The Gods (theatrical)
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The Gods (theatrical)
The gods (UK English), or sometimes paradise, is a theatrical term, referring to the highest areas of a theatre such as the upper balconies. These are generally the cheapest seats. One reason for naming the cheapest seats "the gods" is because the theatres have beautifully painted ceilings, often mythological themes, so the cheap seats are up near the gods. Another is that those seated in "the gods" look down upon both the performers and the occupants of more expensive seats, like the Olympian Gods looking down from Mount Olympus upon the lives of mortal people. There are references to the "gods" in many plays and films. Among them is the famous French film, ''Les Enfants du Paradis'' (or ''Children of Paradise'' in its US release), which is described as "set in the teeming theatre district of 1840s Paris (the "boulevard du crime"), the paradise of the film's title is a reference to "the gods", the highest, cheapest seats in the theatre, occupied by the poorest of the poor. As t ...
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Olympian Gods
upright=1.8, Fragment of a relief (1st century BC1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff), Artemis (bow and quiver) and Apollo (lyre) from the Walters Art Museum. In ancient Greek religion and Greek mythology, mythology, the twelve Olympians are the major Deity, deities of the Greek mythology, Greek pantheon, commonly considered to be Zeus, Hera, Poseidon, Demeter, Aphrodite, Athena, Ares, Artemis, Apollo, Hephaestus, Hermes, and either Hestia or Dionysus. They were called ''Olympians'' because, according to tradition, they resided on Mount Olympus. Although Hades was a major ancient Greek god and was the brother of the first generation of Olympians (Zeus, Poseidon, Hera, ...
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Mount Olympus
Mount Olympus (; el, Όλυμπος, Ólympos, also , ) is the highest mountain in Greece. It is part of the Olympus massif near the Thermaic Gulf of the Aegean Sea, located in the Olympus Range on the border between Thessaly and Macedonia, between the regional units of Larissa and Pieria, about southwest from Thessaloniki. Mount Olympus has 52 peaks and deep gorges. The highest peak, Mytikas (Μύτικας ''Mýtikas''), meaning "nose", rises to . It is one of the highest peaks in Europe in terms of topographic prominence. In Greek mythology, Olympus is the home of the Greek gods, on Mytikas peak. The mountain has exceptional biodiversity and rich flora. It has been a National Park, the first in Greece, since 1938. It is also a World Biosphere Reserve. Every year, thousands of visitors admire its fauna and flora, tour its slopes, and climb its peaks. Organized mountain refuges and various mountaineering and climbing routes are available. The usual starting point for ...
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Les Enfants Du Paradis
''Children of Paradise'' (original French title: ''Les Enfants du Paradis'') is a two-part French romantic drama film by Marcel Carné, produced under war conditions in 1943, 1944, and early 1945 in both Vichy France and Occupied France. Set in the theatrical world of 1830s Paris, it tells the story of a courtesan and four men — a mime, an actor, a criminal and an aristocrat — who love her in entirely different ways. It has received universal critical acclaim. "I would give up all my films to have ''Les Enfants du Paradis''", said '' nouvelle vague'' director François Truffaut. In Truman Capote's ''The Duke in His Domain'' (1957), actor Marlon Brando called it "maybe the best movie ever made." Its original American trailer positioned it as the French answer to '' Gone With the Wind'' (1939), an opinion shared by critic David Shipman. A 1995 vote by 600 French critics and professionals named it the "Best Film Ever". Title As noted by one critic, "in French, 'paradis' ...
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Boulevard Du Crime
The Boulevard du Crime was the nickname given in the 19th century to the Boulevard du Temple in Paris because of the many crime melodramas that were shown every night in its many theaters. It is notorious in French history for having lost so many theatres during the rebuilding of Paris by Baron Haussmann in 1862. Of the theatres on the boulevard, only the Folies-Mayer escaped demolition during the construction of Place de la République—solely because it was on the opposite side of the street. In spite of the name, the "Boulevard of Crime" was not dangerous or unpleasant. In fact, it was one of the most popular places in Paris. Every night more than 20,000 people came to walk, sing, laugh and have fun. The "Boulevard du Crime" is featured in the 1945 film '' Children of Paradise'' directed by Marcel Carné and gives its name to the first of two sections of the film. Theaters on Boulevard du Crime demolished in the great reorganization of 1862 * the Théâtre Lyrique * th ...
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Jacques Prévert
Jacques Prévert (; 4 February 1900 – 11 April 1977) was a French poet and screenwriter. His poems became and remain popular in the French-speaking world, particularly in schools. His best-regarded films formed part of the poetic realist movement, and include '' Les Enfants du Paradis'' (1945). He published his first book in 1946. Life and education Prévert was born in Neuilly-sur-Seine and grew up in Paris. After receiving his ''Certificat d'études'' upon completing his primary education, he quit school and went to work in Le Bon Marché, a major department store in Paris. In 1918, he was called up for military service in the First World War. After this, he was sent to the Near East to defend French interests there. He died of lung cancer in Omonville-la-Petite, on 11 April 1977. He had been working on the last scene of the animated movie '' Le Roi et l'Oiseau'' (''The King and the Mockingbird'') with his friend and collaborator Paul Grimault. When the film was released ...
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Girish Shambu
Girish Shambu is an American film blogger, cinephile, film critic and educator. Besides maintaining an eponymous blog, which has become a popular center for the film blogging community, Shambu has contributed writing to including '' Senses of Cinema'', ''Artforum'', '' Cineaste'' and The Auteurs' Notebook. Biography Girish Shambu received a B. Tech in Chemical Engineering from the Indian Institute of Technology in Kharagpur, India and a Ph.D in Management Systems / Computer Science from the State University of New York at Buffalo. Shambu teaches management at Canisius College, and has been the recipient of the Donald E. Calvert Teaching Excellence Award twice. Shambu began blogging on film in 2004, and within a few years has become one of the most popular of a growing community of devoted cinephiles writing online. In an interview for a sub-site of the film criticism website ''The House Next Door'' in 2006, Shambu named Pauline Kael's review of Brian De Palma's '' Dressed t ...
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Bleachers
Bleachers (North American English), or stands, are raised, tiered rows of benches found at sports fields and other spectator events. Stairways provide access to the horizontal rows of seats, often with every other step gaining access to a row of benches. Benches range from simple planks to elaborate ones with backrests. Many bleachers are open to the ground below so that there are only the planks to sit and walk on. Some bleachers have vertical panels beneath the benches, either partially or completely blocking the way to the ground. Name origins The open seating area in baseball was called the "bleaching boards" as early as 1877. The term "bleachers" used in the sense of benches for spectators can be traced back to at least 1889; named as such because the generally uncovered wooden boards were "bleached by the sun". ''The Dickson Baseball Dictionary'' lists as a ''secondary'' definition the fans sitting in them. By the early 1900s, the term "bleachers" was being used for ...
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Box (theatre)
In a theatre, a box, loge, or opera box is a small, separated seating area in the auditorium or audience for a limited number of people for private viewing of a performance or event. Boxes are typically placed immediately to the front, side and above the level of the stage. They are separate rooms with an open viewing area which typically seat five people or fewer. Usually all the seats in a box are taken by members of a single group of people. A state box or royal box is sometimes provided for dignitaries. In theatres without box seating the loge can refer to a separate section at the front of the balcony. Sports venues such as stadiums and racetracks also have royal boxes or enclosures, for example at the All England Club and Ascot Racecourse, where access is limited to royal families or other distinguished personalities. In other countries, sports venues have luxury boxes aka skyboxes, where access is open to anyone who can afford tickets, sometimes bought by companies. ...
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Nosebleed Seats
In the United States, Canada and Australia, the nosebleed section are the seats of a public area, usually an athletic stadium or gymnasium, that are highest and, usually, farthest from the desired activity. Also known as the O’Connell section. A common tongue-in-cheek reference to having seats at the upper tiers of a stadium is "sitting in the nosebleed section," or "nosebleed seats." The reference alludes to the tendency for mountain climbers to suffer nosebleeds at high altitudes. The term appeared in print as early as 1953 when it was used to describe the last row in the end zone at Philadelphia's Municipal Stadium (later John F. Kennedy Stadium) during that year's Army-Navy football game. Other uses " The Nosebleed Section" is the name of a song by the Australian hip hop music group Hilltop Hoods. Contrary to the above definition the Hilltop Hoods refer to the "nosebleed section" as the front row. The song commences with: The song further features other references t ...
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Peanut Gallery
A peanut gallery was, in the days of vaudeville, a nickname for the cheapest and ostensibly rowdiest seats in the theater, the occupants of which were often known to heckle the performers. The least expensive snack served at the theatre would often be peanuts, which the patrons would sometimes throw at the performers on stage to convey their disapproval. Phrases such as "no comments from the peanut gallery" or "quiet in the peanut gallery" are extensions of the name. Background According to Stuart Berg Flexner, the term owes its origin to the United States' segregated South as a synonym with the back seats or upper balcony mostly reserved for Black people. In popular culture In 1943 the ''Howdy Doody'' children's radio show adopted the name for its live audience of children. Howdy Doody is most remembered for its later transition to television, which continued the Peanut Gallery audience, then on camera. "Peanut gallery" may have been the source of the name for Charles Schul ...
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