 persons per km2. The total area of the city is . Geography Moriguchi borders the northeastern part of Osaka City and faces the Yodo River on the north. It is formed in a "U" shape around Kadoma City. Originally, there were many low-lying areas and many lotus root fields, but the area is now almost completely urbanized. Surrounding municipalities Osaka Prefecture * Kadoma * Neyagawa * Osaka Asahi-ku, (Higashiyodogawa-ku, Tsurumi-ku) * Settsu Climate Moriguchi has a Humid subtropical climate (Köppen ''Cfa'') characterized by warm summers and cool winters with light to no snowfall. The average annual temperature in Moriguchi is 15.6 °C. The average annual rainfall is 1475 mm with September as the wettest month. The temperatures are highest on average in August, at around 27.7 °C, and lowest in January, at aroun ...
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Tsujigahana
is a Japanese fabric dyeing technique that originated in the Muromachi period. History The name ''tsujigahana'' translates to "flowers at the crossroads". Documents from the Muromachi and Momoyama periods use the term to describe garments, but are unclear about whether the term refers to color, motifs, or dyeing methods. During the 20th century, scholars redefined ''tsujigahana'' to refer to a specific textile technique that uses stitch-resist dyeing (''nuishime shibori'') and ink painting to decorate a plain weave, lightweight fabric, often silk. The fabric is often further embellished using embroidery and gold leaf. Historically, tsujigahana garments were worn by the Japanese upper class during the 16th century. After the death of a man, these garments would have been preserved as family heirlooms. However, for tsujigahana garments owned by women, these garments were often donated to Buddhist temples to pay for the memorial service. Temples deconstructed these garments into ...
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