The Martyrdom Of Saint Erasmus (Poussin)
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The Martyrdom Of Saint Erasmus (Poussin)
''The Martyrdom of Saint Erasmus'' is an altarpiece, painted by Nicolas Poussin in 1628–1629, originally displayed in St. Peter's Basilica, Rome. History The painting was commissioned on February 5, 1628, by the Fabric of Saint Peter, to adorn the altar dedicated to Erasmus of Formia in St. Peter's Basilica. More precisely, it was to be located to the left of the north transept, near the ''Martyrdom of Martinian and Processus, Saint Processus and Saint Martinian'' by Valentin de Boulogne (1629). The Fabric required Poussin to adopt the composition of the painting to be replaced, except that the white-robed pagan priest was be moved to the side of the composition. The Pope first invited Pietro da Cortona to carry out the commission, but Poussin was finally chosen thanks to the intervention of his protector, Cassiano dal Pozzo, the secretary of Francesco Barberini (1597–1679), Cardinal Francesco Barberini. The latter had previously commissioned him to create ''The Capture of Jer ...
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Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. ...
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