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Walter Davis Jr
Walter Davis Jr. (September 2, 1932 – June 2, 1990) was an American bebop and hard bop pianist. Davis once left the music world to be a tailor, but returned. A soloist, bandleader, and accompanist, he amassed a body of work while never becoming a high-profile name even within the jazz community. Davis played with Babs Gonzales' Three Bips & a Bop as a teen, then moved from Richmond to New York in the early 1950s. He played with Max Roach and Charlie Parker, recording with Roach in 1953. He joined Dizzy Gillespie's band in 1956, and toured the Middle East and South America. He also played in Paris with Donald Byrd in 1958 and with Art Blakey & the Jazz Messengers in 1959. After retiring from music for a while to run his tailor shop, Davis returned in the 1960s, producing records and writing arrangements for a local New Jersey group. He studied music in India in 1979, and played with Sonny Rollins in the early 1970s. Biography Born in Richmond, Virginia, Davis performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richmond, Virginia
(Thus do we reach the stars) , image_map = , mapsize = 250 px , map_caption = Location within Virginia , pushpin_map = Virginia#USA , pushpin_label = Richmond , pushpin_map_caption = Location within Virginia##Location within the contiguous United States , pushpin_relief = yes , coordinates = , subdivision_type = Country , subdivision_name = , subdivision_type1 = State , subdivision_name1 = , established_date = 1742 , , named_for = Richmond, United Kingdom , government_type = , leader_title = Mayor , leader_name = Levar Stoney ( D) , total_type = City , area_magnitude = 1 E8 , area_total_sq_mi = 62.57 , area_land_sq_mi = 59.92 , area_water_sq_mi = 2.65 , elevation_m = 50.7 , elevation_ft = 166.45 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Babs Gonzales
Babs Gonzales (October 27, 1919 – January 23, 1980), born Lee Brown, was an American bebop vocalist, poet, and self-published author. His books portrayed the jazz world that many black musicians struggled in, portraying disk jockeys, club owners, liquor, drugs, and racism. "There are jazz people whose influence can be described as minor," wrote Val Wilmer, "yet who are well-known to musicians and listeners alike ... You'd have to be hard-pressed to ignore the wealth of legend that surrounds Babs Gonzales." Jazz writer Jack Cooke explained that Gonzales "assumed the role of spokesman for the whole hipster world... ecomingsomething more than just a good and original jazz entertainer: the incarnation of a whole social group." Early life Gonzales was born Lee Brown in Newark, New Jersey, United States. He was raised solely by his mother Lottie Brown alongside two brothers. Of his nickname, Gonzales explained, "my brothers are basketball players... there was a basketball star in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Mode
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation syst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", " Blue Monk", " Straight, No Chaser", " Ruby, My Dear", " In Walked Bud", and " Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Powell
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, Kenny Clarke and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony".Grove Life and career Early life He was born in Harlem, New York, United States. Powell's father was a stride pianist.Gitler, p. 112. Powell started classical piano lessons at the age of five. His teacher, hired by his father, was a West Indian man named Rawlins. At 10 years of age, Powell showed interest in the swing music that could be heard all over the neighborhood. He first appeared in public at a rent party,Crawford, p. 12. where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archie Shepp
Archie Shepp (born May 24, 1937) is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz. Biography Early life Shepp was born in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania. He studied piano, clarinet and alto saxophone before narrowing his focus to tenor saxophone. He occasionally plays soprano saxophone as well. He studied drama at Goddard College from 1955 to 1959. He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp's first recording under his own name, ''Archie Shepp - Bill Dixon Quartet'', was released on Savoy Records in 1962 and featured a composition by Ornette Coleman. Along with alto saxophonist John Tchicai and trumpeter Don Cherry, he formed the New York Contemporary Five. John Coltrane's admiration for Shepp led to recordings for Impulse! Records, the first of which was '' Four for Trane'' in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Michelot
Pierre Michelot (3 March 1928 – 3 July 2005) was a French jazz double bass player and arranger. Early life Michelot was born in Saint-Denis, Seine-Saint-Denis, Paris on 3 March 1928. He studied piano from 1936 until 1938. He switched to playing bass at the age of sixteen. Later life and career He played and recorded with visiting American musicians in Paris. He "played with Rex Stewart (1948), performed at Frisco's in Paris with Kenny Clarke (summer 1949), and joined Clarke in a band accompanying Coleman Hawkins (winter 1949–50), with whom he recorded; in 1949 he also recorded with Clarke in an ad hoc band led by Sidney Bechet." Through his career he played with Django Reinhardt, Stéphane Grappelli, Don Byas, Thelonious Monk, Lester Young, Dexter Gordon, Stan Getz, Bud Powell, Zoot Sims, Dizzy Gillespie, Chet Baker. With Miles Davis he was responsible for the 1957 soundtrack of ''Ascenseur pour l'échafaud''. He was a member of the Jacques Loussier Trio, known for the ''P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jackie McLean
John Lenwood "Jackie" McLean (May 17, 1931 – March 31, 2006) was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the ''DownBeat'' Hall of Fame in the year of their death. Biography McLean was born in New York City. His father, John Sr., played guitar in Tiny Bradshaw's orchestra. After his father's death in 1939, Jackie's musical education was continued by his godfather, his record-store-owning stepfather, and several noted teachers. He also received informal tutoring from neighbors Thelonious Monk, Bud Powell, and Charlie Parker. During high school McLean played in a band with Kenny Drew, Sonny Rollins, and Andy Kirk, Jr. (the saxophonist son of Andy Kirk). Along with Rollins, McLean played on Miles Davis' '' Dig'' album, when he was 20 years old. As a young man he also recorded with Gene Ammons, Charles Mingus (for '' Pithecanthropus Erectus''), George Wallington, and as a member of Art Blake ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Criss
William "Sonny" Criss (23 October 1927 – 19 November 1977) was an American jazz musician. An alto saxophonist of prominence during the bebop era of jazz, he was one of many players influenced by Charlie Parker. Biography William Criss was born in Memphis, Tennessee, United States, and moved to Los Angeles at the age of 15. He then went on to play in various bands including Howard McGhee's, which also featured Charlie Parker. Criss had developed his own, concise, bluesy tone by this point, and though his basic style did not vary much, his ability on the instrument continued to develop. Nevertheless, he continued to drift from band to band, and played on some records with Johnny Otis and Billy Eckstine. His first major break came in 1947, on a number of jam sessions arranged by jazz impresario Norman Granz. In 1956 he signed to Imperial Records, based in New York, and recorded a series albums including ''Jazz U.S.A '', ''Go Man!'' and ''Sonny Criss Plays Cole Porter'' fea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents (" dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including " St. Thomas", " Oleo", " Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus". Early life Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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