The Widowed Wife
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The Widowed Wife
''The Widowed Wife'' is a 1767 comic play by William Kenrick. It premiered at Drury Lane Theatre on 5 December 1767. It closely resembled the plot of '' Memoirs of a Magdalen'' a novel by Hugh Kelly.Bataille p.46 The play enjoyed a fairly successful run. The original Drury Lane cast included Samuel Reddish as Fred Melmoth, Thomas King as Syllogism, Charles Holland as General Melmoth, Francis Aickin as Colonel Camply, James Aickin as Lord Courtly, James William Dodd as Doctor Mineral, John Palmer as Furnival, Hannah Pritchard as Mrs Mildmay, Frances Abington as Narcissa, Mary Bradshaw as Susan and Kitty Clive Catherine Clive (née Raftor; 5 November 1711 – 6 December 1785) Catherine ‘Kitty’ Clive (1711-1785, active 1728-1769) was a first songster and star comedienne of British playhouse entertainment. Clive led and created new forms of English ... as Sift. References Bibliography * Bataille, Robert R. ''The Writing Life of Hugh Kelly: Politics, Journalism and The ...
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Comic Play
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. For ancient Greeks and Romans, a comedy was a stage-play with a happy ending. In the Middle Ages, the term expanded to include narrative poems with happy endings and a lighter tone. In this sense Dante used the term in the title of his poem, the ''Divine Comedy'' (Italian: ''Divina Commedia''). The phenomena connected with laughter and that which provokes it have been carefully investigated by psychologists. The predominating characteristics are incongruity or contrast in the object, and shock or emotional seizure on the part of the subject. It has also been held that the feeling of superiority is an essential factor: thus Thomas Hobbes speaks of laughter as a "sudden glory." Modern investigators have paid much attention to the origin both of laughter and of smiling, as well as the development of the "play insti ...
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James William Dodd
James William Dodd (1740?–1796) was an English actor, one of David Garrick's picked company. Early life Born in London about 1740, he is said to have been the son of a hairdresser. He was educated at the grammar school in Holborn. A success in a school performance of the '' Andria'' of Terence decided him to become an actor. Aged 16, Dodd is said to have appeared at Sheffield as Roderigo in '' Othello''. He was met by Tate Wilkinson in Norwich in 1763. He then played in comedy and tragedy, and was popular, according to Wilkinson. An engagement in Bath, Somerset followed, and proved a stepping-stone to London. At Drury Lane John Hoadly saw Dodd in ''The Jealous Wife'' and recommended him to David Garrick, who decided with James Lacy to engage him for Drury Lane Theatre. Dodd's first appearance at Drury Lane took place 3 October 1765 as Faddle in Edward Moore's comedy, ''The Foundling''. For 31 years, Dodd remained there. During this long period he played mainly beaux and ...
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1767 Plays
Events January–March * January 1 – The first annual volume of ''The Nautical Almanac and Astronomical Ephemeris'', produced by British Astronomer Royal Nevil Maskelyne at the Royal Observatory, Greenwich, gives navigators the means to find longitude at sea, using tables of lunar distance. * January 9 – William Tryon, governor of the Royal Colony of North Carolina, signs a contract with architect John Hawks to build Tryon Palace, a lavish Georgian style governor's mansion on the New Bern waterfront. * February 16 – On orders from head of state Pasquale Paoli of the newly independent Republic of Corsica, a contingent of about 200 Corsican soldiers begins an invasion of the small island of Capraia off of the coast of northern Italy and territory of the Republic of Genoa. By May 31, the island is conquered as its defenders surrender.George Renwick, ''Romantic Corsica: Wanderings in Napoleon's Isle'' (Charles Scribner's Sons, 1910) p230 * February ...
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Plays By William Kenrick
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times ...
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Kitty Clive
Catherine Clive (née Raftor; 5 November 1711 – 6 December 1785) Catherine ‘Kitty’ Clive (1711-1785, active 1728-1769) was a first songster and star comedienne of British playhouse entertainment. Clive led and created new forms of English musical theatre. She was celebrated both in high-style parts – singing, for instance, Handel’s music for her in ''Messiah'', ''Samson'', and ''The Way of the World'' – and in low-style ballad opera roles. Her likeness was printed and traded in unprecedented volume. She championed women’s rights throughout her career. An image crisis in the late 1740s forced Clive to quit serious song and instead lampoon herself on stage. Though this self-ridicule won Clive public favour back, and she reigned as first comedienne until her retirement in 1769, the strategy’s very success caused her musical legacy to be slighted and forgotten. A definitive biography of Clive by Berta Joncus appeared in 2019.
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Mary Bradshaw
Mary Bradshaw (died 1780) was a British stage actress at Theatre Royal, Drury Lane for 37 years. She appeared with David Garrick and she was included in a painting by Johann Zoffany. Life Bradshaw comes to notice playing young women. She joined the Drury Lane company in 1743/1744 and would remain there for 37 years. In 1760 she was the first person to play the nurse in ''Polly Honeycombe'' and this became "her part" appearing in that role when it was put on. By this point she had moved successfully to take the role of older women like the nurse. file:Johan Joseph Zoffany - David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return" - Google Art Project.jpg, left, David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return from London, The Farmer's Return" by Johan Joseph Zoffany She appeared with David Garrick in the ''Farmer's Wife'' and she a Garrick appeared in Zoffany's painting. Samuel De Wilde reproduced a portrait of Bradshaw by extracting ...
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Frances Abington
Frances "Fanny" Abington (1737 – 4 March 1815) was an English actress who was also known for her sense of fashion. Writer and politician Horace Walpole described her as one of the finest actors of their time, and Richard Brinsley Sheridan was said to have written the part of Lady Teazle in ''The School for Scandal'' for her to perform. Early life She was born Frances Barton or Frances "Fanny" Barton, as the daughter of a private soldier. She began her career as a flower girl and a street singer. It was also rumoured that she recited Shakespeare in taverns at the age of 12, along with being a prostitute for a short period to help her family with financial problems. Later, she became a servant to a French milliner. During that time, she learnt about costume and learnt French. Her early nickname, Nosegay Fan, came from her time as a flower girl. Career Her first appearance on stage was at Haymarket in 1755 as Miranda in Mrs Centlivre's play, ''Busybody''. She rose to become a ...
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Hannah Pritchard
Hannah Pritchard (née Vaughan, 1711–1768) was an English actress who regularly played opposite David Garrick. She performed many significant Shakespearean roles and created on stage many important female roles by contemporary playwrights. Life She was born in 1711, and married in early life a poor actor named Pritchard. As Mrs. Pritchard she acted in 1733, at Fielding and Hippisley's booth, ''Bartholomew Fair'', the part of Loveit in an opera called ''A Cure for Covetousness, or the Cheats of Scapin''. She sang with great effect "Sweet, if you love me, smiling, turn". A duet between her and an actor called Salway was very popular, and she was berhymed by a writer in the ''Daily Post'', who spoke of this as her first essay, and predicted for her "a transportation to a brighter stage". This was soon accomplished, since she appeared at the Haymarket Theatre on 26 Sept. 1733 as Nell in ''The Devil to Pay'' of Coffey. She was one of the company known as the "Comedians of his Majest ...
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John Palmer (actor)
John Palmer (c. 1742–1798) was an actor on the English stage in the eighteenth century. There was also another John Palmer (1728–1768) who was known as Gentleman Palmer. Richard Brinsley Sheridan nicknamed him Plausible Jack. Birth and youth He was born in the parish of St Luke's, Old Street, London, about 1742, was son of a private soldier. In 1759 the father served under the Marquis of Granby, and subsequently, on the marquis's recommendation, became a bill-sticker and doorkeeper at Drury Lane Theatre in London. When about eighteen John recited the parts of George Barnwell and Mercutio to David Garrick, but Garrick found no promise in him, and joined his father in urging him to enter the army. Garrick even got a small military appointment for him; but Palmer refused to follow his counsel, and entered the shop of a print-seller on Ludgate Hill. On 20 May 1762, for the benefit of his father and three others, he made his first appearance on any stage, playing Buck in the ''En ...
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James Aickin
James Aickin (died 1803), was an Irish stage actor who worked at the Edinburgh Theatre in Scotland and in theatres in the West End of London. He was the younger brother of the actor Francis Aickin (died 1803) with whom he shared the stage at the Edinburgh Theatre before he gave offence to his public by his protest against the discharge of a fellow-actor. He therefore went to London, and from 1767 to 1800 was a member of the Drury Lane Company and for some years a deputy manager. He quarrelled with John Philip Kemble, with whom, in 1792, he fought a bloodless duel. Biography James Aickin was the younger brother of actor Francis Aickin, and like him brought up to be a weaver. After joining a company strolling through Ireland, and gaining some experience of the stage, he embarked for Scotland, and presently accepted an engagement to appear at the Edinburgh Theatre. He was very favourably received, and gradually, from his merit as an actor and his sensible deportment in private ...
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William Kenrick (writer)
William Kenrick (c. 1725 – 10 June 1779) was an English novelist, playwright, translator and satirist, who spent much of his career libelling and lampooning his fellow writers. Life and career Kenrick was born at Watford, Hertfordshire, son of a stay-maker. He apparently obtained a doctorate at Leiden University (although other sources maintain he went to a Scottish university) and appeared for the first time as a pamphletist in 1751 where he wrote, under the name of "Ontologos", ''The Grand Question debated; or an Essay to prove that the Soul of Man is not, neither can it be Immortal.'' In typical fashion, Kenrick forthwith provided an answer to this question proving the reverse, a tactic he often used in order to publicize his productions. One of his first targets was the vulnerable Christopher Smart whose poem ''Night Piece'' he attacked in the London monthly journal ''The Kapelion; or Poetical Ordinary, consisting of Great Variety of Dishes in Prose and Verse, reco ...
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Francis Aickin
Francis Aickin (died 1805), was an Irish actor, who worked at the Edinburgh Theatre in Scotland, and the between 1765 and 1792 in theatres in the West End of London. Francis Aickin first appeared in London in 1765 as Dick Amlet in John Vanbrugh's '' The Confederacy'' at Drury Lane. He acted there, and at Covent Garden, until 1792. His repertory consisted of over eighty characters, and among his best parts were the Ghost in ''Hamlet'' and Jaques in ''As You Like It''. His success in impassioned declamatory roles obtained for him the nickname of "Tyrant". Biography Francis Aickin was born in Dublin and brought up to the trade of his father, a weaver in that city; but, following the example of his younger brother, James Aickin, he became a strolling player. Having appeared as George Barnwell and sustained other characters in various country towns, he joined the manager of the Smock Alley Theatre, Dublin. Aickin the shared the management of the Edinburgh Theatre in Scotland' ...
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