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The Indian Queen (opera)
''The Indian Queen'' (Z. 630) is a largely unfinished semi-opera with music by Henry Purcell, first performed at the Theatre Royal, Drury Lane, London, in 1695. The exact date is unknown, but Peter Holman surmises it may have been in June. It was created as a revised version of the 1664 play '' The Indian Queen'', in a prologue and five acts, by John Dryden and his brother-in-law Sir Robert Howard. More specifically, in 1694, Thomas Betterton was given £50 to transform the play into an opera, and he commissioned Purcell to compose the music. Purcell, who died in November 1695, left music only for the Prologue and Acts II and III. His brother Daniel completed a masque for Act V.Peter Holman ''Henry Purcell'' (Oxford University Press, 1994) p.219 ''The Indian Queen'' is one of Purcell's less often performed stage works. This is probably more a reflection of the incomplete state of the score than of its quality. Sellars' 2013 realization In the twenty-first century there was a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semi-opera
The terms "semi-opera", "dramatic opera" and "English opera" were all applied to Restoration entertainments that combined spoken plays with masque-like episodes employing singing and dancing characters. They usually included machines in the manner of the restoration spectacular. The first examples were the Shakespeare adaptations produced by Thomas Betterton with music by Matthew Locke. After Locke's death, a second flowering produced the semi-operas of Henry Purcell, notably ''King Arthur'' and '' The Fairy-Queen''. Semi-opera received a deathblow when the Lord Chamberlain separately licensed plays without music and the new Italian opera. Semi-operas were performed with singing, speaking and dancing roles. When music was written, it was usually for moments in the play immediately following either love scenes or those concerning the supernatural. It has been observedCurtis Price and Louise K. Stein: "Semi-opera" in ''New Grove Dictionary of Opera'' that several of Calderón' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gronk (artist)
Gronk (born 1954 in East Los Angeles, California, USA) is the pseudonym of Chicano painter, printmaker, and performance artist Glugio Nicandro. His work is collected by museums around the country including the Smithsonian American Art Museum. Biography Gronk was born in Los Angeles to Mexican-American parents and was raised mainly by his mother. He remembers that he was always making things and he felt that was what he was best at. He also remembers being influenced by popular culture on television. Another artistic influence on Gronk was his uncle who was always drawing and Gronk wanted to be able to draw like him. Another influence on Gronk was foreign film which he generally watched in Santa Monica. He was fascinated with the larger world and concepts that many of these films from Russia, France and elsewhere brought to his imagination. At age fourteen, Gronk started writing his own plays. One of his earliest performance plays was ''Cockroaches Have No Friends'', which led ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Henry Purcell
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1695 Operas
It was also a particularly cold and wet year. Contemporary records claim that wine froze in the glasses in the Palace of Versailles. Events January–March * January 7 (December 28, 1694 O.S.) – The United Kingdom's last joint monarchy, the reign of husband-and-wife King William III and Queen Mary II comes to an end with the death of Queen Mary, at the age of 32. Princess Mary had been installed as the monarch along with her husband and cousin, Willem Hendrik von Oranje, Stadtholder of the Dutch Republic, in 1689 after King James II was deposed by Willem during the " Glorious Revolution". * January 14 (January 4 O.S.) – The Royal Navy warship HMS ''Nonsuch'' is captured near England's Isles of Scilly by the 48-gun French privateer ''Le Francois''. ''Nonsuch'' is then sold to the French Navy and renamed ''Le Sans Pareil''. * January 24 – Milan's Court Theater is destroyed in a fire. * January 27 – A flotilla of six Royal Navy warships under the command of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Hogwood
Christopher Jarvis Haley Hogwood (10 September 194124 September 2014) was an English conductor, harpsichordist, writer, and musicologist. Founder of the early music ensemble the Academy of Ancient Music, he was an authority on historically informed performance and a leading figure in the early music revival of the late 20th century. Early life and education Born in Nottingham, Hogwood went to The Skinners' School, Royal Tunbridge Wells, and then studied Music and Classics at Pembroke College, Cambridge, graduating in 1964. He went on to study performance and conducting under Raymond Leppard, Mary Potts and Thurston Dart, and later with Rafael Puyana and Gustav Leonhardt. He also studied in Prague with Zuzana Ruzickova for a year, under a British Council scholarship. Career In 1967, Hogwood co-founded the Early Music Consort with David Munrow. In 1973 he founded the Academy of Ancient Music, which specializes in performances of Baroque and Classical music using p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of Ancient Music
The Academy of Ancient Music (AAM) is a British period-instrument orchestra based in Cambridge, England. Founded by harpsichordist Christopher Hogwood in 1973, it was named after an 18th-century organisation of the same name (originally the Academy of Vocal Music). The musicians play on either original instruments from the period when the music was composed or modern copies of such instruments. They generally play Baroque and Classical music, though they have also played some new compositions for baroque orchestra in recent years. The AAM's current Music Director is Laurence Cummings, who took over the post from Richard Egarr at the beginning of the 2021-2022 season. Original organisation The original Academy of Vocal Music was founded in London, England in 1725/26 (the Gregorian date of the inaugural meeting was 1 February 1726). Records of the purpose of the academy no longer exist, but according to John Hawkins in 1770, it was intended to "promote the study and practice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Eliot Gardiner
Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gardiner's early musical experience came largely through singing with his family and in a local church choir. As a child he grew up with the celebrated Haussmann portrait of J. S. Bach, which had been lent to his parents for safe keeping during the Second World War. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history at King's College, Cambridge, where his tutor was the social anthropologist Edmund Leach."John Eliot Gardiner", in ''Contemporary Musicians'' (1999), Detroit: Gale While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chape ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Baroque Soloists
The English Baroque Soloists is a chamber orchestra playing on period instruments, formed in 1978 by English conductor Sir John Eliot Gardiner. Its repertoire comprises music from the early Baroque to the Classical period. History The English Baroque Soloists developed from the Monteverdi Orchestra, which was formed by John Eliot Gardiner in 1968. The Monteverdi Orchestra played on modern instruments, and accompanied Gardiner's Monteverdi Choir. In the late 1970s the orchestra transitioned to period instruments and became the English Baroque Soloists. The first concert under the new name was in 1977 at the Innsbruck Festival of Early Music, although the orchestra was not officially formed until 1978. Relationship with other ensembles directed by Gardiner The English Baroque Soloists often appear with John Eliot Gardiner's choir, the Monteverdi Choir. In 1990 Gardiner formed the Orchestre Révolutionnaire et Romantique, another period instrument ensemble. The Orchestre Rév ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monteverdi Choir
The Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the ''Vespro della Beata Vergine'' in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic conviction and extensive repertoire, encompassing music from the Renaissance period to Classical music of the 20th century. They often appear with John Eliot Gardiner's orchestras, the English Baroque Soloists and Orchestre Révolutionnaire et Romantique. In 2000, the 250th anniversary of Johann Sebastian Bach's death, the choir undertook the Bach Cantata Pilgrimage, performing and recording most of his church cantatas in more than 60 historic churches throughout Europe, and some in the U.S. On 5 March 2014 the Choir celebrated its 50th anniversary with a repeat performance of the Monteverdi Vespers from King's College Chapel, in a live broadcast live by BBC Radio 3. Bach Cantata Pilgrimage In 2000 the Choir, with the English Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Deller
Alfred George Deller, CBE (31 May 1912 – 16 July 1979), was an English singer and one of the main figures in popularising the return of the countertenor voice in Renaissance and Baroque music during the 20th century. He is sometimes referred to as the "godfather of the countertenor". His style in singing lute song, with extensive use of rubato and extemporised ornamentation, was seen as radical and controversial in his day but is now considered the norm. Deller was an influential figure in the renaissance of early music: an early proponent of "original instrument performance" and one of the first to bring this form to the popular consciousness through his broadcasts on the BBC. He also founded the Stour Music Festival in 1962, one of the first and most important early music festivals in the world. Life and career Church music Deller was born in Margate, a seaside resort in Kent. As a boy, he sang in his local church choir. When his voice broke, he continued singing in hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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