Viola Concerto (Widmann)
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Viola Concerto (Widmann)
Jörg Widmann's Viola Concerto was composed in 2015 and premiered on 28 October 2015 with soloist Antoine Tamestit and the Orchestre de Paris under the direction of Paavo Järvi at Philharmonie de Paris. The concerto attracted attention, because of its theatralic aspects. History The original commission of the viola concerto by Tamestit dates back to the year 2008. The concerto, dedicated to Tamestit and realized in 2015, was finally commissioned by Orchestre de Paris, Swedish Radio Symphony Orchestra and Bavarian Radio Symphony Orchestra. In a performance of Hector Berlioz's Harold in Italy in May 2015 Tamestit was wandering through the orchestra while playing the viola solo part. Widmann took up the idea. Widmann and Tamestit worked close together during the creation process of the concerto. The unusual piece is tailored to Tamestit's technical and theatrical skills. Structure The viola concerto of operatic approach has a duration of about half an hour and is in a single mo ...
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Jörg Widmann
Jörg Widmann (; born 19 June 1973) is a German composer, conductor and clarinetist. In 2023, Widmann was the third most performed living contemporary composer in the world. Formerly a clarinet and composition professor at the University of Music Freiburg, he is composition professor at the Barenboim–Said Akademie. His most important compositions are the concert overture '' Con brio'', the opera '' Babylon'', an oratorio '' Arche'', Viola Concerto, '' Kantate'' and the trumpet concerto '' Towards Paradise''. Widmann has written musical tributes to Classical and Romantic composers. He was awarded the Bavarian Maximilian Order for Science and Art in 2018 and the Bach Prize of the Free and Hanseatic City of Hamburg in 2023. He was Gewandhaus Composer of the Gewandhaus Orchester Leipzig and Composer in Residence for the Berlin Philharmonic. Early life and education Widmann was born on 19 June 1973 in Munich, the son of a physicist and a teacher. His sister is the Germa ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in Manchester in 1821 as ''The Manchester Guardian'' and changed its name in 1959, followed by a move to London. Along with its sister paper, ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in its journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. S ...
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Viola Concertos
A viola concerto is a concerto contrasting a viola with another body of musical instruments such as an orchestra or chamber music ensemble. Throughout music history, especially during the Baroque, Classical, and Romantic eras, viola was viewed mostly as an ensemble instrument. Though there were a few notable concertos written for the instrument in this time period, these instances were quite rare and the instrument continued to be ignored. However, during the 20th century, the instrument was revitalized thanks to the work of a number of violists and composers, which led to the commission and composition of many more viola concertos, expanding the repertoire significantly. Early history of the viola concerto Early examples of violas taking solo roles in orchestral settings include Johann Sebastian Bach's Brandenburg Concerto No. 6, scored for two solo violas, Georg Philipp Telemann's Concerto in G major, and Carl Stamitz's Viola Concerto in D major. Arguably, one of the first c ...
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2015 Compositions
Fifteen or 15 may refer to: *15 (number) *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (Tuki album), 2025 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album ''Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' Other media * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama * "Fifteen" (''Runaways''), an episode of ''Runaways'' *Fifteen (novel), a 1956 juvenile fiction ...
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21st-century Classical Music
21st-century Western classical music is art music in the contemporary classical tradition that has been produced since the year 2000. A loose and ongoing period, 21st-century classical music is defined entirely by the calendar and does not refer to a musical style in the sense of Baroque or Romantic music. Many elements of the previous century have been retained, including postmodernism, polystylism, and eclecticism, which seek to incorporate elements of all styles of music irrespective of whether these are "classical" or not—these efforts represent a slackening differentiation between the various musical genres. Important influences include rock, pop, jazz, and the dance traditions associated with these. The combination of classical music and multimedia is another notable practice in the 21st century; the Internet and its related technology are important resources in this respect. Attitudes towards female composers are also changing. Artificial intelligence is also bein ...
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Concertos By Jörg Widmann
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g., presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli and Arcangelo Corelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concert ...
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