Triton Fountain
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Triton Fountain
Fontana del Tritone (''Triton Fountain'') is a seventeenth-century fountain in Rome, by the Baroque sculptor Gian Lorenzo Bernini. Commissioned by his patron, Pope Urban VIII, the fountain is located in the Piazza Barberini, near the entrance to the Palazzo Barberini (which now houses the Galleria Nazionale d'Arte Antica) that Bernini helped to design and construct for the Barberini, Urban's family. This fountain should be distinguished from the nearby ''Fontana dei Tritoni'' (Fountain of the Tritons) by Carlo Francesco Bizzaccheri in Piazza Bocca della Verità which features two Tritons. Description The fountain was executed in travertine in 1642–43. At its centre rises a larger than lifesize muscular Triton, a minor sea god of ancient Greco-Roman legend, depicted as a merman kneeling on the sum of four dolphin tailfins. His head is thrown back and his arms raise a conch to his lips; from it a jet of water spurts, formerly rising dramatically higher than it does today. ...
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Piazza Barberini
Piazza Barberini is a large piazza in the ''centro storico'' or city center of Rome, Italy and situated on the Quirinal Hill. It was created in the 16th century but many of the surrounding buildings have subsequently been rebuilt. The current appellation was given in 1625 when it was named after the Palazzo Barberini, the substantial Baroque palace built in an elevated position on the south side of the piazza for the Barberini. Originally, there was a large entrance gateway to the palace designed by the Baroque painter and architect Pietro da Cortona on the south east corner of the piazza but this was demolished to make way for the construction of a new road in the 19th century. However, its appearance is known from engravings and early photographs of the piazza. At the centre of the piazza is the ''Fontana del Tritone'' or Triton Fountain (1642–3) sculpted by Bernini. Another fountain, the Fontana delle Api (1644), also by Bernini is in the nearby Via Vittorio Veneto but i ...
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Triton (mythology)
Triton (; grc-gre, Τρίτων, Trítōn) is a Greek god of the sea, the son of Poseidon and Amphitrite, god and goddess of the sea respectively. Triton lived with his parents in a golden palace on the bottom of the sea. Later he is often depicted as having a conch shell he would blow like a trumpet. Triton is usually represented as a merman, with the upper body of a human and the tailed lower body of a fish. At some time during the Greek and Roman era, Triton(s) became a generic term for a merman (mermen) in art and literature. In English literature, Triton is portrayed as the messenger or herald for the god Poseidon. Triton of Lake Tritonis of ancient Libya is a namesake mythical figure that appeared and aided the Argonauts. Moreover, according to Apollonius Rhodius, he married the Oceanid of said region, Libya. Sea god Triton was the son of Poseidon and Amphitrite according to Hesiod's ''Theogony''. He was the ruler (possessor) of the depths of the sea, who is either ...
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Ottorino Respighi
Ottorino Respighi ( , , ; 9 July 187918 April 1936) was an Italian composer, violinist, teacher, and musicologist and one of the leading Italian composers of the early 20th century. His compositions range over operas, ballets, orchestral suites, choral songs, chamber music, and transcriptions of Italian compositions of the 16th–18th centuries, but his best known and most performed works are his three orchestral tone poems which brought him international fame: ''Fountains of Rome'' (1916), '' Pines of Rome'' (1924), and '' Roman Festivals'' (1928). Respighi was born in Bologna to a musical and artistic family. He was encouraged by his father to pursue music at a young age, and took formal tuition in the violin and piano. In 1891, he enrolled at the Liceo Musicale di Bologna, where he studied the violin, viola, and composition, was principal violinist at the Russian Imperial Theatre, and studied briefly with Nikolai Rimsky-Korsakov. He relocated to Rome in 1913 to become ...
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Sculptures Of Dolphins In Fontana Del Tritone (Rome)
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Deluge (mythology)
A flood myth or a deluge myth is a myth in which a great flood, usually sent by a deity or deities, destroys civilization, often in an act of divine retribution. Parallels are often drawn between the flood waters of these myths and the primaeval waters which appear in certain creation myths, as the flood waters are described as a measure for the cleansing of humanity, in preparation for rebirth. Most flood myths also contain a culture hero, who "represents the human craving for life". The flood-myth motif occurs in many cultures, including the Mesopotamian flood stories, Native American in North America, the Genesis flood narrative, ''manvantara-sandhya'' in Hinduism, and Deucalion and Pyrrha in Greek mythology. Mythologies One example of a flood myth is the ''Epic of Gilgamesh''. Many scholars believe that this account was copied from the Akkadian '' Atra-Hasis'', which dates to the 18th century BCE. In the Gilgamesh flood myth, the highest god, Enlil, decides to ...
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Metamorphoses (poem)
The ''Metamorphoses'' ( la, Metamorphōsēs, from grc, μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his '' magnum opus''. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry and some of the ''Metamorphoses'' derives from earlier treatment of the same myths; however, he diverged significantly from all of his models. One of the most influential works in Western culture, the ''Metamorphoses'' has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works of sculpture, ...
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Ovid
Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus banished him to Tomis, a Dacian province on the Black Sea, where he remained a decade until his death. Overview A contemporary of the older poets Virgil and Horace, Ovid was the first major Roman poet to begin his career during Augustus's reign. Collectively, they are considered the three canonical poets of Latin literature. The Imperial scholar Quintilian described Ovid as the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 He enjoyed enormous popularity during his lifetime, but the emperor Augustu ...
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Villa
A villa is a type of house that was originally an ancient Roman upper class country house. Since its origins in the Roman villa, the idea and function of a villa have evolved considerably. After the fall of the Roman Republic, villas became small farming compounds, which were increasingly fortified in Late Antiquity, sometimes transferred to the Church for reuse as a monastery. Then they gradually re-evolved through the Middle Ages into elegant upper-class country homes. In the Early Modern period, any comfortable detached house with a garden near a city or town was likely to be described as a villa; most survivals have now been engulfed by suburbia. In modern parlance, "villa" can refer to various types and sizes of residences, ranging from the suburban semi-detached double villa to, in some countries, especially around the Mediterranean, residences of above average size in the countryside. Roman Roman villas included: * the ''villa urbana'', a suburban or country seat ...
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Acqua Felice
The Acqua Felice is one of the aqueducts of Rome, completed in 1586 by Pope Sixtus V, whose birth name, which he never fully abandoned, was Felice Peretti. The first new aqueduct of early modern Rome, its source is at the springs at Pantano Borghese, off Via Casilina. Its length is , running underground for from its source, first in the channel of Aqua Alexandrina, then alternating on the arches of the Aqua Claudia and the Aqua Marcia for to its terminus at the Fontana dell'Acqua Felice on the Quirinal Hill, standing to one side of the Strada Pia (now Via del Quirinale), so as to form a piazza in this still new part of Rome. The engineer was Giovanni Fontana, brother of Sixtus' engineer-architect Domenico Fontana, who recorded that the very day the new pope entered the Lateran, he decided that he would bring water once again to the hills of Rome, which had remained waterless and sparsely inhabited, largely by monasteries, since the Roman aqueducts had been destroyed in the s ...
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Detroit Institute Of Arts
The Detroit Institute of Arts (DIA), located in Midtown Detroit, Michigan, has one of the largest and most significant art collections in the United States. With over 100 galleries, it covers with a major renovation and expansion project completed in 2007 that added . The DIA collection is regarded as among the top six museums in the United States with an encyclopedic collection which spans the globe from ancient Egyptian and European works to contemporary art. Its art collection is valued in billions of dollars, up to $8.1 billion USD according to a 2014 appraisal. The DIA campus is located in Detroit's Cultural Center Historic District, about north of the downtown area, across from the Detroit Public Library near Wayne State University. The museum building is highly regarded by architects. The original building, designed by Paul Philippe Cret, is flanked by north and south wings with the white marble as the main exterior material for the entire structure. The campus is par ...
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Glossary Of Sculpting Terms
This page describe terms and jargon related to sculpture and sculpting. __NOTOC__ A armature :An armature is an internal frame or skeleton which supports a modelled sculpture. A typical armature for a small sculpture is made of heavy gauge wire, bent and twisted to form the basic shape. Often the armature is designed to leave one or more pins protruding from the base of the finished sculpture to facilitate attaching it to the plinth additive : Is the process by which material is shaped and built up, frequently on an armature, to create the desired image. Traditionally the material used in modeling clay, but plaster is considered a less desirable but also less expensive substitute. Frequently the sculpture created by the additive method is a temporary one, used to create a more permanent version in stone or bronze. assemblage :An assemblage is a sculpture constructed from found objects. Typically an assemblage does not disguise the original objects used, rather it e ...
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Papal Tiara
The papal tiara is a crown (headgear), crown that was worn by popes of the Catholic Church from as early as the 8th century to the mid-20th. It was last used by Pope Paul VI in 1963 and only at the beginning of his reign. The name "tiara" refers to the entire headpiece, including the various crowns, circlets, and diadems that have adorned it through the ages, while the three-tiered form that it took in the 14th century is also called the triregnum, triple tiara, or triple crown. From 1143 to 1963, the papal tiara was solemnly placed on the pope's head during a papal coronation. The surviving papal tiaras are all in the triple form, the oldest from 1572. A representation of the triregnum combined with two crossed keys of Saint Peter continues to be used as a symbol of the Pope, papacy and appears on papal documents, buildings, and papal regalia and insignia, insignia. History Origins The papal tiara originated from a conical Phrygian cap or frigium. Shaped like a candle snu ...
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