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Theogony
The ''Theogony'' () is a poem by Hesiod (8th–7th century BC) describing the origins and genealogy, genealogies of the Greek gods, composed . It is written in the Homeric Greek, epic dialect of Ancient Greek and contains 1,022 lines. It is one of the most important sources for the understanding of early Greek cosmology. Descriptions Hesiod's ''Theogony'' is a large-scale synthesis of a vast variety of local Greece, Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greece, Greek mythical cosmogony. The initial state of the universe is Chaos (mythology), chaos, a dark indefinite void considered a divine primordial condition from which everything else appeared. Theogonies are a part of Greek mythology which embodies the desire to articulate reality as a whole; this universalizing impulse was fundamental for the first later projects of speculative theorizing ...
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Greek Gods
In ancient Greece, deities were regarded as immortal, anthropomorphic, and powerful. They were conceived of as individual persons, rather than abstract concepts or notions, and were described as being similar to humans in appearance, albeit larger and more beautiful. The emotions and actions of deities were largely the same as those of humans; they frequently engaged in sexual activity, and were jealous and amoral. Deities were considered far more knowledgeable than humans, and it was believed that they conversed in a language of their own. Their immortality, the defining marker of their godhood, meant that they ceased aging after growing to a certain point. In place of blood, their veins flowed with ichor, a substance which was a product of their diet, and conferred upon them their immortality. Divine power allowed the gods to intervene in mortal affairs in various ways: they could cause natural events such as rain, wind, the growing of crops, or epidemics, and were able to dicta ...
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Early Greek Cosmology
Early Greek cosmology refers to beliefs about the origins, development, and structure of the universe in Ancient Greece that existed before the development of Ancient Greek astronomy. The basic elements of this early cosmology included a flat earth, heaven, a cosmic ocean, the afterworld (Hades), and the netherworld (Tartarus). The first three were represented by the gods Gaia, Uranus, and Oceanus (or sometimes Pontus). Ancient Greek cosmology was related to ancient Near Eastern cosmology, and was ultimately replaced by a more systematic and demythologized approach found in ancient Greek astronomy. Its main sources are the poetry of Homer (the ''Iliad'' and the ''Odyssey''), Hesiod (the ''Theogony'' and the ''Works and Days''), and surviving fragments from Mimnermus. Beginning in the 5th century BC, elements of the traditional Greek cosmos began to be modified and challenged. One of the earliest of these challenges came from the emergence of the view that the cosmos as a whole was ...
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Hesiod
Hesiod ( or ; ''Hēsíodos''; ) was an ancient Greece, Greek poet generally thought to have been active between 750 and 650 BC, around the same time as Homer.M. L. West, ''Hesiod: Theogony'', Oxford University Press (1966), p. 40.Jasper Griffin, "Greek Myth and Hesiod", J.Boardman, J.Griffin and O. Murray (eds.), ''The Oxford History of the Classical World'', Oxford University Press (1986), p. 88. Several of Hesiod's works have survived in their entirety. Among these are ''Theogony'', which tells the origins of the gods, their lineages, and the events that led to Zeus's rise to power, and ''Works and Days'', a poem that describes the five Ages of Man, offers advice and wisdom, and includes myths such as Pandora's box. Hesiod is generally regarded by Western authors as 'the first written poet in the Western tradition to regard himself as an individual persona with an active role to play in his subject.' Ancient authors credited Hesiod and Homer with establishing Greek relig ...
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Chaos (mythology)
Chaos () is the cosmological void state preceding the creation of the universe (the cosmos) in early Greek cosmology. It can also refer to an early state of the cosmos constituted of nothing but undifferentiated and indistinguishable matter. Etymology Greek ''kháos'' () means ' emptiness, vast void, chasm, abyss', related to the verbs ''kháskō'' () and ''khaínō'' () 'gape, be wide open', from Proto-Indo-European ', cognate to Old English ''geanian'', 'to gape', whence English '' yawn''. It may also mean space, the expanse of air, the nether abyss, or infinite darkness. Pherecydes of Syros (fl. 6th century BC) interprets ''chaos'' as water, like something formless that can be differentiated. Greco-Roman tradition Hesiod and the pre-Socratics use the Greek term in the context of cosmogony. Hesiod's Chaos has been interpreted as either "the gaping void above the Earth created when Earth and Sky are separated from their primordial unity" or "the gaping space below the ...
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Greek Mythology
Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. These stories concern the ancient Greek religion's view of the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world; the lives and activities of List of Greek deities, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures; and the origins and significance of the ancient Greeks' cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of mythmaking itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century&n ...
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Muses Sarcophagus Louvre MR880
In ancient Greek religion and Greek mythology, mythology, the Muses (, ) were the Artistic inspiration, inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. The number and names of the Muses differed by region, but from the Classical Greece, Classical period the number of Muses was standardized to nine, and their names were generally given as Calliope, Clio, Polyhymnia, Euterpe, Terpsichore, Erato, Melpomene, Thalia (Muse), Thalia, and Urania. In modern figurative usage, a muse is a Muse (source of inspiration), person who serves as someone's source of artistic inspiration. Etymology The word ''Muses'' () perhaps came from the Indo-European ablaut#Proto-Indo-European, o-grade of the Proto-Indo-European language, Proto-Indo-European root (the basic meaning of which is 'put in mind' in verb formati ...
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Scepter
A sceptre (or scepter in American English) is a staff or wand held in the hand by a ruling monarch as an item of royal or imperial insignia, signifying sovereign authority. Antiquity Ancient Egypt and Mesopotamia The '' Was'' and other types of staves were signs of authority in Ancient Egypt. For this reason they are often described as "sceptres", even if they are full-length staffs. One of the earliest royal sceptres was discovered in the 2nd Dynasty tomb of Khasekhemwy in Abydos. Kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called ''mks''-staff. The staff with the longest history seems to be the ''heqa''-sceptre (the "shepherd's crook"). The sceptre also assumed a central role in the Mesopotamian world, and was in most cases part of the royal insignia of sovereigns and gods. This continued throughout Mesopotamian history, as illustrated in literary and administrative texts and iconography. The Mesopotamian s ...
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Homeric Hymns
The ''Homeric Hymns'' () are a collection of thirty-three ancient Greek hymns and one epigram. The hymns praise deities of the Greek pantheon and retell mythological stories, often involving a deity's birth, their acceptance among the gods on Mount Olympus, or the establishment of their cult. In antiquity, the hymns were generally, though not universally, attributed to the poet Homer: modern scholarship has established that most date to the seventh and sixth centuries BCE, though some are more recent and the latest, the ''Hymn to Ares'', may have been composed as late as the fifth century CE. The ''Homeric Hymns'' share compositional similarities with the ''Iliad'' and the ''Odyssey'', also traditionally attributed to Homer. They share the same artificial literary dialect of Greek, are composed in dactylic hexameter, and make use of short, repeated phrases known as formulae. It is unclear how far writing, as opposed to oral composition, was involved in their cr ...
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Herodotus
Herodotus (; BC) was a Greek historian and geographer from the Greek city of Halicarnassus (now Bodrum, Turkey), under Persian control in the 5th century BC, and a later citizen of Thurii in modern Calabria, Italy. He wrote the '' Histories'', a detailed account of the Greco-Persian Wars, among other subjects such as the rise of the Achaemenid dynasty of Cyrus. He has been described as " The Father of History", a title conferred on him by the ancient Roman orator Cicero, and the " Father of Lies" by others. The ''Histories'' primarily cover the lives of prominent kings and famous battles such as Marathon, Thermopylae, Artemisium, Salamis, Plataea, and Mycale. His work deviates from the main topics to provide a cultural, ethnographical, geographical, and historiographical background that forms an essential part of the narrative and provides readers with a wellspring of additional information. Herodotus was criticized in his times for his inclusion of "legends an ...
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Mythical
Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion. Myths are often endorsed by religious (when they are closely linked to religion or spirituality) and secular authorities. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals. Etymology The word "myth" comes from Ancient ...
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Rhapsode
A rhapsode () or, in modern usage, rhapsodist, refers to a classical Greek professional performer of epic poetry in the fifth and fourth centuries BC (and perhaps earlier). Rhapsodes notably performed the epics of Homer (''Iliad'' and ''Odyssey'') but also the wisdom and catalogue poetry of Hesiod and the satires of Archilochus and others. Plato's dialogue '' Ion'', in which Socrates confronts a star player rhapsode, remains the most coherent source of information on these artists. Often, rhapsodes are depicted in Greek art, wearing their signature cloak and carrying a staff. This equipment is also characteristic of travellers in general, implying that rhapsodes were itinerant performers, moving from town to town. Rhapsodes originated in Ionia, which has been sometimes regarded as Homer's birthplace, and were also known as Homeridai, disciples of Homer, or "singers of stitched lays." Etymology and usage The term ''rhapsode'' is derived from ''rhapsōidein'' (ῥαψῳδεῖ� ...
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