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The Count!
''The Count!'' is an album by pianist/bandleader Count Basie recorded in 1952 and released on the Clef label in 1955. accessed November 18, 2015 Reception awarded the album 3 stars.Allmusic listingaccessed November 18, 2015 Track listing # "New Basie Blues" (Count Basie) - 3:26 # "Sure Thing" (Neal Hefti) - 3:03 # "Why Not?" (Hefti) - 3:31 # "Fawncy Meetin' You" (Hefti) - 3:03 # "Bootsie" (Basie) - 3:22 # "Tom Whaley" (Basie) - 2:56 # "Paradise Squat" (Basie) - 4:05 # "Basie Talks" (Ba ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marshall Royal
Marshal Walton Royal Jr. (December 5, 1912 – May 8, 1995) was an American jazz alto saxophonist and clarinetist best known for his work with Count Basie, with whose band he played for nearly twenty years. Early life and education Marshal Royal Jr. was born into a musical family in Sapulpa, Oklahoma. Career Royal's first professional gig was with Lawrence Brown's band at Danceland in Los Angeles, and he soon had a regular gig at the Apex, working for Curtis Mosby in Mosby's Blue Blowers, a 10-piece band. He then began an eight-year (1931–1939) stint with the Les Hite orchestra at Sebastian's Cotton Club, which was near the MGM studios in Los Angeles. He spent 1940 to 1942 with Lionel Hampton, until the war interrupted his career. With his brother, Ernie, he served in the U.S. Navy in the 45-piece regimental band that was attached to the Navy's preflight training school for pilots at St. Mary's College in Moraga, California. The band played for bond rallies, regimental re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Lewis (bassist)
Jimmy Lewis (April 11, 1918 – 2000) was an American double bassist who worked with the Count Basie Orchestra and sextet in the 1950s and with Duke Ellington, Cootie Williams, Billie Holiday and Ivory Joe Hunter before moving to bass guitar during his time with King Curtis. He provided the basslines for the musical ''Hair''. Lewis freelanced extensively and performed on many albums by soul and jazz musicians, including Horace Silver and the Modern Jazz Quartet up until the late 1980s. He died in 2000. ''Allegro'', Volume C, No. 5, May 2000, Associated Musicians of Greater New York, accessed November 12, 2014. Discography With *''[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four-course Renaissance guitar, and the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Green
Frederick William Green (March 31, 1911 – March 1, 1987) was an American swing jazz guitarist who played rhythm guitar with the Count Basie Orchestra for almost fifty years. Early life and education Green was born in Charleston, South Carolina on March 31, 1911. He was exposed to music from an early age, and learned the banjo before picking up the guitar in his early teenage years. A friend of his father by the name of Sam Walker taught a young Freddie to read music, and keenly encouraged him to keep up his guitar playing. Walker gave Freddie what was perhaps his first gig, playing with a local community group of which Walker was an organizer. Another member of the group was William "Cat" Anderson, who went on to become an established trumpeter, working with notable figures such as Duke Ellington. Career It was around this time that Green's parents died, and he moved to New York City to live with his aunt and continue his education. The move opened up a new musical world t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F famil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Fowlkes
Charles Baker Fowlkes (February 16, 1916 – February 9, 1980) was an American baritone saxophonist who was a member of the Count Basie Orchestra for over twenty-five years. Early life Fowlkes was born in New York City on February 16, 1916. He studied alto and tenor saxophone, clarinet, and violin before settling on the baritone saxophone (he occasionally played flute). Later life and career Fowlkes spent most of his early career in New York. He played with Tiny Bradshaw (1938–1944), Lionel Hampton (1944–1948), and Arnett Cobb (1948–1951). Fowlkes joined Basie's orchestra in 1953 and remained with it until his death; the main interruptions during his time with Basie were absences due to managing the career of his wife, vocalist Wini Brown. He died in Dallas on February 9, 1980. Discography With The Count Basie Orchestra *'' The Count!'' (Clef, 1952 955 *'' Basie Jazz'' (Clef, 1952 954 *'' Dance Session'' (Clef, 1953) *'' Dance Session Album #2'' (Clef, 1954) *'' Basie'' (C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Quinichette
Paul Quinichette (May 17, 1916 – May 25, 1983) was an American jazz tenor saxophonist. He was known as the "Vice President" or "Vice Prez" for his emulation of the breathy style of Lester Young, whose nickname was "The President", or simply "Prez". Young called Quinichette "Lady Q". Early life Quinichette was born in Denver, Colorado, United States. He had clarinet and alto saxophone lessons as a child, before switching to tenor saxophone. Around the age of 13, he had informal lessons from Lester Young. Quinichette attended Denver University, transferred to Tennessee State College, and then returned to Denver University, from which he graduated in music. While in college he played with local bands, and during summer vacations he toured with Nat Towles and the trumpeter Lloyd Hunter. Later life and career Quinichette worked with Shorty Sherock in the late 1930s, and was then with Ernie Fields (1942), and Jay McShann (1942–43). He was with Johnny Otis on the West Coast f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floyd "Candy" Johnson
Floyd "Candy" Johnson (May 1, 1922 in Madison, Illinois – June 28, 1981 in Framingham, Massachusetts) was an American jazz saxophonist. Career Johnson started on drums before moving to saxophone. His professional career began in St. Louis, where he was a member of a group led by Chuck Finney. He attended Wilberforce University until the draft intervened. After his service, he played in bands led by Ernie Fields, Tiny Bradshaw, and Andy Kirk. With the Kirk orchestra he recorded for Decca Records. He cites Ben Webster as his biggest influence. Johnson preferred candy to alcohol, so a band member started calling him "Candy". In Detroit he started a band called the Peppermint Sticks. One musician recalled that the band dressed in candy-striped suits, and sometimes Johnson tossed peppermint sticks to the crowd. In 1951 he was a member of the Count Basie Orchestra, recording with Basie for Clef Records, then began working in more of a rhythm and blues vein with Bill Doggett. The ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie "Lockjaw" Davis
Edward F. Davis (March 2, 1922 – November 3, 1986), known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" (later shortened in "Jaws"): it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward. Biography Davis played with Cootie Williams, Lucky Millinder, Andy Kirk, Eddie Bonnemère, Louis Armstrong, and Count Basie, as well as leading his own bands and making many recordings as a leader. He played in the swing, bop, hard bop, Latin jazz, and soul jazz genres. Some of his recordings from the 1940s also could be classified as rhythm and blues. In 1940, when Teddy Hill became the manager of the legendary Minton's Jazz club, he put Eddie Davis in charge of deciding which musicians could, or couldn't, sit in during the jam sessions (playing in this Minton's sessions was coveted by many, including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recogniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
