The Musical Offering
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The Musical Offering
''The Musical Offering'' (German: or ), BWV 1079, is a collection of keyboard canons and fugues and other pieces of music by Johann Sebastian Bach, all based on a single musical theme given to him by Frederick the Great (King Frederick II of Prussia), to whom they are dedicated. They were published in September 1747. The ''Ricercar a 6'', a six-voice fugue which is regarded as the high point of the entire work, was put forward by the musicologist Charles Rosen as the most significant piano composition in history (partly because it is one of the first). This ricercar is also occasionally called the ''Prussian Fugue'', a name used by Bach himself. History The collection has its roots in a meeting between Bach and Frederick II on May 7, 1747. The meeting, taking place at the king's residence in Potsdam, came about because Bach's son Carl Philipp Emanuel was employed there as court musician. Frederick wanted to show the elder Bach a novelty, the fortepiano, which had been invente ...
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Bach-Werke-Verzeichnis
The (, ; BWV) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990 and the third edition in 2022.Bach-Werke-Verzeichnis (BWV). Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach, 3rd expanded edn. Edited by Christine Blanken, Christoph Wolff and Peter Wollny The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. In part this reflects that fact that some compositions cannot be dated. However, an approximate or precise date can be assigned to others: for example, BWV 992 was composed many years before BWV 1. Alternative classifications The BWV classification is open to criticism, and the Bach scholar Christoph Wolff was involved in the design of an alternative, the Bach Compendium. Publication of the Bach Compendiu ...
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Händel-Werke-Verzeichnis
The Händel-Werke-Verzeichnis (abbreviated as HWV) is the Catalogue of Handel's Works. It was published in three volumes (in German) by Bernd Baselt between 1978 and 1986, and lists every piece of music known to have been written by George Frideric Handel. The catalogue also includes the first few bars of each piece and large amounts of factual information including manuscript sources, early prints, photographs, spurious works, etc. The catalogue does not include the full scores of Handel's works (for the full scores, see Händel-Gesellschaft and Hallische Händel-Ausgabe). Numbering The HWV thematic catalogue serves as the modern numbering system for Handel's compositions. For example, Handel's ''Messiah (Handel), Messiah'' is numbered as HWV 56. The HWV numbers range from 1 to 612, however they do not represent a global date-ordering of composition; i.e. HWV 1 is not Handel's first work, nor is HWV 612 his last. Instead, the HWV numbers group works into musical categories, and p ...
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Violin
The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino piccolo and the pochette (musical instrument), pochette, but these are virtually unused. Most violins have a hollow wooden body, and commonly have four strings (music), strings (sometimes five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and are most commonly played by drawing a bow (music), bow across the strings. The violin can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo ...
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Andante (tempo)
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture. The others are meter, which is indicated by a time signature, and articulation, which determines how each note ...
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Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ...
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Flute
The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In the Hornbostel–Sachs classification system, flutes are edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Paleolithic flutes with hand-bored holes are the earliest known identifiable musical instruments. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany, indicating a developed musical tradition from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia also has a long history with the instrument. A playable bone flute discovered in China is dated to about 9,000 years ago. The Americas also had an ancient flute culture, with instrumen ...
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Trio Sonata
The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. It originated in the early 17th century and was a favorite chamber ensemble combination in the Baroque era. Basic structure The trio sonata typically was written for two melody instruments (such as two violins) and basso continuo. However, either or both of the melody parts could be played on the flute, recorder, oboe, or even viola da gamba. The bass part, the continuo, typically involves two players. One player plays the bass line on a bass instrument such as a bass viol, violone, violoncello, or bassoon. The second player fills in harmonies above the bass line, using an instrument that can produce chords, such as a small organ, a harpsichord, or a theorbo. These chords are normally indicated to the player by placing numbers above the bass part rather than writing out the chords in full, a style of notation called figured bass. Because there normally ...
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Sonata
In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas maintain the overarching structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is often used for a short or technically easy sonata. Instrumentation In the Baroque period, a sonata was for one or more inst ...
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Epidiapente
In ancient Greek musical terminology the term epidiapente indicated an interval a perfect fifth higher. This meaning was also used by western Europe Europe is a continent located entirely in the Northern Hemisphere and mostly in the Eastern Hemisphere. It is bordered by the Arctic Ocean to the north, the Atlantic Ocean to the west, the Mediterranean Sea to the south, and Asia to the east ...an composers of the Renaissance, and can even be found as late as the Musical Offering of J.S. Bach. In that case, it was used in the 'Fuga canonica in epidiapente' to indicate that the second (unwritten) voice was to enter a fifth higher. Fifths (music) {{music-theory-stub ...
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Crab Canon
A crab canon (also known by the Latin form of the name, ''canon cancrizans''; as well as ''retrograde canon'', ''canon per recte et retro'' or ''canon per rectus et inversus'')Kennedy, Michael (ed.). 1994. "Canon". The Oxford Dictionary of Music, associate editor, Joyce Bourne. Oxford and New York: Oxford University Press. . is an arrangement of two musical lines that are complementary and backward. If the two lines were placed next to each other (as opposed to stacked), the lines would form something conceptually similar to a palindrome. The name 'crab' refers to the fact that crabs are known to walk backward (although they can also walk forward and sideways). It originally referred to a kind of canon in which one line is played backward (e.g. FABACEAE played simultaneously with EAECABAF). An example is found in J. S. Bach's '' The Musical Offering'', which also contains a table canon ("Quaerendo invenietis"), which combines retrogression with inversion by having one player ...
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Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—familiar singalong versions of "Row, Row, Row Your Boat" and "Frère Jacques" that call for each successive group of voices to begin the same song a bar or two after the previous group began are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate th ...
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Musical Staff
In Western musical notation, the staff"staff" in the Collins English Dictionary
"in British English: also called: stave; plural: staffs or staves"
"staff" in the Merriam-Webster Dictionary
/ref> ( UK also stave; : ''staffs'' or ''staves''), also occasionally referred to as a pentagram, is a set of five horizontal lines and four spaces that each represent a different musical pitch ...
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