The Blue Light (1932 Film)
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The Blue Light (1932 Film)
''The Blue Light'' (german: Das blaue Licht) is a black-and-white 1932 film directed by Leni Riefenstahl and written by Béla Balázs with uncredited scripting by Carl Mayer. In Riefenstahl's film version, the witch, Junta, played by Riefenstahl, is intended to be a sympathetic character. Filming took place in the Brenta Dolomites, in Ticino, Switzerland, and Sarntal, South Tirol. Plot ''The Blue Light'' is a frame story with a fairy tale atmosphere and elements. A modern couple arrive in a convertible automobile at an inn in Santa Maria, a mountain village. Upon seeing an intriguing, cameo-style photo of a woman, they ask the innkeeper who she is. The innkeeper tells a young boy to bring in the book that contains "Junta's story," and the movie unfolds as the innkeeper opens a very large book to its title page. Junta (Riefenstahl) is a young woman who lives, at the turn of the century, apart from her fellow villagers. Due to her feral strangeness, she is considered to be a w ...
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Leni Riefenstahl
Helene Bertha Amalie "Leni" Riefenstahl (; 22 August 1902 – 8 September 2003) was a German film director, photographer and actress known for her role in producing Nazi propaganda. A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film '' Mountain of Destiny'', she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, '' Das Blaue Licht'' ("The Blue Light"). In the 1930s, she directed the Nazi propaganda films ''Triumph des Willens'' ("Triumph of the Will") and '' Olympia'', resulting in worldwide attention and acclaim. The films are widely considered two of the most effective and technically innovative propaganda films ever made. ...
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