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Venusians
The planet Venus has been used as a Setting (narrative), setting in fiction since before the 19th century. Its Atmosphere of Venus, opaque cloud cover gave science fiction writers free rein to speculate on conditions at its surface—a "cosmic Rorschach test", in the words of science fiction author Stephen L. Gillett. The planet was often depicted as warmer than Earth but still Planetary habitability, habitable by humans. Depictions of Venus as a lush, verdant paradise, an oceanic planet, or fetid swampland, often inhabited by dinosaur-like beasts or other monsters, became common in early Pulp magazine, pulp science fiction, particularly between the 1930s and 1950s. Some other stories portrayed it as a desert, or invented more exotic settings. The absence of a common vision resulted in Venus not developing a coherent fictional mythology, in contrast to the image of Mars in fiction. When included, the native sentient inhabitants, Venusians, were often portrayed as gentle, ethereal ...
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Venus In Fiction
The planet Venus has been used as a setting in fiction since before the 19th century. Its opaque cloud cover gave science fiction writers free rein to speculate on conditions at its surface—a "cosmic Rorschach test", in the words of science fiction author Stephen L. Gillett. The planet was often depicted as warmer than Earth but still habitable by humans. Depictions of Venus as a lush, verdant paradise, an oceanic planet, or fetid swampland, often inhabited by dinosaur-like beasts or other monsters, became common in early pulp science fiction, particularly between the 1930s and 1950s. Some other stories portrayed it as a desert, or invented more exotic settings. The absence of a common vision resulted in Venus not developing a coherent fictional mythology, in contrast to the image of Mars in fiction. When included, the native sentient inhabitants, Venusians, were often portrayed as gentle, ethereal and beautiful. The planet's associations with the Roman goddess Venus and f ...
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Planetary Tours In Fiction
File:Solar system.jpg, alt=A photomontage of the eight planets and the Moon, Clicking on a planet leads to the article about its depiction in fiction. circle 1250 4700 650 Neptune in fiction circle 2150 4505 525 Uranus in fiction circle 2890 3960 610 Saturn in fiction circle 3450 2880 790 Jupiter in fiction circle 3015 1770 460 Mars in fiction circle 2370 1150 520 Earth in science fiction circle 3165 590 280 Moon in science fiction circle 1570 785 475 Venus in fiction circle 990 530 320 Mercury in fiction Locations in the Solar System besides the Earth have appeared as settings in fiction since at least classical antiquity, initially as an extension of the established literary form of the imaginary voyage to exotic locations ostensibly on Earth. The motif then largely fell out of use for over a millennium and did not become commonplace again until the 1600s with the Copernican Revolution. For most of literary history the principal extraterrestrial location was the Moon; in ...
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Emanuel Swedenborg
Emanuel Swedenborg (; ; born Emanuel Swedberg; (29 January 168829 March 1772) was a Swedish polymath; scientist, engineer, astronomer, anatomist, Christian theologian, philosopher, and mysticism, mystic. He became best known for his book on the afterlife, Heaven and Hell (Swedenborg), ''Heaven and Hell'' (1758). Swedenborg had a prolific career as an inventor and scientist. In 1741, at 53, he entered into a Spirituality, spiritual phase in which he began to experience dreams and visions, notably on Easter Weekend, on 6 April 1744. His experiences culminated in a "spiritual awakening" in which he received a revelation that Jesus Christ had appointed him to write ''The Heavenly Doctrine'' to reform Christianity. According to ''The Heavenly Doctrine'', the Lord had opened Swedenborg's spiritual eyes so that from then on, he could freely visit heaven and hell to converse with angels, demons, and other spirits and that the Last Judgment had already occurred in 1757, the year before th ...
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Itinerarium Exstaticum
''Itinerarium exstaticum quo mundi opificium'' is a 1656 work by the Jesuit scholar Athanasius Kircher. It is an imaginary dialogue in which an Angels in Christianity, angel named Cosmiel takes the narrator, Theodidactus ('taught by God'), on a journey through the planets. It is the only work by Kircher devoted entirely to astronomy, and one of only two pieces of imaginative fiction by him. A revised and expanded second edition, entitled ''Iter Exstaticum'', was published in 1660. Background In his 1641 work ''Magnes sive de Arte Magnetica'', Kircher had argued against the Cosmology, cosmological theories of both Kepler and Galileo, but had written nothing on the subject since. It is not clear why Kircher took it up again, though the preface mentions encouragement from Ferdinand III, Holy Roman Emperor, Emperor Ferdinand III. The book was dedicated to Queen Christina of Sweden, who visited the Vatican City, Vatican just after it was published. Narrative ''Itinerarium Exstaticum'' ...
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Athanasius Kircher
Athanasius Kircher (2 May 1602 – 27 November 1680) was a German Society of Jesus, Jesuit scholar and polymath who published around 40 major works of comparative religion, geology, and medicine. Kircher has been compared to fellow Jesuit Roger Joseph Boscovich and to Leonardo da Vinci for his vast range of interests, and has been honoured with the title "Master of a Hundred Arts".Woods, p. 108. He taught for more than 40 years at the Roman College, where he set up a wunderkammer or cabinet of curiosities that would become the Kircherian Museum. A resurgence of interest in Kircher has occurred within the scholarly community in recent decades. Kircher claimed to have deciphered the Egyptian hieroglyphs, hieroglyphic writing of the ancient Egyptian language, but most of his assumptions and translations in the field turned out to be wrong. He did, however, correctly establish the link between the ancient Egyptian and the Coptic language, Coptic languages, and some com ...
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Solar System
The Solar SystemCapitalization of the name varies. The International Astronomical Union, the authoritative body regarding astronomical nomenclature, specifies capitalizing the names of all individual astronomical objects but uses mixed "Solar System" and "solar system" structures in theinaming guidelines document. The name is commonly rendered in lower case ('solar system'), as, for example, in the ''Oxford English Dictionary'' an''Merriam-Webster's 11th Collegiate Dictionary''. is the gravitationally bound Planetary system, system of the Sun and the objects that orbit it. It Formation and evolution of the Solar System, formed about 4.6 billion years ago when a dense region of a molecular cloud collapsed, forming the Sun and a protoplanetary disc. The Sun is a typical star that maintains a hydrostatic equilibrium, balanced equilibrium by the thermonuclear fusion, fusion of hydrogen into helium at its stellar core, core, releasing this energy from its outer photosphere. As ...
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Voyage à Venus
Voyage(s) or The Voyage may refer to: Literature *''Voyage : A Novel of 1896'', Sterling Hayden * ''Voyage'' (novel), a 1996 science fiction novel by Stephen Baxter *''The Voyage'', Murray Bail * "The Voyage" (short story), a 1921 story by Katherine Mansfield * "Voyage", a poem by Patti Smith from her 1996 book '' The Coral Sea'' * ''Voyages'' (poem), a 1926 poem by Hart Crane *Le Voyage, 1996 graphic novel, see Edmond Baudoin *Le Voyage, poem by Baudelaire Film and television * ''The Voyage'' (1921 film), an Italian silent drama film * ''The Voyage'' (1974 film), an Italian film * ''Voyage'' (2013 film), a Hong Kong film made mostly in English * ''Voyages'' (film), a 1999 film directed by Emmanuel Finkiel * ''Voyage'' (1993 film), a 1993 American TV film directed by John Mackenzie * Voyage.tv, an American online travel channel * Voyages Television, an international travel marketing channel * Voyage (French TV channel), a television channel in France operated by Pat ...
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Mercury In Fiction
Fictional depictions of Mercury, the innermost planet of the Solar System, have gone through three distinct phases. Before much was known about the planet, it received scant attention. Later, when it was incorrectly believed that it was tidally locked with the Sun creating a permanent dayside and nightside, stories mainly focused on the conditions of the two sides and the narrow region of permanent twilight between. Since that misconception was dispelled in the 1960s, the planet has again received less attention from fiction writers, and stories have largely concentrated on the harsh environmental conditions that come from the planet's proximity to the Sun. A planet closer to the Sun than Mercury was once hypothesized to exist based on then-unexplained anomalies in Mercury's orbit that have since been explained by the effects of general relativity. This hypothetical planet, Vulcan, has appeared in several stories. Early depictions Mercury's closeness to the Sun makes astro ...
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Moon In Science Fiction
The Moon has appeared in fiction as a setting since at least classical antiquity. Throughout most of literary history, a significant portion of works depicting lunar voyages has been satirical in nature. From the late 1800s onwards, science fiction has successively focused largely on the themes of life on the Moon, first Moon landings, and lunar colonization. Early depictions The Moon has been a setting in fiction since at least the works of the ancient Greek writers Antonius Diogenes and Lucian of Samosata; the former's ''Of the Wonderful Things Beyond Thule'' has been lost and the latter's ''True History'' from the second century CE is a satire of fanciful travellers' tales. It was not until Johannes Kepler's novel '' Somnium'' was posthumously released in 1634 that the subject of travelling to the Moon was given a serious treatment in fiction. Building on Kepler's thoughts, and similar speculations by Francis Bacon on flying to the Moon in his 1627 work '' Sylva sylva ...
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Earth In Science Fiction
The overwhelming majority of fiction is set on or features the Earth, as the only planet home to humans or known to have life. This also holds true of science fiction, despite perceptions to the contrary. Works that focus specifically on Earth may do so holistically, treating the planet as one semi-biological entity. Counterfactual depictions of the shape of the Earth, be it flat or hollow, are occasionally featured. A personified, living Earth appears in a handful of works. In works set in the far future, Earth can be a center of space-faring human civilization, or just one of many inhabited planets of a galactic empire, and sometimes destroyed by ecological disaster or nuclear war or otherwise forgotten or lost. Related vocabulary In a number of works of science fiction, Earth's English name has become less popular, and the planet is instead known as Terra or Tellus, Latin words for Earth. Inhabitants of Earth can be referred to as Earthlings, Earthers, Earthborn, Eart ...
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Jupiter In Fiction
Jupiter, the largest planet in the Solar System, has appeared in works of fiction across several centuries. The way the planet has been depicted has evolved as more has become known about its composition; it was initially portrayed as being entirely solid, later as having a high-pressure atmosphere with a solid surface underneath, and finally as being entirely gaseous. It was a popular setting during the pulp era of science fiction. Life on the planet has variously been depicted as identical to humans, larger versions of humans, and non-human. Non-human life on Jupiter has been portrayed as primitive in some works and more advanced than humans in others. The moons of Jupiter have also been featured in a large number of stories, especially the four Galilean moons— Io, Europa, Ganymede, and Callisto. Common themes include terraforming and colonizing these worlds. Jupiter Early depictions Jupiter was long believed, incorrectly, to be a solid planet onto which it woul ...
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