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Windowlicker
"Windowlicker" is a song by British electronic musician Aphex Twin, released on 22 March 1999 as a single by Warp Records. The artwork for the single was created by Chris Cunningham, with additional work by The Designers Republic. Cunningham also directed the song's music video, which was nominated for the Brit Award for Best British Video. The song peaked at number 16 on the UK Singles Chart, and was later voted by fans as Warp Records' most popular song for its 2009 '' Warp20'' compilation. ''Pitchfork'' included the song at number 12 on their list ''Top 200 Tracks of the 90s''. Music Characteristics "Windowlicker" has been described variously as "uncompromising cyborg R&B", " hip-hop written in the language of glitches", and "eerie lounge-porn music"; the track's "sleazy, erotic ambiance connote images and emotions alien to James' previous compositions." Heavily digitally processed and rhythmically rearranged breakbeats prominently appear in the song's backing track. Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphex Twin
Richard David James (born 18 August 1971), best known as Aphex Twin, is an Irish-born British musician, composer and DJ. He is known for his idiosyncratic work in electronic styles such as techno, ambient, and jungle. Journalists from publications including '' Mixmag'', '' The New York Times'', ''NME'', '' Fact,'' '' Clash'' and '' The Guardian'' have called James one of the most influential or important artists in contemporary electronic music. Raised in Cornwall, James began DJing at free parties and clubs in the area in the late 1980s. His debut EP ''Analogue Bubblebath,'' released in 1991 on Mighty Force Records, brought James an early following; he began to perform across the UK and continental Europe. James co-founded the independent label Rephlex Records the same year. His 1992 debut album ''Selected Ambient Works 85–92'', released by Belgian label Apollo, garnered wider critical and popular acclaim. That year, he also appeared on the influential Warp Records compil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris Cunningham
Chris Cunningham (born 15 October 1970) is a British video artist and music video director, best known for his music videos for electronic musicians such as Autechre, Squarepusher, and most notably Aphex Twin on videos for "Windowlicker" and " Come to Daddy", and Björk's "All is Full of Love". All were used in Chris' chapter in Director's Label. He has also created art installations and directed short movies. He was approached to direct a movie version of William Gibson's cyberpunk novel ''Neuromancer''; the project has been in development hell for more than two decades. In the 2000s, Cunningham began doing music production work, and has also designed album artwork for a variety of musicians. Early work After seeing Cunningham's work on the 1995 film version of ''Judge Dredd'', Stanley Kubrick head-hunted Cunningham to design and supervise animatronic tests of the central robot child character in his version of the film ''A.I. Artificial Intelligence''. Cunningham worked for o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warp (record Label)
Warp Records (or simply Warp) is a British independent record label founded in Sheffield in 1989 by record store employees Steve Beckett and Rob Mitchell and record producer Robert Gordon.Southern, Richard (2003) "Label of Love: WARP", X-RAY, April 2003, Swinstead Publishing It is currently based in London. In the early 1990s, the label initially became associated with the UK's northern bleep techno scene, including acts such as LFO, Sweet Exorcist, Forgemasters and Nightmares on Wax. The 1992 label compilation ''Artificial Intelligence'' helped establish the electronic subgenre known as intelligent dance music (IDM). Subsequently, Warp became the home of influential acts such as Aphex Twin, Autechre, Squarepusher, and Boards of Canada. Current artists signed to the label include Flying Lotus, Oneohtrix Point Never, Danny Brown, Brian Eno, Hudson Mohawke, Kelela and Yves Tumor. In 2004, Warp opened the online store Bleep.com, which sells downloadable music free of di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minipops 67 (120
"minipops 67 20.2''" (also known unofficially as "the Manchester track") is a song by the English electronic musician Richard D. James, credited under the pseudonym Aphex Twin. It is the opening track and lead single from Aphex Twin's sixth studio album, '' Syro'' (2014). Released as a single on 4 September 2014 on Warp Records, James debuted "minipops 67 20.2 at a show in Manchester seven years prior to its release and the song was made available on several bootlegs. The track received positive reviews after its premiere broadcast on BBC Radio 1 and its official download release. Background and recording "minipops 67 20.2 is one of the older compositions on '' Syro'', which Richard D James estimated as being recorded in 2007 or 2008, according to ''the Fader''. The song's title is a reference to Korg Mini Pops, a 1967 drum machine used by James during ''Syro''s recording sessions. Release and reception "minipops 67 20.2 prem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daft Punk
Daft Punk were a French electronic music duo formed in 1993 in Paris by Thomas Bangalter and Guy-Manuel de Homem-Christo. Widely regarded as one of the most influential acts in dance music history, they achieved popularity in the late 1990s as part of the French house movement. They garnered critical acclaim and commercial success in the years following, combining elements of house music with funk, disco, indie rock and Pop music, pop. After Bangalter and Homem-Christo's indie rock band Darlin' (French band), Darlin' disbanded, they began experimenting with drum machines and synthesisers. Their debut studio album ''Homework (Daft Punk album), Homework'' was released by Virgin Records in 1997 to positive reviews, backed by singles "Around the World (Daft Punk song), Around the World" and "Da Funk". From 1999, they assumed robot personas for their public appearances, with helmets, outfits and gloves to disguise their identities; they made few media appearances. They were managed fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come To Daddy (song)
"Come to Daddy" is a song by British electronic music producer Richard D. James, released under his main pseudonym Aphex Twin. It was released as a single through Warp Records on 6 October 1997, coinciding with the lengthier extended play release of the same name. A music video for the song was released, which ranked at number one on ''Pitchfork''s Top 50 Music Videos of 1990s list. In October 2011, ''NME'' placed the song at number 42 on its "150 Best Tracks of the Past 15 Years" list. The song peaked at number 10 on the Danish Singles Chart and number 36 on the UK Singles Chart. Background James noted his thoughts on the song in a 2001 interview with ''Index Magazine'', notably being uninterested in its popularity. "'Come to Daddy' came about while I was just hanging around my house, getting pissed and doing this crappy death metal jingle. Then it got marketed and a video was made, and this little idea that I had, which was a joke, turned into something huge. It wasn't right a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation (Caustic Window Album)
''Compilation'' (also known as ''Caustic Window Compilation'') is an album released by Richard D. James under the pseudonym Caustic Window. The album consists of most of the tracks from the EPs '' Joyrex J4 EP'', '' Joyrex J5 EP'', '' Joyrex J9i'' and '' Joyrex J9ii''. Notes * "AFX 114" has the same drum rhythm as "Phlange Phace", which can be found on Aphex Twin's early '' Xylem Tube EP'' and the '' Classics'' compilation. * "Fantasia" allegedly contains samples from the same pornographic film that was sampled for "Come on You Slags!" from James' '' ...I Care Because You Do'' album. * "Italic Eyeball" samples Julie Andrews as Maria von Trapp in ''The Sound of Music'' as she sings "Perhaps I had a wicked childhood" (forwards and in reverse) * "Humanoid Must Not Escape" features distorted samples from the David Bowie film ''The Man Who Fell to Earth'' (the "Let's fuck!" and "Yeah yeah!") and the arcade game '' Berzerk''. * "We Are the Music Makers (Hardcore Mix)" samples Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discovery (Daft Punk Album)
''Discovery'' is the second studio album by French electronic music duo Daft Punk, released on 12 March 2001 by Virgin Records. It marks a shift from the Chicago house sound prevalent on their first studio record, ''Homework'' (1997), to a house style more heavily inspired by disco, post-disco, garage house, and R&B. Comparing their stylistic approach to their previous album, band member Thomas Bangalter described ''Discovery'' as an exploration of song structures and musical forms whereas ''Homework'' was "raw" electronic music. He also described ''Discovery'' as a reflection of the duo's childhood memories, when they listened to music with a more playful and innocent viewpoint. The album was recorded at Bangalter's home in Paris between 1998 and 2000. The album features extensive sampling; some samples are from older records, while others were recorded by Daft Punk playing live instruments themselves. Fellow electronic musicians Romanthony, Todd Edwards, and DJ Sneak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Reggae
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dubstep
Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass.Reynolds, S.(2012),''Energy Flash: A Journey Through Rave Music and Dance Culture,'' Perseus Books; Reprint edition (5 January 2012), pages 511–516, (). In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s. Dubstep is generally characterised by the use of syncopated rhythmic patterns, prominent basslines, and a dark tone. In 2001, this underground sound and other strains of garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylised as FWD>>), and on the pirate radio station Rinse FM, which went on to be considerably influential to the developmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glitch (music)
Glitch is a genre of electronic music that emerged in the 1990s. It is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts. The glitching sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors. Sometimes devices that were already broken are used, and sometimes devices are broken expressly for this purpose. In ''Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance-based electronic music (including house, techno, electro, drum'n'bass, and ambient) that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
