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Theater Koblenz
The Theater Koblenz is a multi-arts theatre with its own ensembles for drama, music theatre, puppetry and ballet located in Koblenz, Germany. It has about 190 permanent employees from 22 nations and offers 500 seats in a theatre building from the 18th century not far from the Electoral Palace. The manager until the end of the 2024/2025 season is Markus Dietze. Venues include the Theater am Deinhardplatz, rehearsal stages 2 and 4 as well as the Festung Ehrenbreitstein for the summer performances. In addition, the theatre participated in the ''Koblenz Fortress Plays'' for several years. In the 2009/2010 season, it was renamed from ''Theater der Stadt Koblenz'' to its current name. Since 1970, the has stood on Deinhardplatz in front of the theatre. History The Koblenz Theatre was commissioned by the Elector and Archbishop of Trier, Clemens Wenzeslaus von Sachsen, and built in 1787 by the architect Peter Joseph Krahe in the then new Neustadt district. The construction was sup ...
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Koblenz Im Buga-Jahr 2011 - Theater 01
Koblenz (; Moselle Franconian: ''Kowelenz''), spelled Coblenz before 1926, is a German city on the banks of the Rhine and the Moselle, a multi-nation tributary. Koblenz was established as a Roman military post by Drusus around 8 B.C. Its name originates from the Latin ', meaning "(at the) confluence". The actual confluence is today known as the " German Corner", a symbol of the unification of Germany that features an equestrian statue of Emperor William I. The city celebrated its 2000th anniversary in 1992. It ranks in population behind Mainz and Ludwigshafen am Rhein to be the third-largest city in Rhineland-Palatinate. Its usual-residents' population is 112,000 (as at 2015). Koblenz lies in a narrow flood plain between high hill ranges, some reaching mountainous height, and is served by an express rail and autobahn network. It is part of the populous Rhineland. History Ancient era Around 1000 BC, early fortifications were erected on the Festung Ehrenbreitstein hill ...
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Pilaster
In classical architecture, a pilaster is an architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battista Alberti's use of pilasters, which Alberti reintroduced into wall-architecture, Rudolf Wittkower wrote: "The pilaster is the logical transformation of the column for the decoration of a wall. It may be defined as a flattened column which has lost its three-dimensional and tactile value." A ...
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Coffered Ceiling
A coffer (or coffering) in architecture is a series of sunken panels in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault. A series of these sunken panels was often used as decoration for a ceiling or a vault, also called ''caissons'' ("boxes"), or ''lacunaria'' ("spaces, openings"), so that a coffered ceiling can be called a ''lacunar'' ceiling: the strength of the structure is in the framework of the coffers. History The stone coffers of the ancient Greeks and Romans are the earliest surviving examples, but a seventh-century BC Etruscan chamber tomb in the necropolis of San Giuliano, which is cut in soft tufa-like stone reproduces a ceiling with beams and cross-beams lying on them, with flat panels filling the ''lacunae''. For centuries, it was thought that wooden coffers were first made by crossing the wooden beams of a ceiling in the Loire Valley châteaux of the early Renaissance. In 2012, however, archaeologists working under the Packard Hum ...
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Fluting (architecture)
Fluting in architecture consists of shallow grooves running along a surface. The term typically refers to the grooves (flutes) running vertically on a column shaft or a pilaster, but need not necessarily be restricted to those two applications. If the hollowing out of material meets in a point, the point (sharp ridge) is called an arris. If the raised ridge between two flutes is blunt, the ridge is a . Purpose Fluting promotes a play of light on a column which helps the column appear more perfectly round than a smooth column. As a strong vertical element it also has the visual effect of minimizing any horizontal joints. Greek architects viewed rhythm as an important design element. As such, fluting was often used on buildings and temples to increase the sense of rhythm. It may also be incorporated in columns to make them look thinner, lighter, and more elegant. There is debate as to whether fluting was originally used in imitation of ancient woodworking practices, mimickin ...
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Elmar Albrecht
Elmar Albrecht (14 May 1915 – 3 November 1997) was a German painter and scenic designer. Life Born in Munich, after an internship at the Bayerische Staatsoper, Albrecht began studying at the Königliche Kunstgewerbeschule München in the applied arts class for scenic and costume art taught by Emil Preetorius (visual artist), Emil Preetorius. From 1938 to 1939, he was assistant to the head of set design at the Bavarian State Opera. He then worked as the first stage designer at the Theater Freiburg, and from 1948 as a freelance artist in Munich. After the end of the war and captivity, he worked as a freelance artist and stage designer in Munich from 1948. Albrecht had three children: Arwed Albrecht (1940 – 2017); Angèle Albrecht (1942 – 2000) and Gabriele Holm-Petersen (b. 1944). Work From the family tradition as a court gilder, Albrecht had skills that he used in the development of his picture panels from the material of the gilding compound. The relief structures ...
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Box (theatre)
In a theatre, a box, loge, or opera box is a small, separated seating area in the auditorium or audience for a limited number of people for private viewing of a performance or event. Boxes are typically placed immediately to the front, side and above the level of the stage. They are separate rooms with an open viewing area which typically seat five people or fewer. Usually all the seats in a box are taken by members of a single group of people. A state box or royal box is sometimes provided for dignitaries. In theatres without box seating the loge can refer to a separate section at the front of the balcony. Sports venues such as stadiums and racetracks also have royal boxes or enclosures, for example at the All England Club and Ascot Racecourse, where access is limited to royal families or other distinguished personalities. In other countries, sports venues have luxury boxes aka skyboxes, where access is open to anyone who can afford tickets, sometimes bought by companies. ...
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Pillar
A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term ''column'' applies especially to a large round support (the shaft of the column) with a capital and a base or pedestal, which is made of stone, or appearing to be so. A small wooden or metal support is typically called a ''post''. Supports with a rectangular or other non-round section are usually called ''piers''. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces. Other compression members are often termed "columns" because of the similar stress conditions. Columns are frequently used to support beams or arches on which the upper parts of walls or ceilings rest. In architecture, "column" refers to such a structural element that also has certain proportional and decorative featur ...
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Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded ...
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Gable Roof
A gable roof is a roof consisting of two sections whose upper horizontal edges meet to form its ridge. The most common roof shape in cold or temperate climates, it is constructed of rafters, roof trusses or purlins. The pitch of a gable roof can vary greatly. Distribution The gable roof is so common because of the simple design of the roof timbers and the rectangular shape of the roof sections. This avoids details which require a great deal of work or cost and which are prone to damage. If the pitch or the rafter lengths of the two roof sections are different, it is described as an 'asymmetrical gable roof'. A gable roof on a church tower (gable tower) is usually called a 'cheese wedge roof' (''Käsbissendach'') in Switzerland. Its versatility means that the gable roof is used in many regions of the world. In regions with strong winds and heavy rain, gable roofs are built with a steep pitch in order to prevent the ingress of water. By comparison, in alpine regions, gable ...
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Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjug ...
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Attic (architecture)
In classical architecture, the term attic refers to a story or low wall above the cornice of a classical façade. The decoration of the topmost part of a building was particularly important in ancient Greek architecture and this came to be seen as typifying the ''Attica'' style, the earliest example known being that of the monument of Thrasyllus in Athens. It was largely employed in Ancient Rome, where their triumphal arches utilized it for inscriptions or for bas-relief sculpture. It was used also to increase the height of enclosure walls such as those of the Forum of Nerva. By the Italian revivalists it was utilized as a complete storey, pierced with windows, as found in Andrea Palladio's work in Vicenza and in Greenwich Hospital, London. One well-known large attic surmounts the entablature of St. Peter's Basilica, which measures in height. Decorated attics with pinnacles are often associated with the Late Renaissance ( Mannerist architecture) period in Poland and are viewed ...
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Triglyph
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the triglyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves (within a triglyph) are called ''femur'' in Latin or ''meros'' in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order. The triglyph is largely thought to be a tectonic and skeuomorphic representation in stone of the wooden beam ends of the typical primitive hut, as described by Vitruvius and Renaissance writers. The wooden beams were notched in three separate ...
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