The Great Sinner
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The Great Sinner
''The Great Sinner'' is a 1949 American film noir drama film directed by Robert Siodmak. Based on the 1866 short novel '' The Gambler'' written by Fyodor Dostoyevsky, the film stars Gregory Peck, Ava Gardner, Frank Morgan, Ethel Barrymore, Walter Huston, Agnes Moorehead and Melvyn Douglas. Plot The film opens in the 1860s in a run-down attic room in Wiesbaden, with a man (whose name we soon learn is Fedya) lying on a bed in the foreground. A violent storm knocks open the windows, sending the pages of a manuscript flying around the room. A woman (later revealed to be Pauline Ostrovsky, a reformed gambling addict), enters and shuts the windows, looking tenderly at Fedya. Picking up the pages of the manuscript, she realizes that they are a memoir that Fedya has been writing. The main narrative follows as an extended flashback, sometimes with voiceover narration by Fedya. While traveling by train from Moscow to Paris, Fedya, a writer, meets Pauline, who passes the time playin ...
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Robert Siodmak
Robert Siodmak (; 8 August 1900 – 10 March 1973) was a German film director who also worked in the United States. He is best remembered as a thriller specialist and for a series of films noirs he made in the 1940s, such as ''The Killers'' (1946). Early life Siodmak was born in Dresden, Germany, the son of Rosa Philippine (née Blum) and Ignatz Siodmak and the brother of Curt, Werner and Roland. His parents were both from Jewish families in Leipzig (the myth of his American birth in Memphis, Tennessee was necessary for him to obtain a visa in Paris during World War II). He worked as a stage director and a banker before becoming editor and scenarist for Curtis Bernhardt in 1925 (Bernhardt directed a film of Siodmak's story '' Conflict'' in 1945). At twenty-six he was hired by his cousin, producer Seymour Nebenzal, to assemble original silent movies from stock footage of old films. Siodmak worked at this for two years before he persuaded Nebenzal to finance his first feature, th ...
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Ethel Barrymore
Ethel Barrymore (born Ethel Mae Blythe; August 15, 1879 – June 18, 1959) was an American actress and a member of the Barrymore family of actors. Barrymore was a stage, screen and radio actress whose career spanned six decades, and was regarded as "The First Lady of the American Theatre". She received four nominations for the Academy Award for Best Supporting Actress, winning for '' None but the Lonely Heart'' (1944). Early life Barrymore was born Ethel Mae Blythe in Philadelphia, the second child of the actors Maurice Barrymore (whose real name was Herbert Blythe) and Georgiana Drew. She was named for her father's favorite character—Ethel in William Makepeace Thackeray's '' The Newcomes.'' She was the sister of actors John and Lionel Barrymore, the aunt of actor John Drew Barrymore and grand-aunt of actress Drew Barrymore. She was also a granddaughter of actress and theater-manager Louisa Lane Drew (Mrs. John Drew), and niece of Broadway matinée idol John ...
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Fred Aldrich
Fred Aldrich (December 23, 1904 – January 25, 1979) was an American character actor of both film and television. Born in New York. He would break into the film industry in 1939, appearing in two films that year in small roles: ''My Son Is Guilty'', and the notable, '' Confessions of a Nazi Spy'', which starred Edward G. Robinson and George Sanders. In the course of his thirty-year career he would appear in over 170 films, in small and bit roles. With the advent of television, Aldrich would work in that medium as well, making his first small screen appearance on '' I Love Lucy'', on which he would appear multiple times over the life of the series. Over the course of his film career he would appear in such notable films as: '' Kitty Foyle'' (1940), starring Ginger Rogers and Dennis Morgan; 1945's ''The Picture of Dorian Gray'', starring George Sanders; '' Tycoon'' (1947), starring John Wayne and Laraine Day; ''A Connecticut Yankee in King Arthur's Court'', with Bing Crosby ...
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Ludwig Stössel
Ludwig Stössel (12 February 1883 – 29 January 1973) was an actor born in Lockenhaus, now Austria, then Hungary. He was one of many Jewish actors and actresses who were forced to flee Germany when the Nazis came to power in 1933. Biography Stössel began performing on the stage in Austria and Germany when he was only 17. He soon became a successful character actor and performed on the most prestigious stages in Germany, among them the Max Reinhardt, the stage and the in Berlin. Stössel later became a movie actor. His first motion picture was a small role in the silent movie ''In der Heimat, da gibt's ein Wiedersehn!'' ('' We'll Meet Again in the Homeland'') in 1926 at the age of 43. He appeared in about a half dozen silent movies in Germany and landed more roles with the arrival of sound. Stössel's first sound movie was Georg Wilhelm Pabst's '' Skandal um Eva'' (''(Scandalous Eva)'') in 1930. The following year, he appeared in Max Neufeld's ''Opernredoute'' (''The Opera ...
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Curt Bois
Curt Bois (born Kurt Boas; April 5, 1901 – December 25, 1991) was a German actor with a career spanning over 80 years. He is best remembered for his performances as the pickpocket in ''Casablanca'' (1942) and the poet Homer in ''Wings of Desire'' (1987). Life and career Bois was born to a German Jewish family in Berlin and began acting in 1907, becoming one of the film world's first child actors, with a role in the silent movie ''Bauernhaus und Grafenschloß''. In 1909, he played the title role in ''Der Kleine Detektiv'' ('The Little Detective'). Bois performed in theatre, cabaret, musicals, silent films, and "talkies" over his long acting career. He performed under Max Reinhardt and found success in 1928 in a Viennese stage production of " Charley's Aunt" at the Josefstadt Theater. He was a successful character comic, and for a while film studios tried to make him into a "German Harold Lloyd". In 1934, institutionalized Anti-Semitism forced the Jewish Bois to leave his ho ...
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Ludwig Donath
Ludwig Donath (6 March 1900 – 29 September 1967), was an Austrian actor who appeared in many American films. Life Born to a Jewish family, Donath graduated from Vienna's Academy of Dramatic Art and became a prominent actor on the stage in Berlin. When Hitler came to power in 1933, he returned to Vienna and was active there in theater and film until the Anschluss in 1938. He began his American film career with ''Lady from Chungking'' (1942) and went on to appear in dozens of films, including '' Gilda'' (1946), ''The Jolson Story'' (1946), ''Jolson Sings Again'' (1949), ''The Great Caruso'' (1951), '' My Pal Gus'' (1952), ''Sirocco'' (1951), and ''Torn Curtain'' (1966). Donath played the father of entertainer Al Jolson (Larry Parks) in the two biopics ''The Jolson Story'' (1946) and ''Jolson Sings Again'' (1949), although he was less than 15 years older than Parks as Jolson. He also appeared frequently on television and on Broadway. He died of leukemia in 1967. His crem ...
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Friedrich Von Ledebur
Friedrich Anton Maria Hubertus Bonifacius Graf von Ledebur-Wicheln ( – ) was an Austrian actor who was known for ''Moby Dick'' (1956), ''Alexander the Great'' (1955) and ''Slaughterhouse-Five'' (1972). Early life Ledebur was born in Nisko, Austro-Hungarian Empire (now Poland) in 1900. Friedrich enlisted in the Austro-Hungarian Army in 1916, and was an officer in the Austrian Cavalry Division during the last years of World War I. Interwar period In the 1930s Ledebur became a close friend of Charles Bedaux, with whom he traveled extensively in Africa and Canada. After the war, Ledebur spent the next two decades travelling the world, working all manner of odd jobs from gold mining to deep sea diving, to riding and winning prize money at rodeos. Ledebur settled in the United States in 1939 and anglicised his name to 'Frederick'. A close friendship with fellow adventurer and director John Huston, gave Ledebur his entrée to character acting. Acting career In 1945, von Ledebur ...
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Roulette
Roulette is a casino game named after the French word meaning ''little wheel'' which was likely developed from the Italian game Biribi''.'' In the game, a player may choose to place a bet on a single number, various groupings of numbers, the color red or black, whether the number is odd or even, or if the numbers are high (19–36) or low (1–18). To determine the winning number, a croupier spins a wheel in one direction, then spins a ball in the opposite direction around a tilted circular track running around the outer edge of the wheel. The ball eventually loses momentum, passes through an area of deflectors, and falls onto the wheel and into one of thirty-seven (single-zero, French or European style roulette) or thirty-eight (double-zero, American style roulette) or thirty-nine (triple-zero, "Sands Roulette") colored and numbered pockets on the wheel. The winnings are then paid to anyone who has placed a successful bet. History The first form of roulette was devised in ...
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Casino
A casino is a facility for certain types of gambling. Casinos are often built near or combined with hotels, resorts, restaurants, retail shopping, cruise ships, and other tourist attractions. Some casinos are also known for hosting live entertainment, such as stand-up comedy, concerts, and sports. and usage ''Casino'' is of Italian language, Italian origin; the root means a house. The term ''casino'' may mean a small country villa, Summerhouse (building), summerhouse, or social club. During the 19th century, ''casino'' came to include other public buildings where pleasurable activities took place; such edifices were usually built on the grounds of a larger Italian villa or palazzo, and were used to host civic town functions, including dancing, gambling, music listening, and sports. Examples in Italy include Villa Farnese and Villa Giulia, and in the US the Newport Casino in Newport, Rhode Island. In modern-day Italian, a is a brothel (also called , literally "closed house"), a ...
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Voice-over
Voice-over (also known as off-camera or off-stage commentary) is a production technique where a voice—that is not part of the narrative (non- diegetic)—is used in a radio, television production, filmmaking, theatre, or other presentations. The voice-over is read from a script and may be spoken by someone who appears elsewhere in the production or by a specialist voice actor. Synchronous dialogue, where the voice-over is narrating the action that is taking place at the same time, remains the most common technique in voice-overs. Asynchronous, however, is also used in cinema. It is usually prerecorded and placed over the top of a film or video and commonly used in documentaries or news reports to explain information. Voice-overs are used in video games and on-hold messages, as well as for announcements and information at events and tourist destinations. It may also be read live for events such as award presentations. Voice-over is added in addition to any existing dialogue ...
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Flashback (narrative)
A flashback (sometimes called an analepsis) is an interjected scene that takes the narrative back in time from the current point in the story. Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory. In the opposite direction, a flashforward (or prolepsis) reveals events that will occur in the future. Both flashback and flashforward are used to cohere a story, develop a character, or add structure to the narrative. In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". Flashbacks are important in film noir and melodrama films. In films and television, several camera techniques, editing approaches and special effects have evolved to alert the ...
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