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Vaar
The Vār or Vaar (, ), in Punjabi poetry, is a heroic ode or ballad which generally narrates legend such as stories of Punjabi folk heroes or a historical event.''The Encyclopaedia of Indian Literature (Volume One - A to Devo)''. Amaresh Datta, ed. Sahitya Akademi: 2006, 352. Examples include the feats of Dulla Bhatti and Raja Rasalu, Amir Khusrau's Vaar for Ghazi Malik who took the throne of Delhi in 1320, the Vaar of Shaikh Khokhar, Najabat's ''Nadar Shah di Var'' which describes the invasion of India by Nadir Shah in 1739, and the ''Chatthian di Vaar'' which commemorates Pir Muhammad Chattha's famous rivalry with the Sikhs. The Var has also been used to evoke the mood of devotion or sacrifice, as in Guru Gobind Singh's '' Chandi di Var'', or to narrate the mystical experience of a Pir, Bhagat or Guru. See also * Punjabi Qisse * Punjabi folklore * Dhadi (music) * Raga A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varan Bhai Gurdas
Varan Bhai Gurdas (Gurmukhi: ਵਾਰਾਂ ਭਾਈ ਗੁਰਦਾਸ ''vārāṁ bhā'ī guradāsa''; meaning "ballads of Bhai Gurdas"), also known as Varan Gyan Ratnavali (), is the name given to the 40 Var (poetry), ''vars'' (a form of Punjabi poetry) which is traditionally attributed to Bhai Gurdas. History Background The first widely-accepted and available extant Sikh writings were put-down to writing in the 1570's, namely being the two extant recensions (out of four originally) of the ''Goindwal Pothis'' and the ''Puratan Janamsakhi''. Later, the MS 1245 was written in around 1600, with the Adi Granth being finished and installed in 1604 in the form of the ''Kartarpur Pothi''. Bhai Gurdas is claimed to have been the amanuensis of the original Kartarpur Pothi, which itself would be copied multiple times in the early 17th century. Bhai Gurdas was a first cousin of Mata Bhani, mother of Guru Arjan Dev. He was the first scribe of Guru Granth Sahib and a scholar of grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asa Di Var
''Asa di Var'' (Gurmukhi: ਆਸਾ ਦੀ ਵਾਰ) meaning "A ballad of hope", is a collection of 24 stanzas (''pauris'') in the Guru Granth Sahib, from ang 462 to ang 475. Some people argue that the founder of Sikhism, Guru Nanak Dev, wrote the first 9 stanzas together on one occasion and later wrote 15 more on a different occasion; however, some Sikh scholars believe that the whole '' vaar'' was written at the same place as the ''vaar'' itself proceeds in a definite uniformity. The whole ''vaar'' was compiled by Guru Arjan, the fifth Guru, in 1604 AD. Overview When Guru Arjan was compiling the Guru Granth Sahib, he added a few ''sloks'' of Guru Nanak and in some cases Guru Angad, the second Guru. These sloks are tied together in a way that they relate to the same theme as highlighted in the pauri. In its present form, the ''Asa Di Var'' contains a few more shabads recited by Guru Ram Das Guru Ram Das (Gurmukhi: ਗੁਰੂ ਰਾਮ ਦਾਸ, pronunciation: ; 24 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gurmukhi
Gurmukhī ( , Shahmukhi: ) is an abugida developed from the Laṇḍā scripts, standardized and used by the second Sikh guru, Guru Angad (1504–1552). Commonly regarded as a Sikh script, Gurmukhi is used in Punjab, India as the official script of the Punjabi language. In the past, the script was also employed to write scientific and poetic literature from both Sanskritic and Persian traditions in the Braj language. The primary scripture of Sikhism, the Guru Granth Sahib, is written in Gurmukhī, in various dialects and languages often subsumed under the generic title '' Sant Bhasha'' or "saint language", in addition to other languages like Persian and various phases of Indo-Aryan languages. Modern Gurmukhī has thirty-five original letters, hence its common alternative term ''paintī'' or "the thirty-five", plus six additional consonants, nine vowel diacritics, two diacritics for nasal sounds, one diacritic that geminates consonants and three subscript characters. The sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dulla Bhatti
Rai Abdullah Khan Bhatti (23 July 1547 – 26 March 1599) popularly known through his moniker Dulla or Dullah Bhatti, was a Punjabi folk hero who led a revolt against Mughal rule during the reign of Emperor Akbar. He is entirely absent from the recorded history of the time, and the only evidence of his existence comes from Punjabi folk songs. The deeds of Bhatti are recounted in folklore and took the form of social banditry. According to Ishwar Dayal Gaur, although he was "the trendsetter in peasant insurgency in medieval Punjab", he remains "on the periphery of Punjab's historiography". Biography Abdullah Bhatti was a Punjabi Muslim Rajput of the Bhatti tribe. Abdullah Bhatti lived at Pindi Bhattian in Punjab, and came from a family of hereditary local rural chiefs of the zamindar class. Both his father, Farid, and his grandfather, variously called Bijli or Sandal, were executed for opposing the new and centralised land revenue collection scheme imposed by the Mugha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punjabi Literature
Punjabi literature, specifically literary works written in the Punjabi language, is characteristic of the historical Punjab of present-day Pakistan and India and the Punjabi diaspora. The Punjabi language is written in several scripts, of which the Shahmukhi and Gurmukhī scripts are the most commonly used in Western Punjab and Eastern Punjab, respectively. History Early history The earliest writings in Punjabi belong to the Nath Yogi era from the 9th to the 14th centuries. They referred to God with various names such as "Alakh Nirajan" which are still prevalent in Punjabi vernacular. According to Master Tara Singh, the Punjabi poetry authored by Baba Farid, Guru Nanak, and Bhai Gurdas was already at a high-level where subtle ideas could be expressed through a medium of a literary language, therefore Punjabi must have evolved centuries before then, perhaps in the 9th or 10th centuries. An example of surviving work of an early-stage showcasing Old Punjabi emerging from Ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru
Guru ( ; International Alphabet of Sanskrit Transliteration, IAST: ''guru'') is a Sanskrit term for a "mentor, guide, expert, or master" of certain knowledge or field. In pan-Indian religions, Indian traditions, a guru is more than a teacher: traditionally, the guru is a reverential figure to the disciple (or ''wikt:शिष्य, shisya'' in Sanskrit, literally ''seeker [of knowledge or truth'']) or student, with the guru serving as a "counsellor, who helps mould values, shares experiential knowledge as much as Knowledge#Hinduism, literal knowledge, an Role model, exemplar in life, an inspirational source and who helps in the spiritual evolution of a student". Whatever language it is written in, Judith Simmer-Brown says that a tantra, tantric spiritual text is often codified in an obscure twilight language so that it cannot be understood by anyone without the verbal explanation of a qualified teacher, the guru. A guru is also one's spiritual guide, who helps one to discover the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Literature
Indian literature refers to the literature produced on the Indian subcontinent until 1947 and in the Republic of India thereafter. The Eighth Schedule to the Constitution of India has 22 officially recognised languages. Sahitya Akademi, India's highest literary body, also has 24 recognised literary languages. The earliest works of Indian literature were orally transmitted. Sanskrit literature begins with the oral literature of the Rig Veda, a collection of literature dating to the period 1500–1200 BCE. The Sanskrit epics ''Ramayana'' and '' Mahabharata'' were subsequently codified and appeared towards the end of the 2nd millennium BCE. Classical Sanskrit literature developed rapidly during the first few centuries of the first millennium BCE, as did the Pāli Canon and Tamil Sangam literature. Ancient Meitei appeared in the 1st century CE with sacred musical compositions like the Ougri,———— and heroic narratives like the Numit Kappa.———— In th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhadi (music)
Dhadi ( (Gurmukhi), Dhādi), also spelled as Dhadhi, is one who sings ballads using Dhadd and Sarangi, the folk instruments of Punjab. According to Kahn Singh Nabha's Mahan Kosh the definition of ''dhadhi'' is "One who sings ballads of warriors playing Dhadd". Dhadis are a distinct group performers emerged in the time of Sikh gurus. The word ''Dhadi'' can be translated in English to be a ''minstrel'' or ''bard''. The word is used several times in the Sikh religious text, Guru Granth Sahib, in the meaning of humbleness. In his compositions, Guru Nanak Dev Ji called himself a Dhadhi of God. The word is also appeared in the writing of the third, fourth and fifth Guru and Bhagat Namdev. Dhadi refers both to a genre of Punjabi music and the performers who play it: a distinctly composed ensemble of ballad-singers. After briefly sketching the long yet hazy background of the art, this article reconstructs its more certain and recent history so far as it can be gleaned from the oral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punjabi Folklore
Punjabi folklore (more particularly its folksongs) is a core part of the Punjabi culture. Other important components of Punjabi folklore are farces, anecdotes, idioms, folktales, and sayings. Research Origin Richard Carnac Temple argued in his 1884 work, ''The Legends of the Punjab'', that the plot structure of Punjabi folktales and Bhat Vahis, bardic poetry was indistinguishable from one another, albeit with the bardic poems being more textually conservative (as they had been governed by Metre (poetry), metre and rhyme due to being in verse form). This led him to believe that the folktales originated from the bardic literature, existing as degraded derivatives. Themes Punjabi folktales commonly incorporate stories involving animals which teach a moral lesson. This is a theme which originated in ancient India, with a surviving example being the ''Panchatantra'' of the third century BCE. Other prevalent themes found within Punjabi folklore is a suspcision of those in posi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punjabi Qisse
A Punjabi Qissa (plural: Qisse) is a tradition of Punjabi language oral story-telling that emerged in Punjab region of eastern Pakistan and northwestern India, with the fusion of local Punjabi people and migrants from the Arabian peninsula and contemporary Iran. Where ''Qisse'' reflect an Islamic and/or Persian heritage of transmitting popular tales of love, valour, honour and moral integrity amongst Muslims, they matured out of the bounds of religion into a more secular form when it reached India and added the existing pre-Islamic Punjabi culture and folklore to its entity. Etymology The word ''Qissa'' (pronounced ) is an Arabic word meaning "epic legend" or a "folk tale". It occurs as a regular common noun in Indo-Aryan languages like Punjabi, Bengali, Gujarati, Urdu and Hindi. If used informally, the word means an ‘''interesting tale''’ or ‘''fable''’. Qisse and the Punjabi culture The Punjabi language has a rich literature of , most of which are about love, passio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagat
Bhagat is a term used in the Indian subcontinent to describe religious figures who have obtained high acclaim in their communities for their acts and devotion. It is also a term ascribed to one of the clans in the Mahar caste, with their clan totem being a King Cobra. Furthermore, Bhagat is additionally a surname found among Marathas, Bania communities and Punjabi Brahmins. Definition ''Bhagat'' is a Hindi and Punjabi word derived from the Sanskrit word ''Bhagavat'', भगवत्, which means saint or devotee. It is known to be used as an epithet for Vishnu or Krishna. ''Bhagat'' is also a Hindu, Buddhist, and Jain surname, found in various communities throughout India. Though, it is most prevalent in the northern states of India. Sikhism Sikhism's central scriptural book, Guru Granth Sahib, has teachings of 15 ''Bhagats'', along with '' bani'' of Sikh Gurus, ''Bhats'' and ''Gursikhs''. Because Sikhism believes in one human creed (no one belongs to a higher or a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
