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The Legend Of Good Women
''The Legend of Good Women'' is a poem in the form of a dream vision by Geoffrey Chaucer during the fourteenth century. The poem is the third longest of Chaucer's works, after ''The Canterbury Tales'' and ''Troilus and Criseyde'', and is possibly the first significant work in English to use the iambic pentameter or decasyllabic couplets which he later used throughout ''The Canterbury Tales''. This form of the heroic couplet would become a significant part of English literature possibly inspired by Chaucer. Summary Prologue The prologue describes how Chaucer is reprimanded by the god of love and his queen, Alceste, for his works—such as ''Troilus and Criseyde''—depicting women in a poor light. Criseyde is made to seem inconstant in love in that earlier work, and Alceste demands a poem of Chaucer extolling the virtues of women and their good deeds. The incomplete nature of the poem is suggested by Chaucer's Retraction from ''The Canterbury Tales'' which calls ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poem
Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in place of, Denotation, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, Phonaesthetics#Euphony and cacophony, euphony and cacophony, onomatopoeia, rhythm (via metre (poetry), metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects into :Poetic forms, poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use Metre (poetry), rhythmic metre (patterns of syllable stress or syllable weight, syllable (mora) weight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyxena
In Greek mythology, Polyxena (; ) was the youngest daughter of King Priam of Troy and his queen, Hecuba. She does not appear in Homer, but in several other classical authors, though the details of her story vary considerably. After the fall of Troy, she dies when sacrificed by the Greeks on the tomb of Achilles, to whom she had been betrothed and in whose death she was complicit in many versions. Description Polyxena was described by the chronicler Malalas in his account of the ''Chronography'' as "tall, pure, very white, large-eyed, black-haired, with her hair worn long behind, a good nose and cheeks, blooming-lipped, small-footed, virgin, charming, very beautiful, 18 years old when they killed her". Meanwhile, in the account of Dares the Phrygian, she was illustrated as ". . .fair, tall, and beautiful. Her neck was slender, her eyes lovely her hair blonde and long, her body well-proportioned, her fingers tapering, her legs straight, and her feet the best. Surpassing all t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mock-heroic
Mock-heroic, mock-epic or heroi-comic works are typically satires or parodies that mock common Classical stereotypes of heroes and heroic literature. Typically, mock-heroic works either put a fool in the role of the hero or exaggerate the heroic qualities to such a point that they become absurd. History Historically, the mock-heroic style was popular in 17th-century Italy, and in the post- Restoration and Augustan periods in Great Britain. The earliest example of the form is the '' Batrachomyomachia'' ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great. A longstanding assumption on the origin of the mock-heroic in the 17th century is that epic and the pastoral genres had become used up and exhausted,Griffin, Dustin H. (1994) ''Satire: A Critical Reintroduction'p. 135/ref> and so they got parodically reprised. In the 17th century the epic genre was heavily crit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. Satire may also poke fun at popular themes in art and film. A prominent feature of satire is strong irony or sarcasm—"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Man Of Law's Prologue And Tale
"The Man of Law's Tale" is the fifth of the ''Canterbury Tales'' by Geoffrey Chaucer, written around 1387. John Gower's "Tale of Constance" in ''Confessio Amantis'' tells the same story and may have been a source for Chaucer. Nicholas Trivet's ''Les chronicles'' was a source for both authors. Wurtele provides a detailed compilation of the differences between Trivet's Chronicle and the poems of Gower and Chaucer. Gower strove for vividness and shortened the tale in places. Chaucer expanded the tale and emphasizes the holiness of Constance and how she was favoured by heaven. Hagiography, Hagiographic motifs are most abundant in Chaucer's version, e.g. “the miracles God works though Custance and the way she is miraculously fed while at sea”. Wurtele observes that Chaucer makes frequent use of the adjective "hooly" but Gower never uses this word. Synopsis (References here are to line numbers in both Man of Law's Tale (MLT) and Confessio Amantis (CA).) Constance (Custance in C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhetorical Device
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action. They seek to make a position or argument more compelling than it would otherwise be. Sonic devices Sonic devices depend on sound. Sonic rhetoric is used as a clearer or swifter way of communicating content in an understandable way. Sonic rhetoric delivers messages to the reader or listener by prompting a certain reaction through auditory perception. Alliteration Alliteration is the repetition of the sound of an initial consonant or consonant cluster in subsequent syllables. Assonance Assonance is the repetition of similar vowel sounds across neighbouring words. Consonance Consonance is the repetition of consonant sounds acro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paralipsis
Apophasis (; , ) is a rhetorical device wherein the speaker or writer brings up a subject by either denying it, or denying that it should be brought up. Accordingly, it can be seen as a rhetorical relative of irony. A classic example of apophasis is "I'm not going to say that I told you so". The device is also called paralipsis (παράλειψις) – also spelled paraleipsis or paralepsis – or occupatio or occultatio, and known also as praeteritio, preterition, or parasiopesis (παρασιώπησις). Usage As a rhetorical device, apophasis can serve several purposes. For example, It can be employed to raise an ''ad hominem'' or otherwise controversial attack while disclaiming responsibility for it, as in, "I refuse to discuss the rumor that my opponent is a drunk." This can make it a favored tactic in politics. Apophasis can be used passive-aggressively, as in, "I forgive you for your jealousy, so I won't even mention what a betrayal it was." In Cicero's "Pro Caelio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Of Kent
Joan, Countess of Kent suo jure ( – August 1385),Barber, R. (2004, 23 September). Joan, suo jure countess of Kent, and princess of Wales and of Aquitaine [called the Fair Maid of Kent] (c. 1328–1385). ''Oxford Dictionary of National Biography.'' Retrieved 2 April 2025, fro known as the Fair Maid of Kent, although this appellation does not appear to be contemporary. Joan of Kent was the first Princess of Wales and mother of King Richard II of England, her son by her third husband, Edward the Black Prince. Also known as Edward of Woodstock, the Black Prince was the son and heir apparent of Edward III of England, King Edward III by his wife Philippa of Hainault. The French chronicler Jean Froissart described her as 'in her time the most beautiful woman in all the realm of England, and the most loved', and, Chandos Herald wrote that she was 'beautiful, pleasant and wise. After the death of her brother John, 3rd Earl of Kent, in 1352, Joan inherited the titles 4th Countess of K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard II Of England
Richard II (6 January 1367 – ), also known as Richard of Bordeaux, was King of England from 1377 until he was deposed in 1399. He was the son of Edward the Black Prince, Edward, Prince of Wales (later known as the Black Prince), and Joan, Countess of Kent. Richard's father died in 1376, leaving Richard as List of heirs to the English throne, heir apparent to his grandfather, King Edward III; upon the latter's death, the 10-year-old Richard succeeded to the throne. During Richard's first years as king, government was in the hands of a series of regency councils, influenced by Richard's uncles John of Gaunt and Thomas of Woodstock. England at that time faced various problems, most notably the Hundred Years' War. A major challenge of the reign was the Peasants' Revolt in 1381, and the young king played a central part in the successful suppression of this crisis. Less warlike than either his father or grandfather, he sought to bring an end to the Hundred Years' War. A firm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Of Bohemia
Anne of Bohemia (11 May 1366 – 7 June 1394), also known as Anne of Luxembourg, was Queen consort of England, Queen of England as the first wife of King Richard II. A member of the House of Luxembourg, she was the daughter of Charles IV, Holy Roman Emperor and King of Bohemia, and Elizabeth of Pomerania. Her death at the age of 28 was believed to have been caused by Plague (disease), plague. Early life Anne had four brothers, including the Sigismund, Holy Roman Emperor, Holy Roman Emperor Sigismund, and one younger sister, Margaret of Bohemia, Burgravine of Nuremberg. She also had five half-siblings from her father's previous marriages, including Margaret of Bohemia, Queen of Hungary. She was brought up mainly at Prague Castle, and spent much of her early life in the care of her brother, King Wenceslaus IV of Bohemia. She could read German, Czech, and Latin. On her journey through Flanders on the way to her new life in England, she came under the protection of her uncle, Wence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fall Of Princes
''The Fall of Princes'' is a long poem by English poet John Lydgate. It is based on Giovanni Boccaccio's work '' De Casibus Virorum Illustrium'', which Lydgate knew in a French translation by Laurent de Premierfait, entitled ''Des Cas des nobles hommes et femmes''. Lydgate's poem was written in the years 1431-38. It is composed of nine books and some 36 thousand lines. It is made up of rhyme royal stanzas: Out of her swoone when she did abbraide, Knowing no mean but death in her distrèsse, To her brothèr full piteously she said, "Cause of my sorrowe, roote of my heavinesse, That whilom were the sourse of my gladnèsse, When both our joyes by wille were so disposed, Under one key our hearts to be enclosed.— The poem tells about lives and tragic deaths of many historical and legendary persons. A sixteenth-century poem '' The Mirror for Magistrates'' by various authors is a sequel to ''The Fall of Princes''. References External links * scans of the version edited by Dr. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
