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Trout Mask Replica
''Trout Mask Replica'' is the third studio album by the American band Captain Beefheart and his Magic Band, released as a double album on June 16, 1969, by Straight Records. The music was composed by Captain Beefheart (Don Van Vliet) and arranged by drummer John "Drumbo" French. Combining elements of R&B, garage rock, and blues with free jazz and avant-garde composition, the album is regarded as an important work of experimental rock. Its unconventional musical style, which includes polyrhythm, multi-octave vocals, and polytonality, has given the album a reputation as one of the most challenging recordings in the 20th century musical canon. The album was produced by Frank Zappa and recorded in March 1969 at Whitney Studios in Glendale, California, following eight months of intense rehearsals at a small rented communal house in Los Angeles. The lineup of the Magic Band at this time consisted of Bill "Zoot Horn Rollo" Harkleroad and Jeff "Antennae Jimmy Semens" Cotton on guit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Captain Beefheart
Don Van Vliet (; born Don Glen Vliet; January 15, 1941 – December 17, 2010) was an American singer, songwriter, multi-instrumentalist, and visual artist best known by the stage name Captain Beefheart. Conducting a rotating ensemble known as The Magic Band, he recorded 13 studio albums between 1967 and 1982. His music blended elements of blues, free jazz, rock music, rock, and avant-garde music, avant-garde composition with idiosyncratic rhythms, absurdism, absurdist wordplay, a loud, gravelly voice, and his claimed wide vocal range, though reports of it have varied from three octaves to seven and a half. Known for his enigmatic persona, Beefheart frequently constructed myths about his life and was known to exercise an almost dictatorial control over his supporting musicians. Although he achieved little commercial success, he sustained a cult following as an incalculable influence on an array of avant-garde music, avant-garde and experimental rock artists. A child prodigy, prodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Van Vliet
Don, don or DON and variants may refer to: Places * County Donegal, Ireland, Chapman code DON *Don (river), a river in European Russia * Don River (other), several other rivers with the name * Don, Benin, a town in Benin * Don, Dang, a village and hill station in Dang district, Gujarat, India *Don, Nord, a ''commune'' of the Nord ''département'' in northern France *Don, Tasmania, a small village on the Don River, located just outside Devonport, Tasmania *Don, Trentino, a commune in Trentino, Italy * Don, West Virginia, a community in the United States *Don Republic, a temporary state in 1918–1920 *Don Jail, a jail in Toronto, Canada People Role or title *Don (honorific), a Spanish, Portuguese, and Italian title, given as a mark of respect *Don, a crime boss, especially in the Mafia , ''Don Konisshi'' (コニッシー) *Don, a resident assistant at universities in Canada and the U.S. *University don, in British and Irish universities, especially at Oxford, Cambridge, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Boston
Rockette Morton (born Mark Boston; July 14, 1949 in Salem, Illinois) is an American musician, best known as a bassist and guitarist for Captain Beefheart and the Magic Band in the 1960s and 1970s. Career In 1963, after moving to Lancaster, California, Boston joined up with future Magic Band member Bill Harkleroad (aka Zoot Horn Rollo) in a band named B.C. & the Cavemen. He was given the nickname "Rockette Morton" by Captain Beefheart after becoming a member of the Magic Band. Morton played on five of Beefheart's albums: ''Trout Mask Replica'' (produced by Frank Zappa in 1969), '' Lick My Decals Off Baby'' (1970), '' The Spotlight Kid'' (1972), '' Clear Spot'' (1972) and '' Unconditionally Guaranteed'' (1974). He originally played bass, but switched to rhythm guitar after former Little Feat bassist Roy Estrada joined the band. In the book ''Lunar Notes: Zoot Horn Rollo's Captain Beefheart Experience'', guitarist Bill Harkleroad details some of the tensions that arose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Cotton
Jeffrey Ralph Cotton (born May 31, 1948) is an American rock guitarist, known for his work as a member of Captain Beefheart's Magic Band. Cotton first came to attention as guitarist with Merrell and the Exiles, who had a few local hits in 1964 in the Los Angeles area. He subsequently joined Blues in a Bottle, which also featured future Magic Band members Mark Boston, Bill Harkleroad and John French. He was recruited into the Magic Band in 1967 as a replacement for Ry Cooder. Cotton contributed unique and challenging slide guitar to live performances, ''Strictly Personal'', '' Mirror Man'' and ''Trout Mask Replica''; for which he was renamed Antennae Jimmy Semens. He left the Magic Band in 1970 after being attacked by temporary drummer Jeff Burchell during a group "talk" and having ribs broken. But this was probably just the final straw, having experienced the reclusive 8 months of rehearsals for ''Trout Mask Replica'' during which Beefheart experimented on the group memb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoot Horn Rollo
Bill Harkleroad (born January 8, 1949), known professionally as Zoot Horn Rollo, is an American guitarist. He is best known for his work with Captain Beefheart and The Magic Band. In 2003, he was ranked No. 62 in a ''Rolling Stone'' magazine list of "the 100 greatest guitarists of all time". Biography Born in Hawthorne, California, Harkleroad was trained as an accordionist as a child but changed to guitar in his teens. In nearby Lancaster, California, he became involved in local bands. With a future member of the Magic Band, Mark Boston, he joined a band named B.C. & The Cavemen. The two later played in the group Blues in a Bottle along with the future Magic Band guitarist Jeff Cotton. He joined the Magic Band in 1968 after the departure of Alex St. Clair. After recording ''Trout Mask Replica'' and several further albums, he left in 1974, with several other band members, to form Mallard. His book, ''Lunar Notes'', describes some of the tensions that contributed to the spli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Angeles
Los Angeles ( ; es, Los Ángeles, link=no , ), often referred to by its initials L.A., is the largest city in the state of California and the second most populous city in the United States after New York City, as well as one of the world's most populous megacities. Los Angeles is the commercial, financial, and cultural center of Southern California. With a population of roughly 3.9 million residents within the city limits , Los Angeles is known for its Mediterranean climate, ethnic and cultural diversity, being the home of the Hollywood film industry, and its sprawling metropolitan area. The city of Los Angeles lies in a basin in Southern California adjacent to the Pacific Ocean in the west and extending through the Santa Monica Mountains and north into the San Fernando Valley, with the city bordering the San Gabriel Valley to it's east. It covers about , and is the county seat of Los Angeles County, which is the most populous county in the United States with an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20th Century Music
The following Wikipedia articles deal with 20th-century music. Western art music Main articles *20th-century classical music *Contemporary classical music, covering the period Sub-topics * Aleatoric music *Electronic music *Experimental music * Expressionist music *Microtonal music * Minimal music *Modernism (music) *Neoclassical music * Modern opera * Twelve-tone technique (dodecaphonic music) Folk music *Bluegrass music *Contemporary folk music * Roots revival * World music Popular music Main article *Popular music African popular music * African popular music Popular music in Asia India *Indian pop Japan * Japanese popular music Popular music in Latin America *Music of Latin America See also *Sound recording and reproduction {{DEFAULTSORT:20th-Century Music music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polytonality
Polytonality (also polyharmony) is the musical use of more than one key simultaneously. Bitonality is the use of only two different keys at the same time. Polyvalence or polyvalency is the use of more than one harmonic function, from the same key, at the same time. Some examples of bitonality superimpose fully harmonized sections of music in different keys. History In traditional music Lithuanian traditional singing style sutartines is based on polytonality. A typical sutartines song is based on a six-bar melody, where the first three bars contains melody based on the notes of the triad of a major key (for example, in G major), and the next three bars is based on another key, always a major second higher or lower (for example, in A major). This six-bar melody is performed as a canon, and repetition starts from the fourth bar. As a result, parts are constantly singing in different tonality (key) simultaneously (in G and in A). As a traditional style, sutartines disappeared in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyrhythm
Polyrhythm is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music ( cross-rhythm), or a momentary section. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm. Concurrently in this context means within the same rhythmic cycle. The underlying pulse, whether explicit or implicit can be considered one of the concurrent rhythms. For example, the son clave is poly-rhythmic because its 3 section suggests a different meter from the pulse of the entire pattern. In western art music In some European art music, polyrhythm periodically contradicts the prevailing meter. For example, in Mozart's opera ''Don Giovanni'', two orchestras are heard playing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, avant-garde and contemporary classica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the or the '' |
Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term " avant-garde jazz". Europeans tend to favor the term " free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
