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The Who Sell Out
''The Who Sell Out'' is the third studio album by the English rock band the Who. It was released on 15 December 1967 by Track Records in the UK and Decca Records in the US. A concept album, ''The Who Sell Out'' is structured as a collection of unrelated songs interspersed with fake commercials and public service announcements, including the second track "Heinz Baked Beans". The album purports to be a broadcast by pirate radio station Radio London. The reference to "selling out" was an intended irony, as the Who had been making real commercials during that period of their career, some of which are included as bonus tracks on the remastered CD. The album was primarily written by guitarist Pete Townshend, though three tracks were penned by bassist John Entwistle and one by Thunderclap Newman vocalist Speedy Keen, who also sings. Townshend and Entwistle are joined by vocalist Roger Daltrey and drummer Keith Moon, and organist Al Kooper makes a guest appearance on two tracks. ...
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The Who
The Who are an English Rock music, rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon. Considered one of the most influential rock bands of the 20th century, their contributions to rock music include the development of the Marshall Stack, Marshall stack, large public address systems, the use of synthesizers, Entwistle's and Moon's influential playing styles, Townshend's Guitar feedback, feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, punk, power pop and mod (subculture), mod bands. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who evolved from an earlier group, the Detours, and established themselves as part of the pop art and mod (subculture), mod movements, featuring auto-destructive art by Instrument destruction, destr ...
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Direct Hits (The Who Album)
''Direct Hits'' is the first UK compilation album and the fourth UK LP released by The Who. It collects singles, B-sides, and album tracks originally recorded for Reaction Records and Track Records between 1966 and 1968. Earlier Who recordings from 1965, such as "My Generation", were released in the UK by Brunswick Records and were not available for this release due to music licensing issues. Thus the collection is not representative of the Who's hit recordings up to this point. ''Direct Hits'' shares a few songs with the earlier US compilation album '' Magic Bus: The Who on Tour'', but is otherwise unrelated to that release. Surprisingly, it does not include the song " Magic Bus", which had reached No. 26 on the UK Singles Chart during the summer of 1968. Until the early 1980s this was the only album to include Who rarities such as "In the City", "Dogs", and a version of the Rolling Stones' song " The Last Time". Release history Original 1968 UK LP copies were released in b ...
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Pete Townshend
Peter Dennis Blandford Townshend (; born 19 May 1945) is an English musician. He is the co-founder, guitarist, keyboardist, second lead vocalist, principal songwriter and leader of the Who, one of the most influential rock bands of the 1960s and 1970s. His aggressive playing style, poetic songwriting techniques and authorship of two rock operas with the Who, as well as other projects, have earned him critical acclaim. Townshend has written more than 100 songs for 12 of the Who's studio albums. These include concept albums, the rock operas ''Tommy (The Who album), Tommy'' (1969) and ''Quadrophenia'' (1973), plus popular rock radio staples such as ''Who's Next'' (1971); as well as dozens more that appeared as non-album singles, bonus tracks on reissues, and tracks on rarities compilation albums such as ''Odds & Sods'' (1974). He has also written more than 100 songs that have appeared on his solo albums, as well as radio jingles and Theme music, television theme songs. While known ...
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Selling Out
To "sell out" is to compromise one's integrity, morality, Authenticity (philosophy), authenticity, or Principle#As moral law, principles in exchange for personal gain, such as money or power. In terms of music or art, selling out is associated with attempts to tailor material to a mainstream or commercial audience. For example, a musician who Mass marketing, alters their material to encompass a wider audience, and in turn generates greater revenue, may be labeled by fans who pre-date the change as a "sellout". "Sellout" also refers to someone who gives up, or disregards someone or something for some other thing or person. In sports In the context of professional sports, a "sellout" is a person or group claiming to adhere to the ideology of putting the collective interests of the team, franchise or fans above their own individual accomplishments or financial gain, only to follow these claims up with actions contradicting them, such as an athlete or coach pledging to stay with a ...
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Wonderful Radio London
Radio London, also known as Big L and Wonderful Radio London, was a top 40 (in London's case, the "Fab 40") offshore commercial station that operated from 23 December 1964 to 14 August 1967, from a ship anchored in the North Sea, off Frinton-on-Sea, Essex, England. The station, like other offshore radio operators, was dubbed a UK pirate radio, pirate radio station, and went off air following the introduction of the Marine, &c., Broadcasting (Offences) Act 1967 which made it illegal to supply or assist such stations except in an emergency. The station was notable for helping to launch the careers of various disc jockeys who went on to work at BBC Radio 1. Its offices were in the West End of London at 17 Curzon Street, just off Park Lane. Origin of the station Radio London was the brainchild of Don Pierson, who lived in Eastland, Texas, Eastland, Texas, United States. In a 1984 interview, Pierson said he got the idea in 1964, while reading a report in ''The Dallas Mornin ...
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Pirate Radio
Pirate radio is a radio station that broadcasts without a valid license, whether an invalid license or no license at all. In some cases, radio stations are considered legal where the signal is transmitted, but illegal where the signals are received—especially when the signals cross a national boundary. In other cases, a broadcast may be considered "pirate" due to the nature of its content, its transmission format (especially a failure to transmit a station identification according to regulations), or the transmit power (wattage) of the station, even if the transmission is not technically illegal (such as an amateur radio transmission). Pirate radio is sometimes called bootleg radio (a term especially associated with two-way radio), clandestine radio (associated with heavily politically motivated operations) or free radio. History Radio "piracy" began with the advent of regulation of the airwaves at the dawn of the age of radio. Initially, radio, or wireless as it wa ...
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Pop Chronicles
The ''Pop Chronicles'' are two radio documentary series which together "may constitute the most complete audio history of 1940s–60s popular music." They originally aired starting in 1969 and concluded about 1974. Both were produced by John Gilliland. The ''Pop Chronicles'' of the 1950s and 1960s Inspired by the Monterey Pop Festival, the ''Pop Chronicles'' of the 1950s and 1960s originally was produced at KRLA 1110 and first aired on February 9, 1969. John Gilliland narrated the series along with Sie Holliday and Thom Beck (pictured). Also performing interviews were Dick LaPalm, Lew Irwin, Harry Shearer, Mike Masterson, and Richard Perry. The show's brief recurring theme song "The Chronicles of Pop" was written and performed by Len Chandler. The engineer and associate producer of the series was Chester Coleman. KRLA 1110 originally broadcast an hour a week of the Pop Chronicles, which were later syndicated by "Hot Air" and broadcast on Armed Forces Radio. The ph ...
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Public Service Announcement
A public service announcement (PSA) is a message in the public interest disseminated by the media without charge to raise public awareness and change behavior. Oftentimes these messages feature unsettling imagery, ideas or behaviors that are designed to startle or even scare the viewer into understanding the consequences of undergoing a particular harmful action or inaction (such as pictures of drug users before and after their addiction or realistic skits of domestic violence situations) as well as the importance of avoiding such choices. In the UK, they are generally called a public information film (PIF); in Hong Kong, they are known as an announcement in the public interest (API). History The earliest public service announcements (in the form of moving pictures) were made before and during the Second World War years in both the UK and the US. In the UK, amateur actor Richard Massingham set up Public Relationship Films Ltd in 1938 as a specialist agency for producing short ...
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Concept Album
A concept album is an album whose tracks hold a larger purpose or meaning collectively than they do individually. This is typically achieved through a single central narrative or theme, which can be instrumental, compositional, or lyrical. Sometimes the term is applied to albums considered to be of "uniform excellence" rather than an LP with an explicit musical or lyrical motif. There is no consensus among music criticism, music critics as to the specific criteria for what a "concept album" is. The format originates with folk music, folk singer Woody Guthrie's ''Dust Bowl Ballads'' (1940) and was subsequently popularized by traditional pop singer Frank Sinatra's 1940s–50s string of albums, although the term is more often associated with rock music. In the 1960s several well-regarded concept albums were released by various rock bands, which eventually led to the birth of progressive rock and rock opera. Definitions There is no clear definition of a "concept album". Fiona Stur ...
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Studio Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ...
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Mary Anne With The Shaky Hand
"Mary Anne with the Shaky Hand" is a song by the English rock band the Who. It was written by Pete Townshend and released on their 1967 album ''The Who Sell Out''. The best known version of the song has an arrangement using acoustic guitar and Latin percussion instruments. The song has ambiguous lyrics that have been subject to a variety of interpretations. At least five different recordings of the song have been officially released by the Who. Lyrics and music Unlike many Who songs from the 1960s, "Mary Anne with the Shaky Hand" recalls the typical pop song convention of praising a pretty girl but does not provide any description of her appearance, focusing instead on Mary Anne's hand tremor. The reason for the shaking is not clear: Mary Anne may have some affliction and/or the song may be, as Chris Charlesworth describes it, the Who's "second great song about masturbation" (after the band's 1967 single "Pictures of Lily"): Steve Grantley and Alan Parker suggest that the reason ...
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Billboard
A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertisements to passing pedestrians and drivers. Typically brands use billboards to build their brands or to push for their new products. The largest ordinary-sized billboards are located primarily on major highways, expressways, or principal arterials, and command high-density consumer exposure (mostly to vehicular traffic). These afford the greatest visibility due not only to their size, but because they allow creative "customizing" through extensions and embellishments. Posters are another common form of billboard advertising, located mostly along primary and secondary arterial roads. Posters are in a smaller format and are viewed primarily by residents and commuter traffic, with some pedestrian exposure. Advertising style Billboard advert ...
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