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The Box Set (Jimmy Lyons Album)
''The Box Set'' is a five-CD album, most of which was recorded live, by saxophonist Jimmy Lyons. It was recorded at a variety of locations from 1972 to 1985, and was released in limited quantities by Ayler Records in 2003. The album includes a 60-page booklet featuring photos and essays on Lyons by Ben Young and Ed Hazell. Reception The authors of ''The Penguin Guide to Jazz'' called the album "oddly moving," and commented: "The sheer bulk of material is less impressive than the doggedness of Lyons's search for a sound that led the alto saxophone on from Charlie Parker's innovations... and towards a new freedom of expression... it was... Lyons's sympathetic merging of personalities with others... that made him such a quietly compelling figure." In a review for ''JazzTimes'', Bill Shoemaker referred to the album as "a triumph," and wrote: "There is no more direct route connecting Charlie Parker to the '60s and its ongoing aftermath than Jimmy Lyons." Rex Butters, in an article fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Lyons
Jimmy Lyons (December 1, 1931 – May 19, 1986) was an American alto saxophone player. He is best known for his long tenure in the Cecil Taylor Unit. Lyons was the only constant member of the band from the mid-1960s until his death. Taylor never worked with another musician as frequently as he did with Lyons. Lyons' playing, influenced by Charlie Parker, kept Taylor's avant-garde music tethered to the jazz tradition.Kelsey, ChrisJimmy Lyons''AllMusic'' Biography Lyons was born in Jersey City, New Jersey, United States, and raised there until the age of nine, when his mother moved the family to Harlem and then the Bronx. He obtained his first saxophone in the mid-1940s and took lessons from Buster Bailey. After high school, Lyons was drafted into the United States Army and spent 21 months on infantry duty in Korea. He then spent a year playing in army bands. Once discharged he attended New York University. By the end of the 1950s, Lyons was supporting his interest in music by work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karen Borca
Karen Borca (born September 5, 1948 in Green Bay, Wisconsin) is an American avant-garde jazz and free jazz bassoonist. Early life and education Borca studied music at the University of Wisconsin with John Barrows and Arthur Weisberg, graduating in 1971. While at the University of Wisconsin, she met Cecil Taylor, who taught at the university during the 1970/1971 academic year. Borca studied with Taylor, played in his big bands, ensembles, and the Cecil Taylor Unit, and was his assistant while he worked in the Black Music Program at Antioch College in Yellow Springs, Ohio. She was an assistant to Taylor's longtime collaborator, saxophonist Jimmy Lyons, while he was artist-in-residence at Bennington College in Bennington, Vermont in 1974. Borca and Lyons got married, and she played in his ensemble until he died in 1986. Career In 1976, Borca performed in a production of Adrienne Kennedy's '' A Rat's'' ''Mass'' directed by Cecil Taylor at La MaMa Experimental Theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Lyons Live Albums
Jimmy may refer to: Arts and entertainment Film and television * ''Jimmy'' (2008 film), a 2008 Hindi thriller directed by Raj N. Sippy * ''Jimmy'' (1979 film), a 1979 Indian Malayalam film directed by Melattoor Ravi Varma * ''Jimmy'' (2013 film), a 2013 drama directed by Mark Freiburger * "The Jimmy", a 1995 episode of the sitcom ''Seinfeld'' * "Jimmy", a 2002 episode of ''Static Shock'' Music * ''Jimmy'' (musical), a 1969 musical Songs * "Jimmy" (song), a song by M.I.A. from the 2007 album ''Kala'' * "Jimmy", a song by Irving Berlin, see also List of songs written by Irving Berlin * "Jimmy", a song by Tones and I from her EP '' The Kids Are Coming'' * "Jimmy", a song by Tool from their 1996 album ''Ænima'' * "Jimmy", a song by dutch artist Boudewijn de Groot * "Jimmy", a song by Jay Thompson for the 1967 film ''Thoroughly Modern Millie'' Theater * Jimmy Awards, annual awards given by the Broadway League to high school musical theater performers in the United States ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Live Albums
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Murphy (musician)
Paul F. Murphy (born January 25, 1949) is a percussionist, bandleader and composer. He is best known for having led a variety of small jazz ensembles, and for his long tenure in groups led by saxophonist Jimmy Lyons. Career Murphy began playing drums at a very early age, and made the acquaintance of Gene Krupa at age six. He went on to study with Krupa, Louis Bellson, and Joseph Levitt, the principal percussionist of the National Symphony Orchestra and director of the Peabody Conservatory. At age sixteen, Murphy began playing in the Washington, D.C. area with Duke Ellington's bassist Billy Taylor, who exposed him to the music of pianist Cecil Taylor. At Billy Taylor's advice, Murphy moved to San Francisco, where he established himself as a bandleader.Fragman, Dominic"Paul F. Murphy: Playing Universally" '' All About Jazz'', 28 April 2010. Retrieved on 29 February 2020. While there, he met and befriended Cecil Taylor and Jimmy Lyons. At the suggestion of Lyons, he then mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Parker (musician)
William Parker (born January 10, 1952) is an American free jazz double bassist. Beginning in the 1980s, Parker played with Cecil Taylor for over a decade, and he has led the Little Huey Creative Music Orchestra since 1981. ''The Village Voice'' named him "the most consistently brilliant free jazz bassist of all time" and ''DownBeat'' has called him "one of the most adventurous and prolific bandleaders in jazz". Early life and career Parker was born in the Bronx, New York City, and grew up in the Melrose housing project. His first instrument was the trumpet, followed by the trombone and cello. Parker was not formally trained as a classical player, but in his youth studied with Jimmy Garrison, Richard Davis, and Wilbur Ware in learning the tradition. While Parker has been active since the early 1970s, he first came to public attention playing with pianist Cecil Taylor in the 1980s. He has performed in many of Peter Brötzmann's groups, and played with saxophonist David S. Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphe Malik
Raphe Malik, born Laurence Mazel (November 1, 1948 in Cambridge, Massachusetts – March 8, 2006 in Guilford, Vermont) was an American jazz trumpeter. Career Malik studied at the University of Massachusetts (1966–70), then moved to Paris, where he played with Frank Wright and members of the Art Ensemble of Chicago. After returning to Ohio, he began working with Cecil Taylor in the mid-1970s, including at Carnegie Hall and for tours of Europe. He and Taylor collaborated through much of the 1970s and 1980s. In 1976, Malik performed in a production of Adrienne Kennedy's '' A Rat's'' ''Mass'' directed by Cecil Taylor at La MaMa Experimental Theatre Club in the East Village of Manhattan. Musicians Rashid Bakr, Andy Bey, Karen Borca, David S. Ware, and Jimmy Lyons also performed in the production. Taylor's production combined the original script with a chorus of orchestrated voices used as instruments.La MaMa Archives Digital Collections"Production: ''Rat's Mass, A'' (1976)". Acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'Round Midnight (song)
"Round Midnight" (sometimes titled "Round About Midnight") is a 1943 composition by American jazz pianist Thelonious Monk that quickly became a jazz standard and has been recorded by a wide variety of artists. A version recorded by Monk's quintet was added to the Grammy Hall of Fame in 1993. It is one of the most recorded jazz standards composed by a jazz musician. Composition and Monk's first recording It is thought that Monk composed the song sometime in 1940 or 1941. However, Monk's longtime manager Harry Colomby claims the pianist may have written an early version around 1936 (at the age of 19). The song was copyrighted September 24, 1943 in C minor under the title "I Need You So", with lyrics by a friend of Monk's named Thelma Murray. The first recording was made by Cootie Williams on August 22, 1944, after the pianist Bud Powell persuaded Williams to record the tune. Monk first recorded the song on November 21, 1947. It later appeared on the Blue Note album '' Genius of Mode ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", " Blue Monk", " Straight, No Chaser", " Ruby, My Dear", " In Walked Bud", and " Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull (critic)
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to '' Seattle Weekly'', '' The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All About Jazz
''All About Jazz'' is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, ''Jazz Near You'', about local concerts and events. The Jazz Journalists Association voted ''All About Jazz'' Best Website Covering Jazz for thirteen consecutive years between 2003 and 2015, when the category was retired. In 2015, Ricci said the site received a peak of 1.3 million readers per month in 2007. Another source said that the site has over 500,000 readers around the world. Ricci was born in Philadelphia. He heard classical and jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ... from his father's music collection. He played trumpet and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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