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The Good, The Bad And The Ugly
''The Good, the Bad and the Ugly'' ( it, Il buono, il brutto, il cattivo, literally "The good, the ugly, the bad") is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as "the Good", Lee Van Cleef as "the Bad", and Eli Wallach as "the Ugly". Its screenplay was written by Age & Scarpelli, Luciano Vincenzoni, and Leone (with additional screenplay material and dialogue provided by an uncredited Sergio Donati),Sir Christopher Frayling, The Good, the Bad and the Ugly audio commentary (Blu-ray version). Retrieved on 26 April 2014. based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film's sweeping widescreen cinematography, and Ennio Morricone composed the film's score, including its main theme. It was an Italian-led production with co-producers in Spain, West Germany, and the United States. Most of the filming took place in Spain. The film is known for Leone's use of long ...
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Renato Casaro
Renato Casaro (; born 26 October 1935) is an Italian artist known for his movie posters, which include films like ''My Name Is Nobody'', '' Quadrophenia'', ''Conan the Barbarian'', '' Tenebrae'', ''Octopussy'', ''Never Say Never Again'', '' Rambo: First Blood Part II'' (Int'l Version), ''Red Sonja'' and '' Flesh and Blood''. He is considered one of the most important, influential and innovative Italian film poster artists. He has made hundreds of works dedicated to the cinema, becoming very popular abroad. He has also painted calendars, collectibles, book covers and album covers. Early life Renato Casaro was born on 26 October 1935 in Treviso. His early interest in posters reportedly began with movie advertisements. He would go every day to the cinema to see if they were changing the posters, and if they were he would ask if he could take them home where he would try to reproduce them. In 1953, at age 18, Renato found a job as a staff artist at Studio Favalli, a famous design and ...
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Sergio Mendizábal
Sergio Mendizábal (3 July 1920 – 2005) was a Spanish film and television actor. He appeared in over 100 films and television programs, including his appearances in the films, '' For a Few Dollars More'' and '' The Good, the Bad and the Ugly''. Partial filmography * ''The Other Life of Captain Contreras'' (1955) - Party Goer (uncredited) * ''The Guardian of Paradise'' (1955) - Client Boite (uncredited) * ''Mr. Arkadin'' (1955) - (uncredited) * '' The Big Lie'' (1956) - Cinematographer (uncredited) * ''Tambien Hay Cielo Sobre El Mar'' (1956) * ''Y Eligió El Infierno'' (1957) * ''Stories of Madrid'' (1958) - St. Cartagena, the Councilman * ''The Italians They Are Crazy'' (1958) * ''Gil Zitelloni'' (1958) * ''Luna de Verano'' (1959) - Student * ''Park Retreat'' (1959) * ''Back to the Door'' (1959) * ''Bajo El Cielo Andaluz (1960) - Pepito Nogales * ''Festival in Benidorm'' (1961) * ''La Estatua'' (1961) - Don Andres * '' Viridiana'' (1961) - El Pelon (uncredited) * '' Savage ...
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Lumiere (database)
The European Audiovisual Observatory (french: italic=no, Observatoire européen de l’audiovisuel, german: italic=no, Europäische Audiovisuelle Informationsstelle) is a public service organisation, part of the Council of Europe set up in 1992. The observatory collects and analyses data about the audiovisual industry in Europe, such as cinema, television, radio, video, Video On Demand and Catch-up TV. The observatory's headquarters are located in the Villa Schutzenberger in Strasbourg. Lumiere (database) Lumiere (stylized as LUMIERE) is an online database of ticket sales for films released in 27 European territories, created in cooperation with national information sources and the MEDIA Programme of the European Union The European Union (EU) is a supranational union, supranational political union, political and economic union of Member state of the European Union, member states that are located primarily in Europe, Europe. The union has a total area of .... Re ...
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United Artists
United Artists Corporation (UA), currently doing business as United Artists Digital Studios, is an American digital production company. Founded in 1919 by D. W. Griffith, Charlie Chaplin, Mary Pickford, and Douglas Fairbanks, the studio was premised on allowing actors to control their own interests, rather than being dependent upon commercial studios. UA was repeatedly bought, sold, and restructured over the ensuing century. Metro-Goldwyn-Mayer acquired the studio in 1981 for a reported $350 million ($ billion today). On September 22, 2014, MGM acquired a controlling interest in entertainment companies One Three Media and Lightworkers Media, then merged them to revive United Artists' television production unit as United Artists Media Group (UAMG). However, on December 14 of the following year, MGM wholly acquired UAMG and folded it into MGM Television. United Artists was again revived in 2018 as United Artists Digital Studios. Mirror, the joint distribution ve ...
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Variety Insight
''Variety'' is an American media company owned by Penske Media Corporation. The company was founded by Sime Silverman in New York City in 1905 as a weekly newspaper reporting on theater and vaudeville. In 1933 it added ''Daily Variety'', based in Los Angeles, to cover the motion-picture industry. ''Variety.com'' features entertainment news, reviews, box office results, cover stories, videos, photo galleries and features, plus a credits database, production charts and calendar, with archive content dating back to 1905. History Foundation ''Variety'' has been published since December 16, 1905, when it was launched by Sime Silverman as a weekly periodical covering theater and vaudeville with its headquarters in New York City. Silverman had been fired by ''The Morning Telegraph'' in 1905 for panning an act which had taken out an advert for $50. As a result, he decided to start his own publication "that ouldnot be influenced by advertising." With a loan of $1,500 from his fath ...
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British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI activities Archive The BFI maint ...
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AFI Catalog Of Feature Films
The ''AFI Catalog of Feature Films'', also known as the ''AFI Catalog'', is an ongoing project by the American Film Institute (AFI) to catalog all commercially-made and theatrically exhibited American motion pictures from the birth of cinema in 1893 to the present. It began as a series of hardcover books known as ''The American Film Institute Catalog of Motion Pictures'', and subsequently became an exclusively online filmographic database. Each entry in the catalog typically includes the film's title, physical description, production and distribution companies, production and release dates, cast and production credits, a plot summary, song titles, and notes on the film's history. The films are indexed by personal credits, production and distribution companies, year of release, and major and minor plot subjects. To qualify for the "Feature Films" volumes, a film must have been commercially produced either on American soil or by an American company. In accordance with the Inte ...
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Produzioni Europee Associate
Produzioni Europee Associati (P.E.A) is a production company founded in 1962 by Alberto Grimaldi to produce international co-productions. It released its first feature film '' The Shadow of Zorro'' (''L'ombra di Zorro'') in December that year. Its next production was its first Spaghetti Western ''Texas Ranger'' (''I due violenti'', 1964). After the ''A Fistful of Dollars'' (1964), United Artists financed the rest of the Dollars Trilogy films, ''For a Few Dollars More'' (1965) and ''The Good, the Bad and the Ugly'' (1966), all directed by Sergio Leone, and it signed a contract to distribute PEA films. In 1976, due to the success of the cinema of the United States The cinema of the United States, consisting mainly of major film studios (also known as Hollywood) along with some independent film, has had a large effect on the global film industry since the early 20th century. The dominant style of Am ..., PEA lost vitality and viewers so then it began only to work in Europe. ...
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Ennio Morricone
Ennio Morricone (; 10 November 19286 July 2020) was an Italian composer, orchestrator, conductor, and trumpeter who wrote music in a wide range of styles. With more than 400 scores for cinema and television, as well as more than 100 classical works, Morricone is widely considered one of the most prolific and greatest film composers of all time. His filmography includes more than 70 award-winning films, all Sergio Leone's films since ''A Fistful of Dollars'', all Giuseppe Tornatore's films since '' Cinema Paradiso'', '' The Battle of Algiers'', Dario Argento's ''Animal Trilogy'', '' 1900'', '' Exorcist II'', ''Days of Heaven'', several major films in French cinema, in particular the comedy trilogy '' La Cage aux Folles I'', '' II'', ''III'' and ''Le Professionnel'', as well as '' The Thing'', ''Once Upon a Time in America'', '' The Mission'', '' The Untouchables'', '' Mission to Mars'', '' Bugsy'', '' Disclosure'', ''In the Line of Fire'', '' Bulworth'', ''Ripley's Game'', a ...
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Eugenio Alabiso
Eugenio Alabiso (born 30 July 1937) is an Italian film editor. He edited ''The Good, the Bad and the Ugly'' (1966) He edited ''The Case of the Scorpion's Tail'' (1971), '' Silent Action'' (1975), and '' The Scorpion with Two Tails'' (1982), directed by Sergio Martino, and '' Face to Face'' (1967), directed by Sergio Sollima. He worked in crime films like ''Long Lasting Days'' (1973), '' Almost Human'' (1974), ''Manhunt in the City'' (1975), and ''From Corleone to Brooklyn'' (1979), directed by Umberto Lenzi. Filmography Films * ''Deadly Kitesurf'' (2008) * ''L'allenatore nel pallone 2'' (2008) * ''Bastardi'' (2008) * ''Nemici per la pelle'' (2006) * ''El khoubz el hafi'' (2005) * ''Taxi Lovers'' (2005) * ''Il monastero'' (2004) * ''L'apparenza'' (2003) * ''Stregeria'' (2003) * ''La bella di Mosca'' (2001) * ''Mozart Is a Murderer'' (1999) * ''Cyberflic'' (1997) * ''La ragazza di Cortina'' (1994) * '' Troublemakers'' (1994) * ''Il giorno del giudizio'' (1994) * ''Craving Desire ...
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Nino Baragli
Nino Baragli (1 October 1925 – 29 May 2013) was an Italian film editor with more than 200 film credits. Among his films in English, ''The Good, the Bad and the Ugly'' (1966) and '' Once Upon a Time in the West'' (1968), both directed by Sergio Leone, are perhaps the best known. Born in Rome as Giovanni Baragli, he was introduced in the film industry by his uncle, the renowned editor Eraldo Da Roma. He started his career in 1944 as film operator and assistant editor for ''Marinai senza stelle'' by Francesco De Robertis. An interview with Baragli was published in this book; it was translated in During his career he worked as editor in more than 200 productions between 1944 and 1996, including works by Federico Fellini, Pier Paolo Pasolini, Sergio Leone, Damiano Damiani, Luigi Zampa, Giuliano Montaldo, Sergio Corbucci, Mauro Bolognini, Luigi Comencini, Cristina Comencini, Florestano Vancini, Gabriele Salvatores, Alberto Lattuada, Tinto Brass, Margarethe von Trotta, Pál Sándo ...
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Tonino Delli Colli
Tonino Delli Colli (20 November 1923 – 16 August 2005) was an Italian cinematographer. Biography Cousin of Franco Delli Colli, Antonio (Tonino) Delli Colli was born in Rome, and began work at Rome's Cinecittà studio in 1938, at the age of sixteen. By the mid-1940s he was working as a cinematographer and in 1952 shot the first Italian film in colour, ''Totò a colori''. He went on to work with a number of acclaimed and diverse directors including, Sergio Leone (''The Good, the Bad and the Ugly'', '' Once Upon a Time in the West'' and ''Once Upon a Time in America''), Roman Polanski ('' Death and the Maiden'' and ''Bitter Moon''), Louis Malle (''Lacombe, Lucien''), Jean-Jacques Annaud (''The Name of the Rose''), and Federico Fellini, whose last three films he photographed. His collaboration with Pier Paolo Pasolini was especially fruitful: they made twelve films together, including Pasolini's debut ''Accattone'' (1961), ''Mamma Roma'' (1962), '' The Gospel According to St. Ma ...
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