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Susie Q (song)
"Susie Q" is a song by musician Dale Hawkins recorded late in the rockabilly era in 1957. He wrote it with bandmate Robert Chaisson, but when released, Stan Lewis, the owner of Jewel/Paula Records and whose daughter Susan was the inspiration for the song, and Eleanor Broadwater, the wife of Nashville DJ Gene Nobles, were credited as co-writers to give them shares of the royalties. Original version Hawkins cut "Susie Q" at the KWKH Radio station in Shreveport, Louisiana. "Susie Q" was a late rockabilly song which captured the spirit of Louisiana and featured guitar work by James Burton, who also worked with Ricky Nelson and later with Elvis Presley, among others. Sometime after the recording, the master tape of "Susie Q" was sold to Checker Records in Chicago, which released it as a 45 RPM single in May 1957. The single peaked at numbers 7 and 27 on ''Billboard'' magazine's Hot R&B Sides and Hot 100 charts, respectively. In Canada, the song reached number 16 in the CHUM ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dale Hawkins
Delmar Allen "Dale" Hawkins (August 22, 1936 – February 13, 2010) was a pioneer American rock singer, songwriter, and rhythm guitarist who was often called the architect of swamp rock boogie. Ronnie Hawkins was his cousin. Biography He began recording in 1956. In 1957, Hawkins was playing at Shreveport, Louisiana clubs, and although his music was influenced by the new rock and roll style of Elvis Presley and the guitar sounds of Scotty Moore, Hawkins blended that with the uniquely heavy blues sound of black Louisiana artists for his recording of his swamp-rock classic, " Susie Q." Fellow Louisiana guitarist and future Rock and Roll Hall of Famer James Burton provided the signature riff and solo. The song was chosen as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. An accompanying album, ''Oh! Suzy Q '' was released in 1958. Creedence Clearwater Revival's version of the song on their 1968 debut album helped launch their career and today it is pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid Rock
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars, lyrics with drug references, and long improvised jams. Much of the style overlaps with 1960s garage punk, proto-metal, and early heavy, blues-based hard rock. The term is sometimes used interchangeably with "psychedelic rock", but it also specifically refers to a more musically intense subgenre or sibling of the psychedelic rock style. Compared to other psychedelic rock, acid rock features a harder, louder, heavier, or rawer sound. It developed mainly from the American West Coast, where groups did not focus on the novelty recording effects or whimsy of British psychedelia, and instead emphasized the heavier qualities associated with both the positive and negative extremes of the psychedelic experience. As the moveme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roots Rock
Roots rock is a genre of rock music that looks back to rock's origins in folk, blues and country music. It is particularly associated with the creation of hybrid subgenres from the later 1960s, including blues rock, country rock, Southern rock, and swamp rock which have been seen as responses to the perceived excesses of the dominant psychedelic and the developing progressive rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All music guide to rock: the definitive guide to rock, pop, and soul'' (Backbeat Books, 3rd edn., 2002), p. 1327 Because ''roots music'' ( Americana) is often used to mean folk and world musical forms, roots rock is sometimes used in a broad sense to describe any rock music that incorporates elements of this music. In the 1980s, roots rock enjoyed a revival in response to trends in punk rock, new wave, and heavy metal music. After a further decline, the 2000s saw a new interest in "roots" music. One proof of that is the specific Grammy Award given since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in folk, jazz, and the blues, while others showcased an explicit Indian classical influence called " raga rock". In the 1960 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creedence Clearwater Revival (album)
''Creedence Clearwater Revival'' is the debut studio album by American rock band Creedence Clearwater Revival, released on July 15, 1968, by Fantasy in the US. Featuring the band's first hit single, " Susie Q", which reached number 11 in the US charts, it was recorded shortly after the band changed its name from the Golliwogs and began developing a signature swamp rock sound. Background While " Suzie Q" proved to be a hit, the band had played for years as the Golliwogs in the early 1960s, releasing numerous singles before achieving success in the pop world. In 1967, Saul Zaentz bought Fantasy Records and offered the band a chance to record a full-length album on the condition that they change their name. Having never liked 'the Golliwogs', in part because of the racial charge of the name, the four readily agreed, coming up with ''Creedence Clearwater Revival''. In Hank Bordowitz's book ''Bad Moon Rising: The Unauthorized History of Creedence Clearwater Revival'', bassist Stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creedence Clearwater Revival
Creedence Clearwater Revival, also referred to as Creedence and CCR, was an American rock band formed in El Cerrito, California. The band initially consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty; his brother, rhythm guitarist Tom Fogerty; bassist Stu Cook; and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs, before settling on Creedence Clearwater Revival in 1967. CCR's musical style encompassed roots rock, swamp rock, blues rock, Southern rock, and country rock, among others. Belying their origins in the East Bay subregion of the San Francisco Bay Area, the band often played in a Southern rock style, with lyrics about bayous, catfish, the Mississippi River and other elements of Southern United States iconography. The band's songs rarely dealt with romantic love, concentrating instead on political and socially conscious lyrics about topics such as the Vietnam W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ticknor & Fields
Ticknor and Fields was an American publishing company based in Boston, Massachusetts. Founded as a bookstore in 1832, the business would publish many 19th century American authors including Ralph Waldo Emerson, Nathaniel Hawthorne, Henry James, Henry Wadsworth Longfellow, Harriet Beecher Stowe, Henry David Thoreau, and Mark Twain. It also became an early publisher of ''The Atlantic Monthly'' and '' North American Review''. The firm was named after founder William Davis Ticknor and apprentice James T. Fields, although the names of additional business partners would come and go, notably that of James R. Osgood in the firm's later years. Financial problems led Osgood to merge the company with the publishing firm of Henry Oscar Houghton in 1878, forming a precursor to the modern publisher Houghton Mifflin Harcourt. Houghton Mifflin revived the Ticknor and Fields name as an imprint from 1979 to 1989. Company history Early years In 1832 William Davis Ticknor and John Allen bega ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Albums Of The Seventies
''Christgau's Record Guide: Rock Albums of the Seventies'' is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in ''The Village Voice'' throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', '' Creem'', '' Newsday'', ''Playboy'', ''Rolling Stone'', '' Billboard'', NPR, '' Blender'', and '' MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock And Roll Hall Of Fame
The Rock and Roll Hall of Fame (RRHOF), sometimes simply referred to as the Rock Hall, is a museum and hall of fame located in downtown Cleveland, Ohio, United States, on the shore of Lake Erie. The museum documents the history of rock music and the artists, producers, engineers, and other notable figures who have influenced its development. The Rock and Roll Hall of Fame Foundation was established on April 20, 1983, by Ahmet Ertegun, founder and chairman of Atlantic Records. After a long search for the right city, Cleveland was chosen in 1986 as the Hall of Fame's permanent home. Architect I. M. Pei designed the new museum, and it was dedicated on September 1, 1995. Rock and Roll Hall of Fame Foundation The RRHOF Foundation was established in 1983 by Ahmet Ertegun, who assembled a team that included ''Rolling Stone'' publisher Jann S. Wenner, record executives Seymour Stein, Bob Krasnow, and Noreen Woods, and attorneys Allen Grubman and Suzan Evans. The Foundation bega ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CHUM Chart
The CHUM Chart was a ranking of top 30 (and, until August 1968, the top 50) songs on Toronto, Ontario radio station CHUM AM, from 1957 to 1986, and was the longest-running Top 40 chart in the world produced by an individual radio station. On January 10, 1998, sister station CHUM-FM, which airs a hot adult contemporary format, revived the CHUM Chart name for a new countdown show. The CHUM Chart also aired as a television program on Citytv every Saturday at 2:00 P.M. until January 2008, when the show was discontinued after Rogers Communications gained control of the Citytv stations and replaced it with the ''JackNation'' chart, a show based on their Jack FM radio brand. The program aired a list of the most popular songs in the countdown, starting from No. 30, playing approximately half of them. From the chart's debut in 1957 until the launch of the national '' RPM'' chart magazine in 1964, the CHUM Chart was considered Canada's de facto national chart due to its status as the singl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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