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The Beat Room
''The Beat Room'' is a British television series presenting beat, rhythm and blues and other pop music, shown on BBC2 in 1964–65. Production The series was produced by Barry Langford and directed by James Moir. Acts, introduced by an off-screen presenter, Pat Campbell, performed live before an audience. The resident house band was initially Wayne Gibson and the Dynamic Sounds, but was replaced by Peter and the Headlines mid-run. The show also featured a sextet of female performance dancers, the Beat Girls formed from an existing group, the Katy-Dids. In all, 29 programmes were made. The first show, broadcast on Monday 6 July 1964 at 6.35 p.m., featured The Animals, Lulu & the Luvvers, and Millie Small. The show was broadcast on Mondays, with Saturday repeats during the middle of the run. The final show was shown on 29 January 1965. There was a 75-minute New Year's Eve special in 1964, Beat in the New. Tapes of all but one of the programmes were later destroyed. T ...
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BBC Two
BBC Two is a British free-to-air public broadcast television network owned and operated by the BBC. It covers a wide range of subject matter, with a remit "to broadcast programmes of depth and substance" in contrast to the more mainstream and popular BBC One. Like the BBC's other domestic TV and radio channels, it is funded by the television licence, and is therefore free of commercial advertising. It is a comparatively well-funded public-service network, regularly attaining a much higher audience share than most public-service networks worldwide. Originally styled BBC2, it was the third British television station to be launched (starting on 21 April 1964), and from 1 July 1967, Europe's first television channel to broadcast regularly in colour. It was envisaged as a home for less mainstream and more ambitious programming, and while this tendency has continued to date, most special-interest programmes of a kind previously broadcast on BBC Two, for example the BBC Proms, ...
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The Syndicats
The Syndicats were an English beat band formed in 1963 with Thomas Ladd on vocals, Steve Howe on guitar and backing vocals, Kevin Driscoll on bass and backing vocals, Jeff Williams on organ and piano, and John "Truelove" Melton on drums. The latter was replaced by Paul Holm on their last single in 1965. This was Steve Howe's first group. When he left The Syndicats to join the band The In Crowd in November 1965 (which would later become Tomorrow), he was replaced by guitarist Ray Fenwick, who was subsequently replaced by Peter Banks. Banks went on to be the first guitarist in Yes, and was then replaced by Howe in 1970. The Syndicats' first single was released on 8 April 1964, a cover of Chuck Berry's " Maybellene" on the A side, and on the B side, a joint composition of Howe and Ladd, "True to Me". Their second single was another cover, a song by Willie Dixon, "Howlin' for My Baby", with the B side being a song credited to the entire band, "(Tell Me) What to Do". Their third ...
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Lesley Judd
Lesley Judd (born 20 December 1946) is an English former television presenter and dancer, best known as a long-serving host of the BBC children's programme '' Blue Peter'' (1972–1979). Background Born in London, the daughter of Leslie T. Judd and Hilda Madeline Haddock, Judd was educated at the independent Arts Educational School, Tring Park ( Hertfordshire). In 1959, she appeared in the BBC Television adaptation of ''Heidi'', playing the part of Clara. Another early appearance as a child actress was as a schoolgirl in the ''Z-Cars'' episode "Person Unknown" on 14 November 1962. An early dancing appearance came on BBC TV's ''The Language of Love'' in 1964. In 1967, Judd was one of the "children" dancers on Gillian Lynne's BBC2 show ''Hey Riddle Diddle'' starring Roy Castle and Nelson Riddle. She was a hostess on the Associated-Rediffusion game show '' Exit! It's the Way-Out Show'' hosted by Ed Stewart. Beginning in 1967 with ''The Rolf Harris Show'', Judd appeared as part o ...
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Flick Colby
Felicity Isabelle "Flick" Colby (March 23, 1946 – May 26, 2011) was an American dancer and choreographer best known for being a founding member and the choreographer of the United Kingdom dance troupe Pan's People, which appeared on the BBC1 chart show '' Top of the Pops'' from 1968 to 1976. Colby became the full-time dance choreographer for the ''Top of the Pops'' dance troupes Pan's People, Ruby Flipper, Legs & Co., and Zoo (credited as "Dance Director"), from 1972 until 1983. Early life Colby was born in Hazleton, Pennsylvania. Her father was Thomas E. Colby, Professor of German at Hamilton College in upstate New York. As a child, Colby lived in Clinton and later in Massachusetts. Educated at a school in New Hampshire and Abbot Academy ( Andover, Massachusetts), she began attending ballet and other dance classes in Boston and performed in musicals before travelling to London in 1966. ''Top of the Pops'' career Colby was a founding member in December 1966 of Pan' ...
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Beat Girls 1966
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian ...
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Gadzooks! (TV Show)
''Gadzooks!'' is a British pop music television programme which aired on BBC2 from February to September 1965. It was originally produced by Barry Langford and was a replacement for his previous music show The Beat Room which had run in the same timeslot on BBC2 since July 1964. The programme went through a number of name changes during its 35-episode run, originally being titled ''Gadzooks! It's All Happening'', before changing to ''Gadzooks! It's The In-Crowd'', then finally simply ''Gadzooks!''. The presenters of the programme included Alan David, Lulu, Roger Whittaker and future Crackerjack! presenter Christine Holmes. Recurring artistes who appeared most weeks included Liverpool singing trio The Three Bells, dance troupe The Beat Girls and blind singer & organist Peter Cook (not to be confused with the comedian of the same name), plus a number of special musical guests every week. Notable acts who performed on the programme included The Who, Tom Jones, Manfred Mann, ...
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Go-Jos
The Go-Jos were a British TV dance troupe, created for the BBC1 TV music chart show ''Top of the Pops'' in late 1964, appearing regularly on the show until mid-1968. They were the first of a series of five dance troupes on the programme. They also appeared on other BBC and ITV shows, finally disbanding in 1971. Formation The troupe were formed by Jo Cook, who had been a member of the TV dance troupe the Silhouettes in the early 1960s. She then became a founder member of the Beat Girls, appearing in the weekly pop show on BBC2, ''The Beat Room'', from July 1964. She was forced to leave the Beat Girls in October 1964 due to a contractual dispute. In November 1964, Top of the Pops producers had decided a dance troupe was needed to perform when the act was not available. Jo Cook won the job of providing this troupe, and so created the group, the Go-Jos, named after herself. Their first performance was on 19 November 1964 dancing to Baby Love by The Supremes. The group usually d ...
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Gonks Go Beat
''Gonks Go Beat'' is a 1964 British science fiction/musical fantasy film, directed by Robert Hartford-Davis. It stars Kenneth Connor and Frank Thornton. ''Gonks Go Beat'' is loosely based on the ''Romeo and Juliet'' storyline and features 16 musical numbers performed by a variety of artists, including Lulu and the Luvvers, The Nashville Teens and members of the Graham Bond Organisation including Ginger Baker, Jack Bruce and Dick Heckstall-Smith. Other musical contributors were – and remained – obscure. The film includes an early appearance by the actor Derek Thompson performing with his twin sister Elaine (credited as Elain). The title highlights the fad for gonk toys in mid 1960s Great Britain. The gonks appear in the opening title credits, whilst Lulu sings the theme song 'Chocolate Ice'. Plot At a point in the distant future, the inhabitants of Planet Earth have become divided into two factions who despise each other. In Beatland live the hip and tren ...
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Whole Lotta Shakin' Goin' On
"Whole Lotta Shakin' Goin' On" (sometimes rendered "Whole Lot of Shakin' Going On") is a song written by Dave "Curlee" Williams and sometimes also credited to James Faye "Roy" Hall. The song was first recorded by Big Maybelle, though the best-known version is the 1957 rock and roll/rockabilly version by Jerry Lee Lewis. Origins of the song The origins of the song are disputed, but the writing is usually co-credited to singer/songwriter Dave "Curlee" Williams, and pianist and club owner James Faye "Roy" Hall. Hall stated: On 21 March 1955, Big Maybelle made the first recording for Okeh Records. The songwriting was credited to D. C. Williams, and the session was conducted and arranged by Quincy Jones. Roy Hall recorded the song in September 1955 for Decca Records and maintained that he had written it and had secured the legal copyright as co-writer under the pseudonym of "Sunny David". On the '' Pop Chronicles'' documentary, Jerry Lee Lewis incorrectly credited Big Mama Thorn ...
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The Dance Centre
The Dance Centre, previously at 12 Floral Street, Covent Garden, central London, England, was founded by Valerie Tomalin (née Hyman) in 1964 as a space where dance teachers could hire small studios by the hour and large ballet companies, such as The Royal Ballet and Ballet Rambert, could rent larger studios by the day or by the week. Individual artists such as Margot Fonteyn, Wayne Sleep and Rudolf Nureyev used the smaller spaces to privately fine-tune their performances. The venture was inspired by Valerie's fascination with ballet. As an art-student Valerie bought student tickets for The Royal Opera House top gallery so that she could see the great Russian dancers take command of the aging stage. Subsequently, Valerie became fascinated by modern dance and especially American jazz which was championed in those days by Matt Mattox. Other teachers who quickly found the facilities helpful include Gillian Gregory, Diana South, and Mike St.Leger Arlene Phillips, Lindsay Kemp ...
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