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Tate Houston
Tate Houston (November 30, 1924 – October 18, 1974) was a Detroit-based American baritone and tenor saxophonist. He played with Lionel Hampton's band and in 1946, he recorded with the Billy Eckstine band. In 1947, he played with Sonny Stitt and Milt Jackson, with whom he would continue to play, and record, into the early 1960s, and in 1948, he recorded with JC Heard’s septet in a horn section comprising Joe Newman, Bennie Green, and Wardell Gray. In February 1949, he recorded as part of the Hal Singer Sextet, which included Chippy Outcalt, Walter Buchanan, George “Butch” Ballard, and in April and June that year, he played on NY recording sessions for RCA Victor, backing Big John Greer. Musicians at those sessions were Frank Galbreath (trumpet), Zolman "Pork" Cohen (trombone), Tony Scott (clarinet), Big John Greer (tenor saxophone, vocals), Houston (on baritone and tenor saxes), Leroy Lovett (piano), Danny Perri (guitar), Henry Holmes (bass) and Art Blakey (drums). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lionel Hampton
Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles Mingus, and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame, and he was awarded the National Medal of Arts in 1996. Biography Early life Lionel Hampton was born in 1908 in Louisville, Kentucky, and was raised by his mother. Shortly after he was born, he and his mother moved to her hometown of Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin, before he and his family moved to Chicago, Illinois, in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off-limits because of racial segregation. During the 1920s, while still a teenager, Hampton took xylophone lessons from Jimmy Bertrand and began to play drums. Hampto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Holmes (musician)
Henry Holmes may refer to: * Henry Holmes (died 1738), English Member of Parliament for Yarmouth (Isle of Wight) * Henry Holmes (composer) (1839–1905), English composer and violinist * Henry Holmes (British Army officer) (1703–1762), MP for Yarmouth * Henry Holmes (Northern Ireland politician) (1912–1992), MP in the Northern Ireland Parliament for Belfast Shankill * Henry Holmes (Confederate soldier) (1827–1865), commanded a detachment of Confederate soldiers during the Battle of Picacho Pass * Henry Holmes (cricketer) (1833–1913), English cricketer * H. Allen Holmes (born 1933), American diplomat * H. H. Holmes (1861–1896), known as Dr. Henry Howard Holmes, American serial killer See also *Harry Holmes (other) Harry Holmes may refer to: * Harry Holmes (boxer) * Harry Holmes (footballer) (1908–1993), English footballer * Hap Holmes (Harry George Holmes, 1888–1941), Canadian ice hockey player * Harry W. Holmes (1896–1986), activist for Esperanto * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian "Cannonball" Adderley
Julian Edwin "Cannonball" Adderley (September 15, 1928August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s. Adderley is perhaps best remembered for the 1966 soul jazz single "Mercy, Mercy, Mercy", which was written for him by his keyboardist Joe Zawinul and became a major crossover hit on the pop and R&B charts. A cover version by the Buckinghams, who added lyrics, also reached No. 5 on the charts. Adderley worked with Miles Davis, first as a member of the Davis sextet, appearing on the seminal records '' Milestones'' (1958) and ''Kind of Blue'' (1959), and then on his own 1958 album '' Somethin' Else''. He was the elder brother of jazz trumpeter Nat Adderley, who was a longtime member of his band. Early life and career Julian Edwin Adderley was born on September 15, 1928, in Tampa, Florida to high school guidance counselor and cornet player Julian Carlyle Adderley and elementary school teacher Jessie Johnson. Elementary school class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat Adderley
Nathaniel Carlyle Adderley (November 25, 1931 – January 2, 2000) was an American jazz trumpeter. He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years. Adderley's composition " Work Song" (1960) is a jazz standard, and also became a success on the pop charts after singer Oscar Brown Jr. wrote lyrics for it. Early life Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee and in amateur gigs around the area. Adderley attended Florida University, majoring in sociology with a minor in music. He switched to cornet in 1950. From 1951 to 1953, he served in the a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Connie Kay
Conrad Henry Kirnon (April 27, 1927 – November 30, 1994) known professionally as Connie Kay, was an American jazz and R&B drummer, who was a member of the Modern Jazz Quartet. Self-taught on drums, he began performing in Los Angeles in the mid-1940s. His drumming is recorded in ''The Hunt'', the recording of a famous Los Angeles jam session featuring the dueling tenors of Dexter Gordon and Wardell Gray on July 6, 1947. He recorded with Lester Young's quintet from 1949 to 1955 and with Stan Getz, Coleman Hawkins, Charlie Parker, and Miles Davis. Kay did R&B sessions for Atlantic Records in the early to mid-1950s, and he was featured on hit records such as ''Shake, Rattle and Roll'' by Big Joe Turner and Ruth Brown's ''(Mama) He Treats Your Daughter Mean''. Kay joined the Modern Jazz Quartet in 1955, replacing original drummer Kenny Clarke. He remained through the group's dissolution in 1974 and occasional reunions into the 1990s. In addition to his MJQ compatriots, he had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Heath
James Edward Heath (October 25, 1926 – January 19, 2020), nicknamed Little Bird, was an American jazz saxophonist, composer, arranger, and big band leader. He was the brother of bassist Percy Heath and drummer Albert Heath. Biography Heath was born in Philadelphia on October 25, 1926. Allmusic biography/ref> His father, an auto mechanic, played the clarinet, performing on the weekends. His mother sang in a church choir. The family frequently played recordings of big band jazz groups around the house. Heath's sister was a pianist, while his brothers were bassist Percy Heath (older) and drummer Albert Heath (his youngest sibling). During World War II, Heath was rejected for the draft for being below the minimum weight. Heath originally played alto saxophone. He earned the nickname "Little Bird" after his work for Howard McGhee and Dizzy Gillespie in the late 1940s, during which his playing displayed influences from Charlie Parker (Parker's nickname was "Bird"). He then s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom McIntosh
Thomas S. "Tom" McIntosh (February 6, 1927 - July 26, 2017) was an American jazz trombonist, composer, arranger, and conductor. McIntosh was born in Baltimore, Maryland, the eldest of six siblings. He also had an elder half-sibling by his father. He studied at Peabody Conservatory. He was stationed in West Germany after World War II. He played trombone in an Army band, and eventually graduated from Juilliard in 1958. He played in New York City from 1956, with Lee Morgan, Roland Kirk, James Moody (1959, 1962) and the Art Farmer/Benny Golson Jazztet (1960–61). In 1961, McIntosh composed a song for trumpeter Howard McGhee. In 1963, he composed music for Dizzy Gillespie's ''Something Old, Something New'' album. The following year his composition ''Whose Child Are You?'' was performed by the New York Jazz Sextet, of which he was a member. He also worked with Thad Jones and Mel Lewis later in the 1960s. In 1969, McIntosh gave up jazz and moved to Los Angeles to pursue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Flanagan
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album '' Saxophone Colossus''. Recordings under various leaders, including '' Giant Steps'' of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Mitchell
William Lendrum Mitchell (December 29, 1879 – February 19, 1936) was a United States Army officer who is regarded as the father of the United States Air Force. Mitchell served in France during World War I and, by the conflict's end, commanded all American air combat units in that country. After the war, he was appointed deputy director of the Air Service and began advocating increased investment in air power, believing that this would prove vital in future wars. He argued particularly for the ability of bombers to sink battleships and organized a series of bombing runs against stationary ships designed to test the idea. He antagonized many administrative leaders of the Army with his arguments and criticism and in 1925, his temporary appointment as a brigadier general was not renewed, and he reverted to his permanent rank of colonel, due to his insubordination. Later that year, he was court-martialed for insubordination after accusing Army and Navy leaders of an "almost tre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alvin Jackson (musician)
Alvin "AJ" Jackson was a jazz bassist. His first performances were in a high school band with his younger brother, Milt Jackson, Willie Anderson, Lucky Thompson, Art Mardigan, and George Sirhagen, c. 1939–40. About 1947, he was playing with Tommy Flanagan’s trio with Kenny Burrell, before briefly joining the house band led by Billy Mitchell at Detroit's Blue Bird Inn, before leading it himself in 1955. The Billy Mitchell-led house band comprised Flanagan, Tate Houston and Milt Jackson, who had just returned from touring with Woody Herman.Björn, Lars Olof (2001) ''Before Motown: A History of Jazz in Detroit, 1920-60'', p. 124. University of Michigan Press At Google Books. Retrieved 9 July 2013. Whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Foster (jazz Musician)
Frank Benjamin Foster III (September 23, 1928 – July 26, 2011) was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s. Profile AllMusic; accessed June 21, 2017. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award. Early life and education Foster was born in Cincinnati, Ohio, United States, and educated at Wilberforce University. In 1949, he moved to Detroit, Michigan, where he joined the local jazz scene, playing with musicians such as Wardell Gray. Career Drafted into the U.S. Army in 1951, Foster served in Korea with the 7th Infantry Division where he fought alongside (although unknowingly) future collaborator Shawn ‘Thunder’ Wallace. Upon finishing his military service in 1953 he joined Count Basie's big band. Foster contributed both arrangements and original compositions to Count Basie's band including th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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