Wet-transfer Film Gate
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Wet-transfer Film Gate
A wet-transfer film gate, or wet gate for short, is a film gate that is submerged in liquid, used for film restoration and archival scanning. Submerging the film in the gate in a liquid with a suitably Index-matching material, matched refractive index reduces the effects of scratches on the film, by reducing the refractive effects which divert light that passes through the scratched part of the film. The liquid also acts to lift other forms of defects from the film. Perchloroethylene, a hazardous substance with multiple health and safety risks, is commonly used as the liquid medium in wet gate systems, requiring substantial precautions to be taken to ensure the safety of operators and to prevent pollution. Wet gate transfer is often preceded by other forms of film cleaning, such as the use of ultrasonic film cleaners. References See also

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Film Gate
The film gate is the rectangular opening in the front of a motion picture camera where the film is exposed to light. The film gate can be seen by removing the lens and rotating the shutter out of the way. The film is held on a uniform plane at a calibrated distance in the gate by a pressure plate behind the film. Occasionally, as the film passes through the gate, friction can cause small slivers of celluloid to break off and stick in the side of the opening. These pieces of debris are called ''hairs''. A "hair in the gate" will remain in front of the film and create a dark line that sticks into the edge of the film frame as the camera is filming a shot. A hair can ruin the shot and is almost impossible to fix in post production without using modern digital removal techniques. Because of the intractability of this problem the focus puller (or 1st Assistant Camera) will open the camera and examine the gate for hairs at the end of each shot. Normally the assistant director will call ...
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Film Restoration
Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible. For many years the term "preservation" was synonymous with "duplication" of film. The goal of a preservationist was to create a durable copy without any significant loss of quality. In more modern terms, film preservation includes the concepts of handling, duplication, storage, and access. The archivist seeks to protect the film and share its content with the public. Film preservation is not to be confused with film revisionism, in which long-completed films are modified with the insertion of outtakes or new musical scores, the addition of sound effects, black-and-white film being colorized, older soundtracks converted t ...
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Archival Scanning
An archive is an accumulation of historical records or materials – in any medium – or the physical facility in which they are located. Archives contain primary source documents that have accumulated over the course of an individual or organization's lifetime, and are kept to show the function of that person or organization. Professional archivists and historians generally understand archives to be records that have been naturally and necessarily generated as a product of regular legal, commercial, administrative, or social activities. They have been metaphorically defined as "the secretions of an organism", and are distinguished from documents that have been consciously written or created to communicate a particular message to posterity. In general, archives consist of records that have been selected for permanent or long-term preservation on grounds of their enduring cultural, historical, or evidentiary value. Archival records are normally unpublished and almost alway ...
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