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Trionfo Di Afrodite
''Trionfo di Afrodite'' (Italian for ''Triumph of Aphrodite'') is a cantata written in 1951 by the German composer Carl Orff. It is the third and final installment in the '' Trionfi'' musical triptych, which also includes ''Carmina Burana'' (1937) and ''Catulli Carmina'' (1943). Background Described by the composer himself as a ''concerto scenico'' (scenic concert), the ''Trionfo'' is a representation of a ritual for a Greco-Roman wedding, in a similar fashion to Igor Stravinsky's ''Les noces''. In this case, ''Trionfo'' refers to the Roman and Renaissance ''trionfo'', meaning "procession" or "festival". By using the word ''trionfo'', Orff specifically intended to identify the work as a successor to the Renaissance and baroque tradition of the masque and pageant, not as a formal borrowing but as a rather refreshed and extended look on it. Orff began working on the ''Trionfo'' as early as 1947, but could not fully concentrate on the piece until he completed his '' Antigonae'' in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, typically in several movement (music), movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice Madrigal (music), madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantatas; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Teleman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trionfo
Trionfo () is an Italian word meaning "triumph", also "triumphal procession", and a triumphal car or float in such a procession. The classical triumphal procession for victorious generals and Emperors known as the Roman Triumph was revived for "Entries" by rulers and similar occasions from the Early Renaissance in 14th and 15th-century Italy, and was a major type of festival, celebrated with great extravagance. The cars are shown as open-roofed, many clearly utilitarian four-wheeled carts dressed-up for the occasion. Others were two-wheeled chariots. In art, they might be pulled by all sorts of exotic animals. Another specialized sense of the word was an elaborate sugar sculpture; these decorated tables on important occasions in the Renaissance and Baroque periods, especially in Italy and France. Eventually they were replaced by the silver surtout de table or porcelain centrepieces. The word may derive from a call of triumph during antique triumphal processions: "Io trium ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scene (performing Arts)
A scene is a dramatic part of a story, at a specific time and place, between specific characters. The term is used in both filmmaking and theatre, with some distinctions between the two. Theatre In drama, a scene is a unit of action, often a subdivision of an act. French scene A "French scene" is a scene in which the beginning and end are marked by a change in the presence of characters onstage, rather than by the lights going up or down or the set being changed. Obligatory scene From the French ''scène à faire'', an obligatory scene is a scene (usually highly charged with emotion) which is anticipated by the audience and provided by an obliging playwright. An example is ''Hamlet'' 3.4, when Hamlet confronts his mother. Film In filmmaking and video production, a scene is generally thought of as a section of a motion picture in a single location and continuous time made up of a series of shots, which are each a set of contiguous frames from individual cameras from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hieros Gamos
''Hieros gamos'', (from and 'marriage') or hierogamy (, 'holy marriage') is a sacred marriage that takes place between gods, especially when enacted in a symbolic ritual where human participants represent the deities. The notion of ''hieros gamos'' does not always presuppose literal sexual intercourse in ritual, but is also used in purely symbolic or mythological contexts, notably in alchemy and hence in Jungian psychology. ''Hieros gamos'' is described as the prototype of fertility rituals. Ancient Near East Sacred sexual intercourse is thought to have been common in the Ancient Near East as a form of "Sacred Marriage" or hieros gamos between the kings of a Sumerian city-state and the High Priestesses of Inanna, the Sumerian goddess of love, fertility and warfare. Along the Tigris and Euphrates rivers there were many shrines and temples dedicated to Inanna. The temple of Eanna, meaning "house of heaven" in Uruk was the greatest of these. The temple housed Nadītu, pries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrician (ancient Rome)
The patricians (from ) were originally a group of ruling class families in ancient Rome. The distinction was highly significant in the Roman Kingdom and the early Roman Republic, Republic, but its relevance waned after the Conflict of the Orders (494 BC to 287 BC). By the time of the late Republic and Roman Empire, Empire, membership in the patriciate was of only nominal significance. The social structure of ancient Rome revolved around the distinction between the patricians and the plebeians. The status of patricians gave them more political power than the plebeians, but the relationship between the groups eventually caused the Conflict of the Orders. This time period resulted in changing of the social structure of ancient Rome. After the Western Roman Empire, Western Empire fell, the term "patrician" continued as a high Byzantine aristocracy and bureaucracy, honorary title in the Eastern Empire. In many Italian city-states, medieval Italian republics, especially in Republic of V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sappho 31
Sappho 31 is a lyric poem by the Archaic Greek poet Sappho of the island of Lesbos. The poem is also known as ''phainetai moi'' ( ) after the opening words of its first line, and as the Ode to Anactoria, based on a conjecture that its subject is Anactoria, a woman mentioned elsewhere by Sappho. It is one of Sappho's most famous poems, describing her love for a young woman. Fragment 31 has been the subject of numerous translations and adaptations from ancient times to the present day. Celebrated for its portrayal of intense emotion, the poem has influenced modern conceptions of lyric poetry, and its depiction of desire continues to influence writers today. Preservation Fragment 31 was one of the few substantial fragments of Sappho to survive from ancient times, preserved in the first-century AD treatise on aesthetics ''On the Sublime''. Four stanzas are well-preserved, followed by part of one more line; this, as well as Catullus' adaptation of the poem, suggests that there was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catullus 51
Catullus 51 is a poem by Roman love poet Gaius Valerius Catullus (''c''. 84 – ''c''. 54 BC). It is an adaptation of one of Sappho's fragmentary lyric poems, Sappho 31. Catullus replaces Sappho's beloved with his own beloved Lesbia. Unlike the majority of Catullus' poems, the meter of this poem is the sapphic meter. This meter is more musical, seeing as Sappho mainly sang her poetry. Catullus is not the only poet who translated Sappho’s poem to use for himself: Pierre de Ronsard and Salvatore Quasimodo are also known to have translated a version of it. The poem The following Latin text of Catullus 51 is taken from D.F.S. Thomson; the translation is literal, not literary. *Catullus here builds upon a common interpretation of the lost original verse from Sappho. For a reconstruction of the original Greek first verse, see Sappho 31. *Line 8 is missing from the original manuscript. Oxford Classical Texts (ed. R.A.B. Mynors) provides no substitution. It is possible in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Eulenburg (musical Editions)
Ernst Eulenburg the music publisher was established by Ernst Eulenburg in Leipzig in 1874. The firm started by publishing a series of studies by a Dresden piano teacher, and then expanded into light music and works for men's chorus, at first all non-copyright works. Origins of the miniature scores In 1891, Eulenburg acquired the company of Payne who had recently started to publish miniature scores of chamber works, thus effectively establishing the basis for the famous miniature scores which are what Eulenburg is famous for today. The catalogue was further expanded in 1908 by the acquisition of the catalogue of Donajowski, who published miniature scores of orchestral works in England. Later history of the company In 1905, Ernst's son Kurt began to work in the firm, a connection maintained until his retirement at age 90 in 1968. After Ernst died in 1926, Kurt took over and began to introduce important revisions of scores by leading musicologists such as Alfred Einstein (who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schott Music
Schott Music () is one of the oldest German music publishers. It is also one of the largest music publishing houses in Europe, and is the second-oldest music publisher after Breitkopf & Härtel. The company headquarters of Schott Music were founded by Bernhard Schott in Mainz in 1770. It represents many composers of the 20th and 21st centuries, and its publishing catalogue contains some 31,000 titles on sale and over 10,000 titles on hire. The repertoire ranges from complete editions, stage and concert works to general educational literature, fine sheet music editions and multimedia products. In addition to the publishing houses of Panton, Ars-Viva, Ernst Eulenburg (musical editions), Ernst Eulenburg, Fürstner, Cranz, Atlantis Musikbuch and Hohner-Verlag, the Schott group also includes two recording labels, Wergo (for Contemporary classical music, new music) and Intuition (for Jazz), as well as eight specialist magazines. The Schott Music group also includes the printing and pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Von Karajan
Herbert von Karajan (; born ''Heribert Adolf Ernst Karajan''; 5 April 1908 – 16 July 1989) was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during World War II he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he sold 200 million records. Biography Early life Genealogy The Karajans were of Greek ancestry. Herbert's great-great-grandfather, Georg Karajan (Geórgios Karajánnis, ), was born in Kozani, in the Ottoman province of Rumelia (now in Greece), leaving for Vienna in 1767, and eventually Chemnitz, Electorate of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
