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The Dried Rat–Dog
''The Dried Rat–Dog'' is an album by saxophonist Peter Brötzmann and drummer Hamid Drake. It was recorded in May 1994 at Sparrow Sound Design in Chicago, and was released in 1995 by Okka Disk. Regarding the album title, producer John Corbett wrote: "A lovely night in late April. Walking to the Hopleaf bar... Looking down one of the sidestreets Terri points at a little pet on its evening walk. 'Rat-dog,' she mumbles quietly. 'Hmm. Rat-dog. Rattenhund.' Brötzmann smiles brushing back his beard as he does when he thinks. 'Zat's not baaad! Have to check it with Hamid...but I like it.'" Reception In a review for AllMusic, Joslyn Lane called the album "a free jazz energy wallop," and stated that it "move through an array of moods and approaches, but never lets up on creativity and musicianship, making ''The Dried Rat-Dog'' a must-hear for all fans of either musician, although not the best place to start for the uninitiated." The authors of the ''Penguin Guide to Jazz Recordings'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Brötzmann
Peter Brötzmann (born 6 March 1941) is a German saxophonist and clarinetist. Biography Early life Brötzmann was born in Remscheid, North Rhine-Westphalia, Germany. He studied painting in Wuppertal and was involved with the Fluxus movement but grew dissatisfied with art galleries and exhibitions. He experienced his first jazz concert when he saw American jazz musician Sidney Bechet while still in school at Wuppertal, and it made a lasting impression. He has not abandoned his art training. Brötzmann has designed most of his album covers. He taught himself to play clarinets, then saxophones; he is also known for playing the tárogató. Among his first musical partnerships was with double bassist Peter Kowald. '' For Adolphe Sax'', Brötzmann's first recording, was released in 1967 and featured Kowald and drummer Sven-Åke Johansson. In 1968 ''Machine Gun'', an octet recording, was released. The album was self-produced under his BRO record label imprint and sold at concert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamid Drake
Hamid Drake (born August 3, 1955) is an American jazz drummer and percussionist. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free jazz improvisers. Drake also has performed world music; by the late 1970s, he was a member of Foday Musa Suso's Mandingo Griot Society and has played reggae throughout his career. Drake has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxophonists Pharoah Sanders, Fred Anderson, Archie Shepp and David Murray and bassists Reggie Workman and William Parker (in many lineups) He studied drums extensively, including eastern and Caribbean styles. He frequently plays without sticks, using his hands to develop subtle commanding undertones. His tabla playing is notable for his subtlety and fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Okka Disk
Okka Disk is an independent American jazz record company and label founded in Chicago by Bruno Johnson in 1994. Okka began as a rock music label, but Johnson soon changed direction to record free jazz.Bruno Johnson interview at Delmark Records at NPR '' Vintage Duets'' are the unreleased tapes recorded in 1980 by saxophonist Fred Anderson with drummer Steve McCall, and '' |
John Corbett (writer)
John Corbett (born 1963) is an American writer, musician, radio host, teacher, record producer, concert promoter, and gallery owner based in Chicago, Illinois. He is best known among musicians and music fans as a champion of free jazz and free improvisation. In recent years he has become known in the visual art world as well through his Corbett vs. Dempsey gallery. Corbett's activities include: * musician playing free improvisation, usually on acoustic guitar * staff writer for Down Beat magazine * curator, with Ken Vandermark, of the Wednesday night jazz series at the Empty Bottle in Chicago, circa 1996–2004 * artistic director of the Berlin Jazz Festival in 2002 * record producer; he curates the Unheard Music Series for Atavistic Records, reissuing both classic and obscure recordings of free jazz and free improvisation, and has also produced new recordings by Peter Brötzmann and others * adjunct associate professor at the School of the Art Institute of Chicago, where he has t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull – On The Web
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for '' The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penguin Guide To Jazz Recordings
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Margasak
Peter Margasak is a music critic, journalist, and artistic director of the annual Frequency Festival in Chicago, an event that grew out of his longstanding work programming the weekly Frequency Series for experimental, improvised, and contemporary classical music. Margasak wrote for the ''Chicago Reader'' for 25 years. Career Margasak writes about disparate musical times and communities within the broad field of late-20th and 21st-century music. His contributions to ''The New York Times'' include a piece about Algerian "pop rai" artist Khaled Brahim and another on the avant-garde artists of the Theatre of Eternal Music and their battles for proprietorship of drone music; a ''Pitchfork'' feature on the year 1979 in Chicago touches on both power pop and the racial dimensions of anti-disco sentiment during "the Rise of House Music"; he has written about trip hop for ''Rolling Stone'' and reviewed new work by jazz saxophonist Matana Roberts for NPR's ''All Things Considered''. Marga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Reader
The ''Chicago Reader'', or ''Reader'' (stylized as ЯEADER), is an American alternative weekly newspaper in Chicago, Illinois, noted for its literary style of journalism and coverage of the arts, particularly film and theater. It was founded by a group of friends from Carleton College. The ''Reader'' is recognized as a pioneer among alternative weeklies for both its creative nonfiction and its commercial scheme. Richard Karpel, then-executive director of the Association of Alternative Newsweeklies, wrote: e most significant historical event in the creation of the modern alt-weekly occurred in Chicago in 1971, when the ''Chicago Reader'' pioneered the practice of free circulation, a cornerstone of today's alternative papers. The ''Reader'' also developed a new kind of journalism, ignoring the news and focusing on everyday life and ordinary people. After being owned by same four founders since 1971, by the early 2000s profits and readership of the ''Reader'' were dropping, and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han Bennink
Han Bennink (born 17 April 1942) is a Dutch drummer and percussionist. On occasion his recordings have featured him playing soprano saxophone, bass clarinet, trombone, violin, banjo and piano. Though perhaps best known as one of the pivotal figures in early European free jazz and free improvisation, Bennink has worked in essentially every school of jazz, and is described by critic Chris Kelsey as "one of the unfortunately rare musicians whose abilities and interests span jazz's entire spectrum." Known for often injecting slapstick and absurdist humor into his performances, Bennink has had especially fruitful long-term partnerships with pianist Misha Mengelberg and saxophonist Peter Brötzmann. Han is a brother of saxophonist Peter Bennink. Early life and education Bennink was born in Zaandam, the son of a classical percussionist. He played the drums and the clarinet during his teens. Performing career Through the 1960s he was the drummer with a number of American musici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
