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VistaVision
VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format that was created by engineers at Paramount Pictures in 1954. Paramount did not use anamorphic processes such as CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a larger area, which yielded a finer-grained projection print. As finer-grained film stocks appeared on the market, VistaVision became obsolete. Paramount dropped the format after only seven years, although for another 40 years the format was used by some European and Japanese producers for feature films and by American films such as the first three ''Star Wars'' films for high-resolution special-effects sequences. In many ways, VistaVision was a testing ground for cinematography ideas that evolved into 70 mm IMAX and OMNIMAX film formats in the 1970s. Both IMAX and OMNIMAX are oriented sideways, as is Vist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
VistaVision Logo 001
VistaVision is a higher resolution, widescreen variant of the 35 mm movie film, 35 mm motion picture film format that was created by engineers at Paramount Pictures in 1954. Paramount did not use anamorphic processes such as CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a larger area, which yielded a finer-grained projection print. As finer-grained film stocks appeared on the market, VistaVision became obsolete. Paramount dropped the format after only seven years, although for another 40 years the format was used by some European and Japanese producers for feature films and by American films such as the first three ''Star Wars'' films for high-resolution Special effect, special-effects sequences. In many ways, VistaVision was a testing ground for cinematography ideas that evolved into 70 mm film, 70 mm IMAX and OMNIMAX film formats in the 1970s. Both IMAX and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
VistaVision 8 Perf 35 Mm Film
VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format that was created by engineers at Paramount Pictures in 1954. Paramount did not use anamorphic processes such as CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a larger area, which yielded a finer-grained projection print. As finer-grained film stocks appeared on the market, VistaVision became obsolete. Paramount dropped the format after only seven years, although for another 40 years the format was used by some European and Japanese producers for feature films and by American films such as the first three ''Star Wars'' films for high-resolution special-effects sequences. In many ways, VistaVision was a testing ground for cinematography ideas that evolved into 70 mm IMAX and OMNIMAX film formats in the 1970s. Both IMAX and OMNIMAX are oriented sideways, as is Vista ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35 Mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard negative pulldown, image exposure length on 35 mm for movies ("single-frame" format) is four film perforations, perforations per Film frame, frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th and early 20th centuries, along with various film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popular Science Magazine
Popular science (also called pop-science or popsci) is an interpretation of science intended for a general audience. While science journalism focuses on recent scientific developments, popular science is more broad ranging. It may be written by professional science journalists or by scientists themselves. It is presented in many forms, including books, film and television documentaries, magazine articles, and web pages. History Before the modern specialization and professionalization of science, there was often little distinction between "science" and "popular science", and works intended to share scientific knowledge with a general reader existed as far back as Greek and Roman antiquity. Without these popular works, much of the scientific knowledge of the era might have been lost. For example, none of the original works of the Greek astronomer Eudoxus (4th century BC) have survived, but his contributions were largely preserved due to the didactic poem ''Phenomena'' written ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Super 35
Super 35 (originally known as Superscope 235) is a motion picture film format that uses exactly the same film stock as standard 35 mm film, but puts a larger image frame on that stock by using the space normally reserved for the optical analog sound track. History Super 35 was revived from a similar Superscope variant known as Superscope 235, which was originally developed by the Tushinsky Brothers (who founded Superscope Inc. in 1954) for RKO in 1954. The first film to be shot in Superscope was '' Vera Cruz'', a western film produced by Hecht-Lancaster Productions and distributed through United Artists. When cameraman Joe Dunton was preparing to shoot ''Dance Craze'' in 1980, he chose to revive the Superscope format by using a full silent-standard gate and slightly optically recentering the lens port (to adjust for the inclusion of the area of the optical soundtrack – the gray track on left side of the illustration). These two characteristics are central to the fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Technicolor
Technicolor is a family of Color motion picture film, color motion picture processes. The first version, Process 1, was introduced in 1916, and improved versions followed over several decades. Definitive Technicolor movies using three black-and-white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s, when the 3-strip camera was replaced by a standard camera loaded with single-strip "monopack" color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black-and-white matrices from the Eastmancolor negative (Process 5). Process 4 was the second major color process, after Britain's Kinemacolor (used between 1909 and 1915), and the most widely used color process in Cinema of the United States, Hollywood during the Golden Age of Hollywood. Technicolor's #Process 4: Development and introduction, three-color process became known and cele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Garters (film)
''Red Garters'' is a 1954 American musical western film starring Rosemary Clooney, Jack Carson, Guy Mitchell. It is a musical spoof of Westerns. The director was George Marshall. The film was nominated for an Academy Award for Best Art Direction ( Hal Pereira, Roland Anderson, Samuel M. Comer, Ray Moyer). :" 'Red Garters''is a costume piece, a roguish, cheeky musical western in which anything goes. All the cliches of every western ever made are examined with humor and high spirits. ..''Red Garters'' has no settings in the ordinary sense; houses, trees, windows and the like are merely suggested, as on a musical stage." It has been distributed on VHS, Laserdisc, and DVD. Plot A stranger in town meets pretty young Susan Martinez De La Cruz and accompanies her to a barbecue, where wealthy Jason Carberry is saying a few words for the recently departed Robin Randall, a citizen who got shot. Jason objects to the stranger's presence, being Susan's guardian and protective of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variety (magazine)
''Variety'' is an American trade magazine owned by Penske Media Corporation. It was founded by Sime Silverman in New York City in 1905 as a weekly newspaper reporting on theater and vaudeville. In 1933, ''Daily Variety'' was launched, based in Los Angeles, to cover the film industry, motion-picture industry. ''Variety'' website features entertainment news, reviews, box office results, plus a credits database, production charts and film calendar. History Founding ''Variety'' has been published since December 16, 1905, when it was launched by Sime Silverman as a weekly periodical covering theater and vaudeville, with its headquarters in New York City. Silverman had been fired by ''The Morning Telegraph'' in 1905 for panning an act which had taken out an advert for $50. He subsequently decided to start his own publication that, he said, would "not be influenced by advertising." With a loan of $1,500 from his father-in-law, he launched ''Variety'' as publisher and editor. In additi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aspect Ratio (image)
The aspect ratio of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon, in the format width:height. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television, and 3:2 in still photography and 1:1: Used for square images, often seen on social media platforms like Instagram, 21:9: An ultrawide aspect ratio popular for gaming and desktop monitors. Some common examples The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1.The 2.39:1 ratio is commonly labeled 2.40:1, e.g., in the American Society of Cinematographers' ''American Cinematographer Manual'' (Many widescreen films before the 1970 Society of Motion Picture and Television Engineers, SMPTE revision used 2.35:1). Two common videography, videographic aspect ratios are 4:3 (1.:1), the universal video format of the 20th century, and 16:9 (1.:1), universal for high-definition television and European digital television. Other cinematic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
3-D Film
3D films are motion pictures made to give an illusion of Three-dimensional space, three-dimensional solidity, usually with the help of Stereoscopy#3D viewers, special glasses worn by viewers. 3D films were prominently featured in the 1950s in American cinema and later experienced a worldwide resurgence in the 1980s and 1990s driven by IMAX high-end theaters and Disney-themed venues. 3D films became increasingly successful throughout the 2000s, peaking with the success of 3D presentations of ''Avatar (2009 film), Avatar'' in December 2009, after which 3D films again decreased in popularity. Certain directors have also taken more experimental approaches to 3D filmmaking, most notably celebrated auteur Jean-Luc Godard in his film ''Goodbye to Language''. History Before film The basic components of 3D film were introduced separately between 1833 and 1839. Stroboscopic animation was developed by Joseph Plateau in 1832 and published in 1833 in the form of a stroboscopic disc, which he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spyros Skouras
Spyros Panagiotis Skouras (; ; March 28, 1893 – August 16, 1971) was a Greek-American motion picture pioneer and film executive who was the president of 20th Century-Fox from 1942 to 1962. He resigned June 27, 1962, but was chairman of the company for several more years. He also had numerous ships, owning Prudential Steamship Corporation, Prudential Lines. Skouras and two brothers came to the United States as immigrants in 1910; Spyros kept such a pronounced Greek accent in English that comedian Bob Hope would joke "Spyros has been here twenty years but he still sounds as if he's coming next week." Skouras oversaw the production of such epics as ''Cleopatra (1963 film), Cleopatra'' (1963) with Elizabeth Taylor, as well as the development of Century City, Los Angeles, California, Century City. The early years Spyros Panagiotis Skouras was born in 1893 in Skourochori, Greece to a family whose father was a sheep herder. Together with his brothers Charles Skouras, Charles and Georg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Balaban
Barney Balaban (June 8, 1887 – March 7, 1971) was an American film executive and innovator in the film industry who was president of Paramount Pictures from 1936 to 1964, and honorary chairman until his death. Life and career Barney Balaban was the eldest of the seven sons of Bessarabian-Jewish immigrants Augusta "Goldie" (''née'' Mandebursky, later Levin) from Odesa and grocery store owner Israel Balaban, from Tiraspol. His siblings in order were A. J., Leah, Ida, John, Max, Dave, Harry and Elmer. Balaban worked as a messenger boy and a cold storage company employee until 1908, when he was persuaded, at age 21, to go into the cinema business. According to a 1945 article in ''Forbes'' magazine, his mother came home from her first picture show and commented, "The customers pay before they even see what they're paying for! There'll be money in that business." Balaban and his younger brothers rented the 100-seat Kedzie Theater. From there, Balaban's innovations changed the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
