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The Passenger (opera)
''The Passenger'' (russian: Пассажирка, Passazhirka) is a 1968 opera by Mieczysław Weinberg to a Russian libretto by . Medvedev's libretto is based on the 1959 Polish radio play ''Pasażerka z kabiny 45'' (Passenger from Cabin Number 45) by concentration-camp survivor Zofia Posmysz. The opera, scheduled for the Bolshoi Theatre in 1968, was not premiered until 2006, when musicians of the Stanislavsky Theatre presented a semi-staging conducted by Wolf Gorelik in the Svetlanov Hall of the Moscow International House of Music on 25 December. Medvedev's libretto was reworked in 2010 for the first staged performance of the opera at the Bregenzer Festspiele into German, English, Polish, Yiddish, French, Russian and Czech. It has then been performed internationally. History Mieczysław Weinberg composed ''The Passenger'' in 1968 to a Russian libretto by .(russian: Пассажирка, Passazhirka) Medvedev's libretto is based on the 1959 Polish radio play ''Pasażerka z k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mieczysław Weinberg
Mieczysław Weinberg (8 December 1919 – 26 February 1996) was a Polish-born Soviet composer and pianist. Names Much confusion has been caused by different renditions of the composer's names. In official Polish documents made before he moved to the Soviet Union, his name was spelled as Mojsze Wajnberg, and in the world of Yiddish theater of antebellum Warsaw he was likewise known as Moishe Weinberg ( yi, משה װײַנבערג). After he moved to the Soviet Union, he was and still is known in Russian as Moisey Vaynberg (russian: Моисей Самуилович Вайнберг, Moisey Samuilovich Vaynberg). Among close friends in Russia, he would also go by his Polish diminutive "Mietek". Re-transliteration of his surname from Cyrillic back into the Latin alphabet produced a variety of spellings, including "Weinberg", "Vainberg", and "Vaynberg". The form "Weinberg" is now the most frequently used English-language spelling, including in the latest edition of the Grove D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera (British Magazine)
''Opera'' is a monthly British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera. The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes, and J.B. Steane among many others. Format ''Opera'' is printed in A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 covers pages 1033–1168). All issues since February 1950 are available online to current subscribers (through Exact Editions). H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Real
The Teatro Real (Royal Theatre) is an opera house in Madrid, Spain. Located at the Plaza de Oriente, opposite the Royal Palace, and known colloquially as ''El Real'', it is considered the top institution of the performing and musical arts in the country and one of the most prestigious opera houses in Europe. The groundbreaking of the Teatro Real was on 23 April 1818, under the reign of King Ferdinand VII, and it was formally opened by his daughter Queen Isabella II on 19 November 1850. It closed in 1925 due to damage to the building and reopened on 13 October 1966 as a symphonic music venue. Beginning in 1991, it underwent major refurbishment and renovation works and finally reopened as an opera house on 11 October 1997 with a floor area of and a maximum capacity of 1,958 seats. Since 1995, the theatre is managed by a public foundation in whose Board of Trustees are represented the Ministry of Culture of the Government of Spain, the Government of the Community of Madrid and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israeli Opera
The Israeli Opera, formerly known as the New Israeli Opera, is the principal opera company of Israel. It was founded in 1985 after lack of Israeli government funding led to the demise of the Israel National Opera. Since 1994 the Tel Aviv Performing Arts Center has been its main performance venue. The company also founded the Israeli Opera Festival which has performed large-scale outdoor productions, originally at Caesarea, and from 2010 in Masada.Furstenberg, Rochelle (1997)"Culture in Israel" ''American Jewish Year Book'', Vol. 97, p. 501. VNR AG. The company's General Director is Zach Granite who replaced Hanna Munitz who held the post from 1995 until 2016. Its Music Director as of 2018 is Dan Ettinger History Opera in pre-statehood Israel was established by Mordechai Golinkin. Having heard the Balfour Declaration in 1917, Golinkin, a Jewish conductor born in the Russian Empire, founded a Jewish choir, the purpose of which was making enough money to found an Opera in the fled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florida Grand Opera
Florida Grand Opera (FGO) is an American opera company based in Miami, Florida. It is the oldest performing arts organization in Florida and the seventh oldest opera company in the United States. FGO was created in 1994 from the consolidation of two opera companies in the Miami-Fort Lauderdale region: Opera Guild of Greater Miami, founded in 1941 by Arturo di Filippi; and the Opera Guild, Inc. of Fort Lauderdale, formed in 1945. Location FGO is the resident company at the Ziff Ballet Opera House, located in the Adrienne Arsht Center for the Performing Arts in Miami, and also at the Au-Rene Theater at the Broward Center for the Performing Arts in Fort Lauderdale. FGO sometimes stages at other area theaters, including Lauderhill Performing Arts Center in Broward County and the Miami Shrine Temple in Miami-Dade. History Founding and early years In 1941, the company was founded as the Opera Guild of Greater Miami by Arturo di Filippi, a tenor and voice teacher at the University of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oper Frankfurt
The Oper Frankfurt (Frankfurt Opera) is a German opera company based in Frankfurt. Opera in Frankfurt am Main has a long tradition, with many world premieres such as Franz Shrek's '' Der ferne Klang'' in 1912, '' Fennimore und Gerda'' by Frederick Delius in 1919, and Carl Orff's '' Carmina Burana'' in 1937. Frankfurt's international recognition began in the Gielen Era, 1977 to 1987, when Michael Gielen and stage directors such as Ruth Berghaus collaborated. A historic opera house from 1880 was destroyed in World War II, and reconstructed as a concert hall, the Alte Oper. The present opera house, built in 1963, is under one roof with the stage for drama. The opera orchestra is called Frankfurter Opern- und Museumsorchester. Today's venue for Baroque and contemporary opera is the Bockenheimer Depot, a former tram depot. Voted best 'Opera house of the year' by ''Opernwelt'' several times since 1996, including 2020, Oper Frankfurt is part of the Städtische Bühnen Frankfurt. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Opera Of Chicago
Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicola Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in ''Norma''. The company was re-organized by Fox in 1956 under its present name and, after her 1981 departure, it has continued to be of one of the major opera companies in the United States. The Lyric is housed in a theater and related spaces in the Civic Opera Building. These spaces are now owned by the Lyric. Opera in Chicago 1850–1954 The first opera to be performed in Chicago was Bellini's ''La sonnambula'', presented by a traveling opera company on 29 July 1850. Chicago's first opera house opened in 1865 but was destroyed in the Great Fire of Chicago in 1871. The second opera house, the Chicago Auditorium, opened in 1889. In 1929 the current Civic Opera House on 20 North Wacker Drive was opened, thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playbill
''Playbill'' is an American monthly magazine for theatergoers. Although there is a subscription issue available for home delivery, most copies of ''Playbill'' are printed for particular productions and distributed at the door as the show's program. ''Playbill'' was first printed in 1884 for a single theater on 21st Street in New York City. The magazine is now used at nearly every Broadway theatre, as well as many Off-Broadway productions. Outside New York City, ''Playbill'' is used at theaters throughout the United States. As of September 2012, its circulation was 4,073,680. History What is known today as ''Playbill'' started in 1884, when Frank Vance Strauss founded the New York Theatre Program Corporation specializing in printing theater programs. Strauss reimagined the concept of a theater program, making advertisements a standard feature and thus transforming what was then a leaflet into a fully designed magazine. The new format proved popular with theatergoers, who s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dana Gioia
Michael Dana Gioia (; born December 24, 1950) is an American poet, literary critic, literary translator, and essayist. Since the early 1980s, Gioia has been considered part of the literary movements within American poetry known as New Formalism, which advocates the continued writing of poetry in rhyme and meter, and New Narrative, which advocates the telling of non-autobiographical stories. Gioia has also argued in favor of a return to the past tradition of poetry translators replicating the rhythm and verse structure of the original poem. Gioia helped renew the popularity of Henry Wadsworth Longfellow and the rediscovery of John Allan Wyeth. He also co-founded the annual West Chester University Poetry Conference, which has run annually since 1995. At the request of U.S. President George W. Bush, Gioia served between 2003 and 2009 as the chairman of the National Endowment for the Arts (NEA). In November 2006, Bloomberg Businessweek, ''Business Week'' magazine profiled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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