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Voodoo Chile
"Voodoo Chile" ( ) is a song written by Jimi Hendrix and recorded in 1968 for the third Jimi Hendrix Experience album ''Electric Ladyland''. It is based on the Muddy Waters blues song " Rollin' Stone", but with original lyrics and music. At 15 minutes, it is Hendrix's longest studio recording and features additional musicians in what has been described as a studio jam. "Voodoo Chile" was recorded at the Record Plant in New York City, after a late night jam session with Hendrix, Experience drummer Mitch Mitchell, organist Steve Winwood, and bassist Jack Casady. The song became the basis for "Voodoo Child (Slight Return)", recorded by the Experience the next day and one of Hendrix's best-known songs. "Chile" is a phonetic approximation of "child" without the "d". In the UK, "Voodoo Chile" was also used as the title of the 1970 single release of "Voodoo Child (Slight Return)", which has caused confusion regarding the two songs. Background and lyrics "Voodoo Chile" evolved from "Catf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jimi Hendrix Experience
James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942September 18, 1970) was an American guitarist, singer and songwriter. Although his mainstream career spanned only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music." Born in Seattle, Washington, Hendrix began playing guitar at the age of 15. In 1961, he enlisted in the US Army, but was discharged the following year. Soon afterward, he moved to Clarksville then Nashville, Tennessee, and began playing gigs on the chitlin' circuit, earning a place in the Isley Brothers' backing band and later with Little Richard, with whom he continued to work through mid-1965. He then played with Curtis Knight and the Squires before moving to England in late 1966 after bassis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy McClennan
Tommy McClennan (January 4, 1905 – May 9, 1961) was an American Delta blues singer and guitarist. Life and career McClennan was born in Durant, Mississippi, and grew up in the town. He played and sang blues in a rough, energetic style. He made a series of recordings for Bluebird Records from 1939 through 1942. He regularly played with his friend Robert Petway. His voice is heard in the background on Petway's recording of "Boogie Woogie Woman" (1942). McClennan's singles in this period included " Bottle It Up and Go", "New Highway No. 51", " Shake 'Em on Down", and "Whiskey Head Woman". Several of his songs have been covered by other musicians, including " Cross Cut Saw Blues" (covered by Albert King) and "My Baby's Gone" (Moon Mullican). McClennan's "I'm a Guitar King" was included in the 1959 collection ''The Country Blues'', issued by Folkways Records. McClennan died of bronchopneumonia in Chicago, Illinois, on May 9, 1961. Citation "He had a different style of pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jefferson Airplane
Jefferson Airplane was an American rock band based in San Francisco, California, that became one of the pioneering bands of psychedelic rock. Formed in 1965, the group defined the San Francisco Sound and was the first from the Bay Area to achieve international commercial success. They headlined the Monterey Pop Festival (1967), Woodstock (1969), Altamont Free Concert (1969), and the first Isle of Wight Festival (1968) in England. Their 1967 breakout album '' Surrealistic Pillow'' was one of the most significant recordings of the Summer of Love. Two songs from that album, " Somebody to Love" and " White Rabbit", are among ''Rolling Stone''s "500 Greatest Songs of All Time". The October 1966 to February 1970 lineup of Jefferson Airplane, consisting of Marty Balin (vocals), Paul Kantner (guitar, vocals), Grace Slick (vocals), Jorma Kaukonen (lead guitar, vocals), Jack Casady (bass), and Spencer Dryden (drums), was inducted into the Rock and Roll Hall of Fame in 1996. Balin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traffic (band)
Traffic were an English rock band formed in Birmingham in April 1967 by Steve Winwood, Jim Capaldi, Chris Wood and Dave Mason. Traffic Biography. AllMusic. They began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards (such as the Mellotron and harpsichord), sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music. The band had early success in the UK with their debut album '' Mr. Fantasy'' and non-album singles "Paper Sun", "Hole in My Shoe", and "Here We Go Round the Mulberry Bush," Their self-titled 1968 album was their most successful in Britain and featured one of their most popular songs, the widely covered "Feelin' Alright?" Dave Mason left the band shortly after the album's release, as did Steve Winwood the following year when he joined the supergroup Blind Faith, and Traffic effectively disbanded. An album compiled from studio and live recordings, '' Last Exit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noel Redding
David Noel Redding (25 December 1945 – 11 May 2003) was an English rock musician, best known as the bass player for the Jimi Hendrix Experience and guitarist/singer for Fat Mattress. Following his departure from the Experience in 1969 and the dissolution of Fat Mattress in 1970, Redding formed the short-lived group Road in the United States, which released the self-titled album ''Road'' before he re-located to Clonakilty, Ireland, in 1972. There he formed the Noel Redding Band with former Thin Lizzy guitarist Eric Bell, with whom he released two albums. Although by the 1980s Redding had largely removed himself from the music business, he would later perform around his new hometown with wife Carol Appleby. He was inducted into the Rock and Roll Hall of Fame in 1992 as a member of the Jimi Hendrix Experience. Biography Background Redding was born at the Royal Victoria Hospital in Folkestone, Kent, to Bromley-born Margaret (née Berggren) and Horace Albert Redding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Scene (performance Venue)
The Scene was a nightclub on West 46th Street, Manhattan, New York City operated by Steve Paul between 1964 and 1969. It was notable for historic performances by The Doors and Jimi Hendrix, among many others. History The Scene, also known as "Steve Paul's The Scene", was located in the basement of 301 West 46th Street, in New York's Theater District. Steve Paul had started his entertainment career as a publicist for the Peppermint Lounge. Paul opened the club in 1964, initially as a club for actors, musicians and theatre workers from Broadway. At the time, the only musician in the club was a resident pianist. Regular musical acts commenced in 1966.UncreditedSteve Paul's The Scene NYC: The Official Guide. Retrieved 2011-02-18. The shift in focus to musical acts was quite popular, and involved such acts as The Young Rascals, The Lovin' Spoonful, and Sammy Davis, Jr. Blood Sweat and Tears with Al Kooper played some of their earliest gigs there. B B King played there for 2 n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Highway Chile
"Highway Chile" is a song by the Jimi Hendrix Experience, issued as the B-side to their 1967 third British single "The Wind Cries Mary". The song was written by vocalist and guitarist Jimi Hendrix and titled to reflect his pronunciation of "child" without the "d" (a spelling subsequently used for "Voodoo Chile"). Biographers Harry Shapiro and Caesar Glebbeek describe it as "a joyful autobiographical stomp" about the pursuit of the American Dream. Matthew Greenwald of Allmusic feels that the song is autobiographical: "It's easy to see that Hendrix was writing about himself here, and his life as a musician on the road in the R&B/soul ' Chitlin' Circuit', and forming his own unique vision and style." He adds that musically, it is "A funky shuffle... a great place for Hendrix's mid-tempo, R&B riffing, based on a blues pattern." The song is also included on several Hendrix compilations, such as the UK edition of '' Smash Hits'' (1968), '' War Heroes'' (1972), and '' Experience Hend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Science Fiction
Science fiction (sometimes shortened to Sci-Fi or SF) is a genre of speculative fiction which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, extraterrestrial life, sentient artificial intelligence, cybernetics, certain forms of immortality (like mind uploading), and the singularity. Science fiction predicted several existing inventions, such as the atomic bomb, robots, and borazon, whose names entirely match their fictional predecessors. In addition, science fiction might serve as an outlet to facilitate future scientific and technological innovations. Science fiction can trace its roots to ancient mythology. It is also related to fantasy, horror, and superhero fiction and contains many subgenres. Its exact definition has long been disputed among authors, critics, scholars, and readers. Science fiction, in literature, film, television, and other media, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Blues
Chicago blues is a form of blues music developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues, but performed in an urban style. It developed alongside the Great Migration of the first half of the twentieth century. Key features that distinguish Chicago blues from the earlier traditions, such as the Delta blues, is the prominent use of electrified instruments, especially the electric guitar, and especially the use of electronic effects such as distortion and overdrive. Muddy Waters, a colleague of Delta blues musicians Son House and Robert Johnson, migrated to Chicago in 1943, joining the established Big Bill Broonzy, where they developed a distinctive style of blues music. Joined by artists such as Willie Dixon, Howlin' Wolf, and John Lee Hooker, Chicago Blues reached an international audience by the late 1950s and early 1960s, directly influencing not only the development of early rock and roll musicians such as Chuck Berry and Bo Diddley, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", "I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoochie Coochie Man
"Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter. The song is a classic of Chicago blues and one of Waters' first recordings with a full backing band. Dixon's lyrics build on Waters' earlier use of ''braggadocio'' and themes of fortune and sex appeal. The stop-time riff was "soon absorbed into the ''lingua franca'' of blues, R&B, jazz, and rock and roll", according to musicologist Robert Palmer, and is used in several popular songs. When Bo Diddley adapted it for " I'm a Man", it became one of the most recognizable musical phrases in blues. After the song's initial success in 1954, Waters recorded several live and new studio ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension, as exemplified on his most acclaimed album ''A Love Supreme'' (1965) and others. Decades after his death, Coltrane remains influential, and he has received numerous posthumous awards, including a special Pulitzer Prize, and was canoniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
